To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Bessarabian question reflected in the reports of the French ambassador in Petersburg Charles Auguste de Morny (1856-1857)
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Keywords: Southern Bessarabia, new Bolgrad, diplomacy, Great Powers, Treaty of Paris.
Abstract: After the Crimean War the Bessarabian question had an important place in the foreign policy of the Great Powers. During the preliminaries of peace in 1855 it was decided that Russia should cede Southern Bessarabia to the Principality of Moldavia. Russia, of course, did not accept this point and at the Congress of Paris proposed a territorial exchange - the condition unacceptable to British diplomats. Thus it was created a commission to study the problem of border delimitation in Bessarabia.
In August 1856, Charles Auguste de Morny, half-brother of Emperor Napoleon III, was appointed Ambassador to St. Petersburg. Count de Morny was significantly involved in the solution of the Bessarabian question. According to documents from the archives of foreign policy in Paris, the diplomat was obsessed with the idea that Southern Bessarabia must remain part of the Russian Empire and tried to convince the Emperor Napoleon III and Count Walewski that France should support the Russian point of view. De Morny had a rival, Count Persigny, the French Ambassador in London, who believed that this area should be part of the Principality of Moldavia. After long negotiations the Bessarabian question was resolved not in favor of Russia.
Eugen-Tudor Sclifos
Prince Mihail Sturdza and his relations with Russia
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Eugen-Tudor Sclifos
The Peace Congress of Paris in 1856. Franco-Russian relations and the Romanian Question
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Eugen-Tudor Sclifos
Great Britain and the issue of Southern Bessarabia in 1856-1857
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Eugen-Tudor Sclifos
Documents on Bessarabia in the Archives of Foreign Aff airs in Paris (1856-1857)
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Eugen-Tudor Sclifos
Romanian- Russian relations and the Bessarabian issue in the Romanian press (1877-1878)
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 2, Istorie. Muzeologie
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.