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National Museum of History of Moldova
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#Exhibit of the Month

From the early days of Christianity, the cross meant not only an instrument of torture, but also a symbol of victory over death, a symbol of salvation. The object is made of silver, having the shape of a Byzantine cross with trapezoidal edges of the arms. The side arms and the one at the bottom seem to be turned inside a vessel (chalice (?)) with the trapezoidal "foot". The arms of the cross and of the "chalice" were ended with a decorative element in the shape of a sphere (drop). The cross has a decoration in relief, executed in the technique of filigree and granulation, consisting of drops, double and triple cords, circles with a drop in the center, and trefoils (?). In the center of the cross, at the intersection of the arms, there is a round mount with a cord-like edge, in which the pomegranate fruit is located. However, the main decorative element is the images of four peacocks turned to the right, with a snake in the beak, arranged on all the arms of the cross. The image of the peacocks is rendered in an artistic way, and their tails are stylized in the shape of a palmette.
The peacock, originated from India, due to its luxurious fan-shaped tail, was considered a symbol of the Sun. In ancient Greece, they were considered the sacred birds of the goddess Hera, and in ancient Rome they were considered the sacred birds of the goddess Juno. In Kievan Rus', the peacock (the Firebird) also symbolized the Sun. In the West, the peacock was considered a snake killer, and the iridescent colors of its tail were attributed to its ability to turn snake venom into solar substance. Since snakes in Iranian symbolism were considered enemies of the sun, it was believed that the peacock killed snakes, in order to create "eyes" from their saliva, iridescent with a bronze-green and gold-blue color on the feathers of its tail. Due to the bright splendor of the male peacock's tail, it has been compared with immortal gods and, therefore, with immortality. Peacocks are known as an emblem of greatness, royal authority, spiritual superiority, ideal creation.

In the early period of Christianity, the peacock was a symbol of love, resurrection, immortality, beauty, eternity of the soul, the all-seeing eye of the Church, and the peacock feather was the emblem of Saint Barbara. The image of peacocks with snakes in their beaks on the cross is not at all accidental; it symbolizes the victory of Christ over evil.

On the back side of the cross, traces of fixing are preserved, probably of a pin (missing), so the object served as a brooch (fibula), which was probably attached to the fabric. The piece is presumably dated back to the 9th-12th centuries.

The object has the following dimensions: height - 125 mm; width - 86 mm; weight - 47 g.


 
National Museum of History of Moldova
 

Legislation

General provisions on the organization of museum institutions of the Republic of Moldova are set out in the Law on Museums No 1596-XV of December 27, 2002, which was subject to insignificant changes over the years. According to the Law on Museums of the Republic of Moldova, “Museums are non-profit institutions with a status of legal entity, which are registered in the manner prescribed by law”. 

The establishment of museums is made with the prior approval of the Ministry of Culture. According to the law, in the country there are many categories of museums, depending on the content and value of collections: national, departmental, regional, private, city and village museums, etc. In the Ministry of Culture there is the Register of Museums, which takes into account all the museums of the republic, regardless of the category and type.

National museums are created by government decree, and all the other museums are created by decisions of the bodies, to which they are subordinated, according to the preliminary conclusion of the Ministry of Culture. The Ministry of Culture, in accordance with the law, ensures the implementation of the commitments made by the Republic of Moldova through the signing of international conventions relating to operation and protection of museums. Financing of the museums, which are in public ownership, is provided from budgetary and extra-budgetary funds in accordance with applicable law. 

The Law on Museums establishes the categories of objects that constitute the museum values, which is inalienable. Cultural values from the museum collections of the country are included in the State Register of Movable Cultural Values created in the framework of the Ministry of Culture. Temporary export of museum values to the organization of exhibitions outside the country is allowed only by order of the Minister of Culture, in accordance with applicable law. 
 
In 2011 there was approved the Law regarding the protection of national cultural mobile heritage (no. 280 from 27.12.2011). Given the development of contemporary museology, the approval by Parliament of the Law on the protection of movable national cultural heritage, the Ministry of Culture initiated in 2013 a programme of change of laws, including the Law of museums. Thus, at the request of the Ministry of Culture, National Museum of History has proposed a series of amendments to the Law of museums.


 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age

  
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#Exhibit of the Month

From the early days of Christianity, the cross meant not only an instrument of torture, but also a symbol of victory over death, a symbol of salvation. The object is made of silver, having the shape of a Byzantine cross with trapezoidal edges of the arms. The side arms and the one at the bottom seem to be turned inside a vessel (chalice (?)) with the trapezoidal "foot". The arms of the cross and of the "chalice" were ended with a decorative element in the shape of a sphere (drop). The cross has a decoration in relief, executed in the technique of filigree and granulation, consisting of drops, double and triple cords, circles with a drop in the center, and trefoils (?). In the center of the cross, at the intersection of the arms, there is a round mount with a cord-like edge, in which the pomegranate fruit is located...

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