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#Exhibit of the Month

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The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody. The cylinder holds seven melodies by W.A. Mozart, which are played through the vibration of steel teeth arranged in a comb, whose tips are adjacent to the cylinder. The lid of the box features floral marquetry on its outer surface. This cultural asset is classified under the "Tezaur" category.

The Story of Musical Boxes

Musical boxes originated in Switzerland at the end of the 18th century. In 1796, watchmaker Antoine Favre-Salomon invented a pocket watch with an incorporated musical mechanism, using the principle of tuned metal lamellae. The invention quickly spread, soon leading to the creation of musical boxes independent of watches.

Initially invented and built for the salon entertainment of the aristocracy, musical boxes quickly evolved, capturing the market and public interest with these entertainment machines. The musical box industry was predominantly centered in Switzerland. Geneva remains the cradle of the musical box, even though the art of crafting these musical wonders spread to other regions of Switzerland - such as Jura, Auberson, and Sainte Croix - and later to other countries, including France, Germany, and Czechoslovakia. Some of the most notable manufacturers of musical boxes include: Mermod Frères, Paillard, Reuge, Thorens, Cuendet, Junod, Nicole Frères, Ducommun-Girod, Brémond, and L'Epee.

The musical box operated on a relatively simple principle: a cylinder with pins (cylindrical pins) would, through rotation, actuate a metal "comb" tuned to specific musical notes, both being concealed from view in one of the box's compartments. By turning the cylinder - with the help of a spring mechanism (similar to that of watches) - the pins would strike the steel "teeth" of the comb, causing them to vibrate and produce different musical notes. A musical box could have a limited number of melodies "programmed" onto the cylinder - from 4 to 12.

Over time, the cylinders were replaced with interchangeable metal discs. Based on this operating principle, large musical boxes emerged in cafés and taverns, which could be activated by inserting a coin, allowing users to select their preferred disc.

Besides the ingenious mechanism, musical boxes also stood out for the artistry of their exterior decorations, featuring materials such as precious woods, mother-of-pearl, ivory, and metal.

The decline of musical boxes began with the invention of the phonograph (1877) and the gramophone (1887). Production continued for a while, but by the early 20th century, most renowned companies had abandoned the business and started manufacturing other mechanical musical instruments.

Virtual Tour


Publications Journal „Tyragetia"


Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
ISSN 1857-0240
E-ISSN 2537-6330

Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică

Chișinău, 2009

I. Researches


Татьяна И. Демченко
Monuments of the Corjeuți type within the context of the Early Bronze Age History of Eastern and Central Europe

Алла Николова, Юрий Рассамакин
Clay Model of the “Cradle” from Kalanchak town and Some Aspects of the Early-Middle Bronze Age Chronology in the Dnieper-Donetsk Region

Элке Кайзер
Die absolute Datierung der Katakombengrabkultur im Nördlichen Schwarzmeerraum

Valeriu Banaru
Betrachtungen über die Vermittler der Handels- und Austauschbeziehungen zwischen der griechischen Welt und Einheimischen des nordwestlichen Pontos-Raumes auf der Grundlage archäologischer und schriftlicher Quellen des 7.-5. Jh. v. Chr.

II. Papers and surveys


Николай К. Анисюткин
The stone industry particularities of the 3a layer from Trinca 1 grotto

Sergiu-Constantin Enea
Some observations on the Neolithic and Aeneolithic ornaments in the Romanian area

Анна Никулицэ
Golden and silver adornment objects discovered at the Aeneolithic and Bronze Age monuments (on the materials from the NMAHM collections

Eugen Sava, Mariana Sîrbu
The „ashpit” settlements in the basin of Răut (Catalog)

Ion Niculiță, Andrei Nicic, Andrei Corobcean
The results of the archaeological investigations at the civil settlement Saharna „Dealul Mănăstirii” (2008 campaign)

Florea Costea, Lucia Savu, Angelica Bălos
A „fibula” with cultural valences found at Ormeniș-„Tipia Ormenișului”, Brașov county

Viorel Stoian
One possible magic kit from first iron age discovered in Braila’s plain

Сергей Фидельский
Burial of the Early Iron Age near Slobodzeja at the lower bottom of the river Dniester

Ion Tentiuc, Alexandru Levinschi
Archaeological researches from Buzduganii de Jos in the Ţuțora Valley conducted in 2008. Preliminary research results

Natalia Mateevici
Some changes in the chronology of the Rhodos amphorae seals discovered in the barbarian surroundings of the Northwestern Pontic space

Marek Żyromski
The patterns of promotion within the roman army and administration – patronage versus experience and specialization

Mateusz Żmudziński
Trade contacts of Roman Dacia

Ana Voloșciuc-Bîtcă
Certaines considerations concernant le latin de Dacie

Petre Mocanu
The crypt and church from Niculițel – symbols of Christian presence to the north of Balkans

Theodor Isvoranu, Mircea Dabîca
A gold coin from the 5th century A.D. discovered at Histria

Иван Власенко, Вячеслав М. Бикбаев
An medieval grave near the village Hîrtopul Mare

Valeriu Bubulici, Ion Tentiuc
Some monetary discoveries in the cemetery of the Assumption Church from Căușeni

Ion Tentiuc
Les carreaux des poêles avec l’images heraldiques de Căușeni

Ana Boldureanu
The chronicle of monetary discoveries (III)

Sergiu Musteață
Ethics and Professional Deontology in Archaeology

III. Paper and book review


Valeriu Banaru
Natalia Mateevici, Amforele grecești în mediul barbar din nord-vestul Pontului Euxin în sec. VI - începutul sec. II a. Chr. Chișinău, 2007. 284 p. + 353 estampaje, 37 fi guri și 18 hărți. ISBN 978-9975-80-080-8

Sergiu Musteață
Florin Curta, (Ed.), The Other Europe in the Middle Ages. Avars, Bulgars, Khazars and Cumans, Florin Curta, General Editor, East Central and Eastern Europe in the Middle Ages, 450-1450, volume 2, Leiden/Boston: BRILL, 2008, ISSN 1872-8103, ISBN 978 90 04 16389 8

Andrei Eșanu
Gheorghe Postică, Civilizația medievală timpurie din spațiul pruto-nistrean (sec. V-XIII). Cuvânt-înainte de Victor Spinei, București, Editura Academiei Române, 2007, 487 p.

IV. Homage


Aurel Zanoci, Tudor Arnăut
Profesorul Ion Niculiță la 70 de ani

Nikolaus Boroffka
Dr. Tudor Soroceanu la 65 de ani




 

 

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#Exhibit of the Month

The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC