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Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

Virtual Tour


Publications Journal „Tyragetia"


Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie
ISSN 1857-0240
E-ISSN 2537-6330

Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie

Chișinău, 2015

I. Researches


Lilia Zabolotnaia
Mysteries, myths and realities regarding the testament of Maria (Lupu) Radziwiłł

Elena Chiaburu
About bells and bellmakers in Moldavia (before 1859)

II. Papers and surveys


Emil Dragnev
The registers of prophets and apostles from the spire tholobate of the St. George Church of Suceava. Liturgical and historical implications

Irina Cereș
The export of goods from the Principality of Moldova into the Russian Empire at end of the 18th century - the beginning of the 19th century

Lăcrămioara Manea
On publishing activity of Metropolitan Gavriil Bănulescu-Bodoni (1808-1812, 1813-1821) and the presence of old Romanian books in the collections of Northern Dobrudja

Valentin Tomuleț
Literate mazili and ruptași in Bessarabia in the first half of the 19th century

Cristina Gherasim
Aspects of teaching children of the Bessarabian nobility within the educational system of the Russian Empire

Alexandru Argint
The legislative basis of laic primary and secondary education in Bessarabia during 1857-1878

Dinu Poștarencu
Ioan Halippa – passionate researcher of the history of Bessarabia

Eugen-Tudor Sclifos
The Peace Congress of Paris in 1856. Franco-Russian relations and the Romanian Question

Вера Стоянова
Moldavian musical culture in the late 19th - early 20th centuries: Bessarabians – graduates of the St. Petersburg Conservatory

Silvia Scutaru
The activity of the Bessarabian school of church choristers (1889-1918)

Jerzy Hatłas, Marek Żyromski
Protoierey Mihail Chakir – orthodox priest, gagauzian spiritual leader and historian (1861-1938) – and the question of emancipation of gagauzians as the independent nation

Cristina Tănase
Mateiaș (Brașov County): the emergence of the monument to the heroes of the First World War

Maria Danilov
Diplomatic efforts on the Bessarabian question during 1914-1916

Степан Булгар, Иван Думиника
The Gagauz in the context of the Romanian-Turkish relations in the period from 1918 to 1940: History and personalities

Ion Chirtoagă
Demographic and sanitation development of the Nisporeni village (1914-1940)

Aurelia Lăpușan
European Costa-Foru and the League for Human and Civil Rights in the integration of Bessarabia into the political life of Romania after 1918

Nicolae Fuștei
The Council for the Affairs of the Russian Orthodox Church at the Council of Ministers of the USSR (1943-1965) – a special body for communication between the State and the Church

Elena Postică
Victor Andreev: “And when the Motherland will regain freedom ...”

Marius Tărîță
The Khrushchev Thaw in the literature: the Republican Conference of Young Writers (Chisinau, November 22-24, 1957)

Diana Cașu
The question of family policy in the Moldavian SSR in the context of Perestroika (1985-1988)

Юрий А. Пятницкий
Cloisonné enamels from the former collection Alexander Zwenigorodsky and a new book by Ljudmila Pekarska, Jewellery of Princely Kiev. The Kiev Hoards in the British Museum and the Metropolitan Museum of Art and Related Material

Vera Serjant
Bessarabian daily newspapers as a means of advertising. From the collection of periodicals of NMHM (end of 19th - early 20th centuries)

Ana Grițco
The First World War (1914-1918) in deltiology

Andrei Emilciuc
The Medal “For Works on Excellent Performance of General Mobilization in 1914” from the collections of the National Museum of History of Moldova

Adelaida Chiroșca
Iconographic patterns of the Dormition of the Mother of God in the collection of the National Museum of History of Moldova

Vera Stăvilă
Collection of anti-religious drawings and lithographs from the National Museum of History of Moldova

Ana Grițco
The Great War. Photographic documents (The exhibition dedicated to the centenary of the First World War

Elena Postică
Oak from Caracui. Exhibition dedicated to the 100th anniversary of Academician Nicolae Corlăteanu

Elena Ploșnița
Entrance ticket and museum marketing

III. Paper and book review


Maria Danilov
Kаталог архивного фонда Русского Свято-Пантелеимонова монастыря на Афоне», том седьмой, часть 4. Составитель Ермолай (Чежия), Святая Гора Афон/ Издаельство «Голос Пресс», Москва, 2015 г. 445 стр. ISBN 978-5-7117-0734-9

Virgil Pâslariuc
Ion Gumenâi, Comunitățile romano-catolice, protestante și lipovenești din Basarabia în secolul al XIX-lea, Chișinău: Editura Institutul de Studii Enciclopedice, 2013, 284 p. ISBN 978-9975-4239-2-2

 



 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC