#Exhibit of the Month

Throughout time, people have "worn" their teeth as some of their most precious ornaments. Precisely because of this, in many cultures, teeth have undergone changes countless times, acquiring various shapes and colors.

To this day, such local traditions are known in Bali as a rite of initiation for young people between the ages of 16 and 18. Such a practice symbolizes the entry into adult life. Such a procedure is believed to pacify six basic spiritual sins (among them greed, lust, avarice). And for this, six teeth are filed, including the fangs. The women of the Mentawai tribe, from the island of Sumatra, practice carving and sharpening their teeth, being convinced that this is the only way they become attractive. The procedure is performed without anaesthesia, by a local shaman, who, to make the ceremony as painful as possible, uses a chisel with a sharpened and blunt edge. The given ritual has been practiced for millennia at the request of entire generations of girls.

A human mandible with traces of such a ritual was discovered in the settlement of Cobîlnea "Stația" (Cobîlea village, Șoldănești district, year 1986) attributed to the Noua culture (late period of the Bronze Age, XV-XIII centuries BC). ). As a result of the anthropological analysis of the object, it was proven that the mandible belongs to a young man of European race, aged between 18 and 20 years old. The importance of this discovery lies in the rendering of an unusual practice for the communities of the Noua culture and in general for the prehistoric human populations that populated the Carpatho-Danubian-North Pontic space, namely - dental filing. The four incisor teeth are sectioned in half lengthwise, an operation performed shortly before the individual's death. It is not excluded that the mandible belonged to an allogene, which as a result of unknown circumstances arrived in this space and came into contact with the local population. But to verify such a hypothesis, a series of analyzes are needed (DNA, isotopic, 14C).

The grinding marks observed on some areas of the mandible do not exclude its use as a cult attribute (pendant) after the death of the individual.

Virtual Tour

Chronological Axis

Aeneolithic Age

(late 5th millennium B.C. - early 3rd millennium B.C.)

The archaeological collections related to this period are the most representative ones. The development of material and spiritual culture testifies to the existence of different communities of farmers and nomadic cattle-breeders. Representatives of the Cucuteni-Tripolye culture inhabited the vast territory from the Carpathians to Dnieper for about 1,500 years (late 5^th millennium B.C. – early 3^rd millennium B.C.).

In the territory of the Republic of Moldova there are known more than 600 settlements of farmers, some of which were archaeologically investigated: Floresti, Rogojeni, Rusestii Noi, Radulenii Vechi, Petreni, Varvareuca, Brinzeni, etc. At this time there were first produced metal (copper) items. Tools made of bone and stone are predominant. The earthenware collection is remarkable for the variety of vessels decorated with carving or painted in diverse ornamental styles. The ornamental compositions contain cosmologic scenes, astral symbols, fantastic animals, and anthropomorphic deities. The spiritual life of the communities is represented by an impressive collection of zoo- and anthropomorphic figurines.

At the same time in the south of the Prut-Dniester area there was spread the Bolgrad-Aldeni culture represented by an impressive material.

Cattle-breeding tribes from North-Pontic steppes, which are represented here by the archaeological monuments of the Suvorovo-Novodanilovca and Cernavoda type, played an important part in the history of Aeneolithic communities. The stages of transition from the Aeneolithic to the Bronze Age in the Prut-Dniester area are represented by the archaeological cultures like the Brinzeni, Gordinesti, and Usatovo ones, which have harmoniously combined elements of the Cucuteni civilization and features of the cultures of the North-Pontic cattle-breeders identified with the ancient Indo-Europeans.

1.Vessel, the Bolgrad-Aldeni culture

2.Vessel, the Bolgrad-Aldeni culture

3.Female figurine of “Orante” type, the Bolgrad-Aldeni culture

4.Painted amphora with zoomorphic representations, the Late Cucuteni-Tripolye culture

5.Head of anthropomorphic figurine representing a slipping female deity, the Late Cucuteni-Tripolye culture

6.Anthropomorphic top of lid representing male deity, the Early or the Middle Cucuteni-Tripolye culture

7. Female figurine sitting on the zoomorphic “throne”, the Early Cucuteni-Tripolye culture

8.Female figurine, the Early Cucuteni-Tripolye culture

9.Stemmed “fruit dish” vessel with lid, with incised and excised decoration, the Early Cucuteni-Tripolye culture

10.Stemmed “fruit dish” vessel with incised and excised decoration, the Early Cucuteni-Tripolye culture

11.Stemmed “fruit dish” vessel with painted design, the Middle Cucuteni-Tripolye culture

12.Painted anthropomorphic amphora with lid, the Middle Cucuteni-Tripolye culture

13.Painted amphora with representation of the Great Goddess possessing animals, the Late Cucuteni-Tripolye culture

14.Female figurine, the Late Cucuteni-Tripolye culture

15.Bowl with zoomorphic representations, the Late Cucuteni-Tripolye culture

16.Painted pear-shaped vessel, the Late Cucuteni-Tripolye culture

17.Painted vessel, the Late Cucuteni-Tripolye culture

18.Female figurines, the Late Cucuteni-Tripolye culture

19.Female figurines, the Late Cucuteni-Tripolye culture

20.Painted amphora, the Late Cucuteni-Tripolye culture

21. Copper items, the Middle Cucuteni-Tripolye culture

22. Painted dishes and bowls, the Late Cucuteni-Tripolye culture

23.Painted vessels, the Middle Cucuteni-Tripolye culture

24.Binocular vessel, the Middle Cucuteni-Tripolye culture

25.Figurine of a bull, the Late Cucuteni-Tripolye culture

26. Painted vessels: lidded anthropomorphic amphora representing a female deity and bowl, the Middle Cucuteni-Tripolye culture

27. Binocular vessel, the Middle Cucuteni-Tripolye culture

28. Fragment of design of a painted amphora with zoomorphic representations, the Late Cucuteni-Tripolye culture

29.Fragment of design of a painted amphora with zoomorphic representations, the Late Cucuteni-Tripolye culture

30. Fragment of design of a painted amphora with zoomorphic representations, the Late Cucuteni-Tripolye culture

31.Fragment of design of a painted amphora with the scene of a ritual dance, the Late Cucuteni-Tripolye culture

32.Copper axe, the Late Cucuteni-Tripolye culture

33. Bone daggers, the Late Cucuteni-Tripolye culture

#Exhibit of the Month

The human mandible from Cobîlea

Aeneolithic Age

(late 5th millennium B.C. - early 3rd millennium B.C.)

#Exhibit of the Month