In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Journal “Tyragetia”, published by the National Museum of History of Moldova, is accredited (category B) and listed in the National Register of scientific journals.
The journal was founded in 1991, the first issue saw the light in 1992. 15 issues have been published by 2006 with a frequency of one volume per year.
The new series of the journal is being published starting with 2007 in two issues annually: Vol. 1. Archaeology. Ancient History and Vol. 2. History. Museology.
In the new series of the journal “Tyragetia” are published studies of archaeology, history, museology, results of archaeological-historical interdisciplinary research, studies on heritage protection etc. The published materials cover the geographic area of the Balkan-Carpathian-Pontic space and the entire Eurasian continent.
The journal aims at promoting results of scientific investigations conducted by collaborators of the National Museum of History of Moldova and researchers from institutions in Moldova and from abroad.
28 issues of the journal were published in the period 2007-2020, with 860 scientific articles signed by authors from Moldova, Romania, Ukraine, Germany, USA, Poland, Russia, Georgia, Kazakhstan, etc.
The journal is included in the following databases:
Editorial Board
(according to the decision of the Scientific Council of NMHM of 19.12.2022)
Chief Editor
Dr. hab. Eugen Sava,National Museum of History of Moldova, Chișinău, Republic of Moldova
Editorial Secretary
Dr.Aurel Zanoci, Moldova State University / National Museum of History of Moldova, Chișinău, Republic of Moldova
Members:
Dr. Marius Alexianu, University „Al.I. Cuza”, Iași, Romania
Dr. Ana Boldureanu, National Museum of History of Moldova, Chișinău, Republic of Moldova
Dr. hab. Nicolaus Boroffka, German Archaeological Institute, Berlin, Germany
Dr. hab. Ion Eremia, Moldova State University, Chișinău, Republic of Moldova
Dr. hab. Alexandr Falyleev, University Aberystwyth, UK
Dr. Elena Izbitzer, New York, USA
Prof. dr. Elke Kaiser, Free University of Berlin, Germany
Dr. Igor Manzura, National Museum of History of Moldova, Chișinău, Republic of Moldova
Dr. Eugen Necolae, Institute of Archaeology „V. Pârvan”, Bucharest, Romania
Dr. Virgil Nițulescu, National Museum of the Romanian Peasant,Bucharest, Romania
Dr. hab. Elena Ploșnița, National Museum of History of Moldova, Chișinău, Republic of Moldova
Dr. Elena Postică, National Museum of History of Moldova, Chișinău, Republic of Moldova
Dr. hab. Gheorghe Postică, National Museum of History of Moldova, Chișinău, Republic of Moldova
Dr. hab. Igor Sapozhnikov, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev, Ukraine
Dr. Ion Tentiuc, National Museum of History of Moldova, Chișinău, Republic of Moldova
Dr. hab. Valentin Tomuleț, Moldova State University, Republic of Moldova
Dr. hab. Lilia Zabolotnaia, National Museum of History of Moldova, Chișinău, Republic of Moldova
The journal asks authors to pay attention to the following aspects:
- temporarily does not publish materials of researchers from the Russian Federation (according to the decision of the Scientific Council of NMHM of 19.12.2022);
- the journal does not publish materials that may be considered plagiarized;
- for publication are only accepted novel, previously unpublished materials. The author is obliged to inform the editorial board if submitted article was submitted for publication in other journals or if there is an already published modified version of the same article;
- the editorial board is taking consideration of the fact that submitted for peer review and publication materials are confidential. Unpublished material will not be used under any circumstances by the editor, reviewers or publishers for personal purposes or any other purpose;
- we encourage all authors to be respectful and to be guided by academic fairness in articles containing criticism of colleagues. Otherwise, the editor reserves the right to reject or edit the material to meet these requirements;
- analysis and review of materials by the editorial board of the journal focuses exclusively on scholarly value, clarity of presentation and scholarly ethics requirements. The process of accepting articles for publication excludes all discrimination based on sex, age, race, religion, nationality or any other discriminatory criterion.
Structure of the journal
The journal has the following sections:
I. Studies
II. Materials and research
III. Reviews and book presentations
Upon need, two other compartments are added: Tribute and In memoriam
Instructions for authors
Contributions should be submitted in Romanian, Russian, English, German, French.
The volume of the manuscripts shouldn’t exceed 100,000 signs, (approximately 2,5 ens), including bibliography, summaries and illustrations.
The texts of the contributions should be submitted as digital copies: Microsoft Word; Times New Roman (with diacritics specific to the text language); Font size 12; Spaсe 1,5.
Articles should have keywords (5-7 words) and summaries (max. 1500 signs) in three languages: Romanian, Russian, English (German or French).
Plates (illustrations) should be provided in clear graphic (GRAYSCALE, format TIF, JPG – minimum 300 dpi and higher) and should respect the maximum size of page mirror (16×23,5 cm or 7,5×23,5, including the legend). Each object on the plate will be numbered using numbers (if necessary letters), using font Georgia, font size 10. Illustrative material must also be accompanied by a list of illustrations (Microsoft Word, Times New Roman, font size 10) with a comprehensive legend in Romanian, Russian, English (German or French).
