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The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

Virtual Tour


Exhibitions

“Art in Motion: From Sketch to Film”

October 28 – November 28, 2025

The exhibition "Art in Motion: From Sketch to Film", organized to mark the World Day for Audiovisual Heritage, aims to explore the valuable contributions of production designers who have been active since the founding of the Moldova-Film studio, such as Aurelia Roman and Stanislav Bulgakov.

Moldova-Film became an independent film studio in 1952 under the name "Moldovan Studio for Documentary Newsreels." On January 24, 1957, following its reorganization and renaming as the "Moldova-Film Studio for Newsreels and Documentaries," cinematography quickly became a cultural pillar of the Moldavian Soviet Socialist Republic. In 1991, the studio was reorganized into the State Concern "Moldova Film," then in 1994 into the State Cinematographic Studio Moldova Film. Since 1999, following further restructuring, it has operated as the Joint Stock Company "Moldova Film." Over four decades, the studio produced feature films, documentaries, and animated works that shaped generations and contributed to a distinct visual identity in the Eastern European cultural space.

In this universe of moving images, scenography plays a vital role. The production designer is the artist who gives shape to the cinematic world-designing sets, imagining costumes, and creating the visual atmosphere that supports the story. They are architects of emotion, painters of narrative space.

The exhibition "Art in Motion: From Sketch to Film" showcases scenographic heritage preserved in the collections of the National Museum of History of Moldova, highlighting the work of Aurelia Roman-a remarkable production designer active at Moldova-Film between 1959 and 1987. A graduate of the Art Faculty at VGIK Moscow, Aurelia Roman contributed to the visual realization of over twenty films through costume sketches, set designs, and film posters, many of which are now preserved as museum heritage pieces.

The exhibition also features works from the collection of Stanislav Bulgakov-production designer and Honored Master of Art of the Moldavian SSR. The artistic collaboration between Roman and Bulgakov visually shaped the identity of Moldovan cinematography in the second half of the 20th century, contributing to the aesthetics of films such as Red Meadows, The Man Follows the Sun, Risk, and Serghei Lazo.

Through this exhibition, the public is invited to discover the artistic process behind the screen-from the first line drawn on paper to the final image on film. It is a journey into the backstage of creation, a tribute to scenography as an art form and an integral part of national cultural heritage.

Opening: October 28, 14:00, first-floor lobby of the National Museum of History of Moldova.

The exhibition Art in Motion: From Sketch to Directed Film will be open to visitors from October 28 to November 28, 2025, in the first-floor lobby of the National Museum of History of Moldova, Chișinău, 121A 31 August 1989 Street.



 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC