The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet." Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.
The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."
The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.
This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.
Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.
The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.
Anuarul Muzeului Național de Istorie a Moldovei, nr. I
Chișinău, 1992
I. Studii
• Nicolae A. Răilean, Istoria există numai prin adevăr • Nicolae A. Chetraru, Primul arheolog basarabean Ion C. Surucean și primul muzeu de istorie a Moldovei • Grigorie P. Jitaru, Contribuții la istoricul blazonului Basarabilor • Vlad D. Ghimpu, Considerații privind evoluția procesului etnic în Moldova • Mihai Sofronie, Vasile Stroescu, un mare mecenat al românilor transilvăneni • Л.Г. Амшеников, Молдавские поселения на Украине
II. Istorie veche și arheologie
• И.А. Борзияк, А.И. Давид, Т.Ф. Обадэ, Климэуць II – верхне-палеолитическая стоянка с мамонтовой фауной в Приднестровье • О.Г. Левицкий, Е.Н. Савва, Л.Ф. Чобан, Исследование курганного могильника раннего железного века у с. Тринка. • В.Я. Сорокин, Орудия труда и хозяйство племен культуры Прекукутень-Триполъе А на территории Молдовы • Н.В. Гольцева, Два кинжалa-меча эпохи бронзы из собрания Национального музея истории Молдовы • В.П. Хахеу, О гетских памятниках Левобережья Молдовы. • Г.И. Постикэ, Новые данные о средневековом горизонте в Старом Орхее • Natalia N. Mateevici, Colecțiile fondului de arheologie ale Muzeului Național de istorie a Moldovei
III. Istorie
• Mihai P. Onilă, Satele din județele Lăpușna, Orhei și Soroca care au fost închinate mănăstirilor (sec. XV-XVII) • Pavel S. Cocîrla, Unele dale privitoare la administrația ținutului și tîrgului Orhei la sfîrșitul sec. XVI - prima jumătate a sec. XVII • Liuba C. Bîrsan, Pîrcalabii cetăților de pe Nistru în timpul domniei lui Ştefan cel Mare • И.Е. Гончарова, Монеты феодальной Молдовы • В.Б. Букарский, План лагеря Карла XII. Из фондов Национального музея истории Молдовы • Olimpia Palamariu, Monede și medalii din sec. XVII-XIX din colecția Muzeului Hunedoara-Deva • Valentin N. Tomulet, Noi opinii privind dezvoltarea comerțului Basarabiei în prima jumătate a sec. XIX • Ludmila P. Nastase, Spre Nilul Albastru. (Destinul unui basarabean - Petru V. Şciusev). • Măria V. Hasnas, Ziarul Basarabia - cîteva file de arhiva • Elena T. Postică, Contribuții la cercetarea activității administrației românești în Basarabia în primele luni ale Marii Uniri • Virgiliu Teodorescu, Monumentele ridicate în orașul Chișinău în 1918-1940 • О.Ю. Щипакина, Страницы былого • А.А. Кушнир, Оперная певица и педагог Лидия Бабич • А.М. Кракан, Академическая капеллa "Дойна" • Nadejda V. Lavric, Soarta dramatică a orașului basarabean • Д.А. Крупейников, Стали героми на земле Молдовы • И.Ф. Рыжова, Грустная память • Л.А. Репринцева, Депортация 1949 года в Молдавии в коллекциях Музея • Alexei P. Zagaievschi, Satul Cosăuți - file din istorie
IV. Muzeografie și arhivistică
• П.П. Старостенко, Музей Древностей Понта Скифского И.К. Суручана в Кишиневе • Eugenia V. Borodac, Cerințe la descrierea unor categorii de obiecte muzeistice • Gheorghe Rusu, Arhivele Statului din Iași. La 160 de ani de la înființare
The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
