To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Mysteries, myths and realities regarding the testament of Maria (Lupu) Radziwiłł
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Abstract
The matter of Maria (Lupu) Radziwiłł’s will is one of little-known questions. Usually this issue was considered by historians in the context of property of the Radziwill family, or used by writers in literary fiction that gave rise to many myths. In this article the author examines this question in several ways: 1) The property brought by Maria (Lupu) Radziwiłł, a daughter of Vasile Lupu, as a dowry; 2) Wiano and wedding gifts; 3) Awards of Polish kings for life ownership of real property; 4) The property of her husband. The amount of the dowry of Maria is not exactly known, but according to documentary evidence, it numbered from 600,000 to 2000,000 zlotys: 450 thousand in money and 150 thousand in jewels (gold and silver). Besides, she received six starostwos (territorial units) for life tenure. After the death of Janusz Radziwiłł (1655), Maria tried to return the money and jewelry from her dowry, which was at the time under the custody of a cousin of her husband - Bogusław Radziwiłł, but he evaded the return of its property. Maria Radziwiłł has repeatedly appealed for help to the king, her relatives and tribunals, but could not get justice. She died in 1660, leaving a will. Her heirs managed to return 471,400 zlotys, which were given to 13 convents, seven churches, Slutsk School, Vilnius Boarding School, and 3 hospitals. 600 zlotys were unsubscribed to the service of forty Prayers. Monastery of the Holy Spirit in Vilnius got 200 thousand zlotys. The remaining heirs received from 400,000 to 100 zlotys. The closest relatives of Maria Radziwiłł – Gospodar Stefaniță, her half brother on the father, and her sister Ruxandra, Tymish Khmelnytsky’s widow, also actively fought for her property. The author concludes that the relatives did not appear in her will. Disputes regarding Maria’s property lasted until the beginning of the 19th century that later (and up to the present) gave rise to many legends and myths.
List of annexes and illustrations: Annex 1. Fragment of the document: Regestr skarbnice albo rzeczy Radziwiłłowny koniuszanki WXL która posyła z Królewca. 1670, Królewic (56 stron), str. 21v-22 (Vilniaus universiteto biblioteka Rankraščių skyrius). Annex 2. Fragment of the document: Археографический сборник документовЪ относящихся кЪ исторiи Северозападной Руси (Вильнюс 1870), 373-374, док. 91 Vilniaus universiteto biblioteka Rankraščių skyrius, F4-(A231)18003, 18004). Annex 3. Fragment of the document: Археографический сборник документовъ относящихся къ исторiи Северозападной Руси (Вильнюс 1870), 373-374, док. 91 Vilniaus universiteto biblioteka Rankraščių skyrius, F4-(A231)18003, 18004). Annex 4. Fragment of the document: Regestr skarbnice albo rzeczy Radziwiłłowny koniuszanki WXL która posyła z Królewca. 1670, Królewic (56 stron), str. 45 (Vilniaus universiteto biblioteka Rankraščių skyrius). Annex 5. Fragment of the document: Lietuvos Valstybes Istorijos Archyvas, F. 1280 (Radivilos 1416-1939), A. 1, nr. 599, 76 v (Zablódow 1581-1824). Fig. 1. Maria (Lupu) Radziwiłł (copy of the portrait by Matthäus Merian (Jr.) made by unknown artist. Dział Doku- mentacji Wizualnej i Digitalizacji. Muzeum Narodowe w Warszawie). Fig. 2. Janusz Radziwiłł, husband of Maria (Lupu) Radziwiłł (after Leybowicz 1758). Fig. 3. Maria (Lupu) Radziwiłł (after Leybowicz 1758). Fig. 4. Maria (Lupu) Radziwiłł (from colection of M. Berson). Fig. 5. Orthodox Church from Kedainiai (Keydani) (a-b - after Kedainiai Regional Museum; c-d - photo by the author). Fig. 6. Bogusław Radziwiłł, husband of Anna Maria Radziwiłł (after Leybowicz 1758). Fig. 7. Anna Maria Radziwiłł (after Leybowicz 1758). Fig. 8. Portrait of Maria (Lupu) Radziwiłł (unknown author) (https://www.google.MariaRadziwill). Fig. 9. Ludwika Karolina Radziwiłł (after Leybowicz 1758).
Lilia Zabolotnaia
The destiny of woman in the history of Moldavia. Myths and realities about Catherine the Circassian – the second wife of the hospodar Vasile Lupu
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Nicolae Fuştei, Mitropolitul Gavriil Bănulescu-Bodoni 1746-1821: activităţi culturale şi ecleziastice. Chişinău: Biblioteca ştiinţifică (Institut) „Andrei Lupan”, 2021, 464 p. ISBN 978-9975-62-452-7
Tyragetia, serie nouă, vol. XVI [XXXI], nr. 2, Istorie. Muzeologie
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Lilia Zabolotnaia
Epistolary heritage of women’s texts. Private correspondence of the Cantemir sisters
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
