Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century. The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques. The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.
Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.
On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.
The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.
Building of the Hârbovăț Community of Nurses in Chișinău (late 19th - early 20th centuries): the image and history
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Cultural and historical heritage of Chișinău consists of the monuments of history and art. Many of them took the form of an illustrated postcard that has become an important source of information, and author of the picture became a “field” correspondent, who transmitted the public authentic images. Such are the three photographic postcards from the collection of the National Museum of Archaeology and History of Moldova with the image of the building of the Hârbovăț Community of Nurses in Chișinău, located at the intersection of Sinadinovskaya and Fontannaya streets (now Vlaicu Pârcălab and Veronica Micle). The earliest of them was released before 1917 by the G. Sheinberg’s Book and Stationery Store in Chișinău; the other two date from the interwar period, bear the same image and differ only in the inscriptions.
This paper is a continuation of the deltiological study of museum collections and addresses the history of the building, as well as the activities of the Community.
This is one of the few buildings of that time, partly preserved in the architecture and functional use. Charitable complex was built in 1907-1912 and includes three two-storey and five one-storey buildings. The author of the project is a provincial architect A. Asvadurov (first floor), the second floor was designed by an engineer M. Chekerul- Kush, and the interior has been arranged for the British model by Bessarabian doctor T. Ciorba. Over the years, this charitable medical institution developed from a ten-bed inpatient to 40 beds, outpatient clinic served about 250 patients a day (for free), and there was a well-trained staff and well-equipped consulting rooms.
After 1918 the building became the property of the Ministry of Health and Social Protection of Romania, and in 1920 there was opened the “Regina Maria” Children’s Hospital, in honor of the visit of the royal family to Chișinău from 19 to 22 May 1920.
The complex was built by the Bessarabian Red Cross Society. The first building was consecrated on May 20, 1907, having received the patronage of the thaumaturgical icon of Our Lady from the Hârbovăț Monastery. At the head of the Community there was the committee of ladies of the Chișinău high society headed by the wives of governors of Bessarabia. A special role in the history of the Community belongs to the wives of governors Urusov, Kharuzin, and Kankrin, who laid the foundation of this medical center. As a branch of the Russian Red Cross Society, the Hârbovăț Community of Nurses provided active assistance to the wounded during World War II. From 1914 to1916 at the hospital there was functioning a school of nursing, which had two issues.
After 1918, the Chișinău Red Cross becomes the branch of the Bucharest Red Cross and was headed by Florica Niță, and then by Maria Pelivan.
After 1944, this building housed the 4th Sanatorium Department 4, and later converted to the Republican Sanatorium Clinic. Today, the part of the building is occupied by the Polyclinic of the Government Apparatus, and the “central” block houses the Coordinating Council for Television and Radio of the Republic of Moldova.
List of Illustrations: 1. Illustrated postcard “ Chișinău. Hârbovăț Community “, early XX century. Released by the Book and Stationery Store G. B. Sheinberg and Son, Chișinău. Black and white image; was not in circulation. 2. Illustrated postcard “ Chișinău. Sinadinovskaya Street. Hârbovăț Community”. Color image, circulated in 1909. 3. Ad unit of the Book and Stationery Store G. B. Sheinberg and Son in Chișinău (Nashe Ob’yedinenie 1911, 33). 4. Illustrated postcard “Chișinău. “Regina Maria” Hospital”. Published in the interwar period. Black and white image, was not in circulation. 5. Advertisement of the “Regina Maria” Hospital located in the building of the Hârbovăț Community (Anuarul 1940, 111).
Ana Grițco
The Great War. Photographic documents (The exhibition dedicated to the centenary of the First World War
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Ana Grițco
Requisition as a way of sovietisation of Bessarabian peasants
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Ana Grițco
Pages from the history of hotels in Bessarabia. Deltiologic research (2nd half of 19th - early 20th centuries)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Ana Grițco
Scientific activity in Bessarabia as reflected in works of some figures (1812-1918). From the collections of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Ana Grițco
An exhibition full of lights
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.