The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
The Great War. Photographic documents (The exhibition dedicated to the centenary of the First World War
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Abstract
The National Museum of History of Moldova has organized the temporary exhibition "The Great War. Photographic documents", which had been presented on the 1st floor hall between July 31, 2014 and September 22, 2014. The exhibition was part of the international commemoration of the centenary of the outbreak of the First World War. It brought together over a hundred exhibits, mostly photographs of the time, supplemented by documents, postcards, maps and newspapers discovered in the course of research of the museum collection of documents and photographs. The photographic images have captured ordinary soldiers and officers during wartime everyday life. The selection of original photos from the military albums, newspapers, maps and postcards represented war scenes, weapons and ammunition, soldiers' lives in their leisure hours, medical personnel on the battlefield and in the rear, and the horrors of military conflagration. A special compartment of the exhibition was dedicated to Bessarabia and Bessarabians in World War I, whose contribution to the events of the First World War was expressed in the socioeconomic and, more importantly, in the humanistic aspect. Among the participants of the war there were many future members of the Country's Council "Sfatul Ţării" and other famous personalities, but our exhibition also showed simple soldiers doing their duty. The research of documents and photographs from the museum collection has allowed us to identify a number of Bessarabian soldiers who participated in the terrible massacre.
Ana Grițco
Amusement places in Chișinău. Cafe Man’kov (Late 19th century - the 30ies of 20th century)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Ana Grițco
Building of the Hârbovăț Community of Nurses in Chișinău (late 19th - early 20th centuries): the image and history
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Ana Grițco
Royal visit to Chișinău (1920) - images and history
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Ana Grițco
The church – a hypostasis of the charity gesture from Bessarabia in the modern period
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Ana Grițco
A drugstore of old times Chișinău (end of 19th – beginning of 20th centuries)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.