This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old. The oval composition and harmonious color palette highlight the prominent personality and charisma of the young poet, capturing an expression that conveys both melancholy and intellectual depth. Alexandru Gușanov (1929-2005), a Moldovan painter of Ukrainian origin, distinguished himself through his extensive work, comprising approximately 5,000 pieces - portraits, landscapes, and still life paintings. Settled in Moldova since 1945, Gușanov graduated from the Republican Art School "I.E. Repin" in Chișinău in 1952. His works were showcased in numerous national and international exhibitions and were highly appreciated in countries such as France, Hungary, Russia, and Yugoslavia. The artist dedicated a significant part of his career to creating portraits of historical and cultural figures, including Dimitrie Cantemir, Mihail Kogălniceanu, and Alexei Mateevici, which are part of the National Museum of History of Moldova's collection.
The subject of the portrait, Mihai Eminescu (1850-1889), is the most significant poet in Romanian literature, whose works reflect profound thought, sensitivity toward nature, and national identity. At the age of 19, when the photograph that inspired this portrait was taken, Eminescu was in the midst of his intellectual formation, preparing to become the iconic voice of Romanian culture. Among his most famous works is the poem Luceafărul (The Morning Star), a masterpiece of universal literature.
The Peace Congress of Paris in 1856. Franco-Russian relations and the Romanian Question
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Abstract
40 years after the Congress of Vienna that ended the Napoleonic Wars, European diplomats gathered in Paris. France, together with England, managed to defeat Russia in the Crimean War, and now it was crowned with the laurels of success. On the agenda of foreign policy of the Great Powers appeared Romanian question. Despite the fact that Russia was defeated, it approached to France as a result of secret negotiations between the Duke de Morny and Russian ambassador in Vienna Gorchakov in 1855.
The Congress of Paris in 1856 demonstrated evidence of this rapprochement. France put forward for discussion the question of the union of two Romanian principalities that suddenly found support from Russia, which wanted to be rehabilitated to Romanians and looked for an opportunity to destroy the Franco-British alliance. Despite this, both countries warring at the time of the Crimean War, cooperated in implementing the desires of Romanians, and sometimes France was ready to concede to Russians. The Congress of Paris did not give a definitive solution on the question because of divergent views of the Great Powers, but managed to find support from Russia.
Eugen-Tudor Sclifos
Romanian- Russian relations and the Bessarabian issue in the Romanian press (1877-1878)
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 2, Istorie. Muzeologie
Eugen-Tudor Sclifos
Prince Mihail Sturdza and his relations with Russia
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Eugen-Tudor Sclifos
Great Britain and the issue of Southern Bessarabia in 1856-1857
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Eugen-Tudor Sclifos
Documents on Bessarabia in the Archives of Foreign Aff airs in Paris (1856-1857)
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Eugen-Tudor Sclifos
Bessarabian question reflected in the reports of the French ambassador in Petersburg Charles Auguste de Morny (1856-1857)
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.