Bibliographic notes should be presented in original, inside the manuscript text: (Teodor 2005, 172, fig. 7/4-6; Müller 1953, 123, Abb. 15/4-6; Петров 1999, 15, рис. 3/4-6).
Explanations, comments and references to archive and museum funds will be made at the footer (continuous numbering).
References to illustrations (figures) from text should be done in parenthesis, in short, according the following example (fig. 2/7; Abb. 2/7; рис. 2/7).
Bibliography should be presented in alphabetical order at the end of the text.
Citation of monographs:
Boardman 1988: J. Boardman, Grecii de peste mări. Colonizarea greacă și comerțul timpuriu (București 1988).
Козуб 1974: Ю.I. Козуб, Некрополь Ольвiï V-IV ст. до н.e. (Киïв 1974).
Citation of articles published in collections of scholarly articles:
Behren 2005: Claudia von Behren, Sklaven und Freigelassene auf bosporanischen Grabreliefs. In: (Ed. V. Cojocaru) Ethnic Contacts and Cultural Exchanges North and West of the Black Sea from the Greek Colonization to the Ottoman Conquest (Iași 2005), 167-194.
Ванчугов 1981: В.П. Ванчугов, Поселение позднего бронзового века Ялпуг-IV в Нижнем Подунавье. В сб.: (Отв. ред. П.О. Карышковский) Памятники древних культур Северо-Западного Причерноморья (Киев 1981), 91-102.
Citation of works published in periodical editions (journals, yearbooks etc.):
Postică 2005: Gh. Postică, Complexul monumental din piatră din secolul XV descoperit în citadela Orheiului Vechi. Revista Arheologică S.N. I/2, 2005, 371-387.
Рехо 1973: М. Рехо, Атическа рисувана керамика в тракийския погребален контекст. Наблюдения върху съдовете, открити в България. Aрхеология 31/2, 1973, 11-19.
Citation of materials published in volumes of symposiums and scholarly conferences:
Trohani 2004: G. Trohani, Aspects concernant des rituels de fondation chez les geto-daces. Tracians and circumpontics world. Proceedings of the Ninth International Congress of Thracology, Chișinău-Vadul lui Vodă, 6-11 september 2004, II (Chișinău 2004), 332-337.
Бибикова 1972: В.И. Бибикова, О доместикации лошади на Юго-Востоке Европы. Матерiали XIII конференцiï Iнституту археологiï АН УРСС, Киïв, 1968 (Киïв 1972), 106-110.
If abbreviations are used in text and bibliography, a list of abbreviations should be attached in the end.
Data about the author is attached at the end of the text: name, surname; academic degree; position; institution; address; telephone, fax, e-mail.
Deadlines
To facilitate the timely issue of the journal please respect the deadline for paper submission – March 1 of each year.
Taxes
The journal does not charge for processing and editing articles. Authors receive a copy of the journal in which the article was published without any charge.
Copyright
The journal allows authors to hold and keep copyrights on articles without restrictions.
Peer review of articles
All scientific articles submitted for publication in the journal "Tyragetia" are reviewed under the peer reviewsystem.
The peer review is an evaluation of scientific work by two referees with equal rights, which check compliance of publication, identify deviations from the standards of the journal and make suggestions for improving the quality of the publication.
Copies of articles received (hard copy or digital version) in the office are transmitted by the chief editor or the editorial secretary to researchers who are considered experts in the field and are part of the Journal’s list of peer reviewers.
Reviewers write (within 30 days) one review of the article received which is handed to the editorial secretary. The latter, transmits all comments made by reviewers to the authors. Upon request, the reviewers may remain anonymous to the author of the reviewed article.
The evaluation of articles aims at verification of the following:
- article corresponds to journal profile;
- compliance with publication rules and structure of the article;
- the results presented are sufficiently innovative and interesting in order to justify publication;
- quality of scientific content;
- respect of ethical principles;
- relevance of bibliographic sources.
Reviewers' assessment should include in the end one of the following recommendations for the article analyzed:
- unconditional acceptance of article;
- acceptance on condition to make the mentioned changes in the review;
- reject the article.
If only one review received negative assessment, the chief editor can request a third review of the article. If the article is considered to need further revision, it is returned to the author with necessary recommendations.
Open access policy
Tyragetia (New Series) is an Open Access research journal, freely accessible online. Following the Budapest Open Access Initiative (BOAI) definition of the “Open Access”, the users have the right to “read, download, copy, distribute, print, search, or link” to the full texts of articles.
The Creative Commons Attribution License (CC BY) allows users to copy, distribute and transmit an article, adapt the article and make commercial and non-commercial use of the article, as long as the author is properly attributed. Authors grant the journal a license to publish the article and identify itself as the original publisher. Authors also grant any third party the right to use the article freely as long as its original authors, citation details and publisher are identified.
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.