The great ruler Stephen the Great, outstanding army commander and diplomat, was also concerned during his life with the economic prosperity of the country, supporting the development of crafts, trade and fairs. During his reign, groși and half groși minted in the dinar system were issued, a monetary system introduced in Moldova during the last reign of Petru Aron (1455-1457).
The coins were minted from silver of superior title, those that reflect stability in the economic life of the country at that time. Their masterful execution at the Suceava mint is among the beautiful artistic achievements during the reign of Stephen the Great.
During his reign, two types of issues were minted, for the two denominations: groși and half groși.
Type I issues have a split shield on the obverse; in the first quarter appears a rose surmounted by a cross and three fascias, in the second quarter. For the epigraph issues (groși), the image is accompanied by the circular legend with the name of the issuer: + STEFANVS VOIEVODA. On the other side appears the bour's head with a star between the horns accompanied by the heraldic furniture - the rose and the contoured crescent, placed to the right and left of the bour's head; circular legend: MOLDAVIE COIN.
On type II coins in the shield on the obverse appears a patriarchal cross (double) and the legend STEFANVSVOIEVOD or abbreviated STEFANVSVOIE. On the reverse, as in type I, the bour's head with heraldic attributes is preserved: rose right/crescent left and crescent right/rose left. A star or rose appears between the ox's horns. The legend accompanying the face with the bour head is MONETAMOLDAVI or abbreviated MONETAMOLDA.
The dating of Stephen the Great's coins is still under discussion. According to one opinion, type I issues were minted between 1457-1476, and type II between 1480/1481-1505 (Octavian Iliescu), and another 1465/1467-1475/1476 for type I and 1476/1479-1497 for type II (Ernest Oberländer-Târnoveanu).
The coins in this showcase were discovered during the archaeological excavations at Orheiul Vechi (Trebujeni, Orhei district) in the 6th and 7th decades of the 20th century:
1. Type I money issues, groși, silver 2. Type II money issues, groși, silver 3. Type II coin issue, half groși, silver
Iconographic patterns of the Dormition of the Mother of God in the collection of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Abstract
The theme of the Dormition is reflected in the five icons from the collection of the National Museum of History of Moldova. Feast of the Dormition of the Mother of God, falling on August 15, is celebrated for a long time; according to some sources, it was officially established in 582. The canonical composition of the icons of the Theotokos was formed after the restoration of the veneration of icons, when the Church overcome heresy and consolidated the basic theological provisions. Initially the scenes were laconic, with a small number of characters; thereafter these iconographic compositions develop into complex patterns with a variety of characters and attributes. Icons of the Dormition from the museum's collection belong to the 18th early 20th centuries, and most of them represent the traditional iconographic patterns arranged both horizontally and vertically.
Retaining in their compositions the characteristic features of the earlier representations the Mother of God on Her deathbed surrounded by the Apostles, the image of the Savior with the soul of His Blessed Mother in His arms, surrounded by angels, painters at the same time introduced elements of more recent origin, or some details less characteristic of this iconographic model. Two such compositions reminiscent of the famous icon from the Dormition Church of the Kiev Pechersk Lavra and reproduce the pattern of so-called icons-reliquaries, takes us back to the early icons with special recesses for storage Marian relics, to the churches of Blachernae and Kalkoprateya in Constantinople, where such objects were kept. Other compositions include the scene with Jewish high priest Athonias and an angel with a drawn sword, shoes of the Mother of God, or a burning candle.
The collection has an icon reminiscent of the Gethsemane Shroud of the Mother of God, which was popular in Russia in the 19th century. The composition of another museum's icon does not include the image of the Savior holding a baby the distinctive elements of this iconographic type. Icons of the Dormition from the museum's collection are of medium size, only one is large this is the icon, which decorated a temple dedicated to the feast of Dormition. The museum's icons of Dormition included in the recently published catalog of the Marian icons of the 17th-20th centuries, not only demonstrate the original interpretation of the images and decorations but also provide researchers the opportunity to familiarize themselves with a little studied collection of Marian icons that can complement existing sources in the area, as well as data about the temples, from which these icons came, or personalities related to their history.
List of illustrations: Fig. 1. Dormition of the Mother of God. Ivory plaque, late 10th early 11th c. The State Hermitage Museum, Saint Petersburg (https://www.nsad.ru/pic/3_1346080545.jpg). Fig. 2. Dormition of the Mother of God. Ivory plaque, late 10th c. The Metropolitan Museum, New York (https:// www.nsad.ru/pic/1_1346080351.jpg).
Fig. 3. Dormition of the Mother of God (carved ivory). Rostov Veliky. Museum of Church Antiquities (https://mariamagdalina.ru/?p=8057). Fig. 4. Dormition of the Mother of God. Rome, 13th c. The Basilica di Santa Maria Maggiore (https://www.pravoslavie.ru/sas/image/100728/72899.b.jpg). Fig. 5. Dormition of the Mother of God (carved ivory). Constantinople, 10th c. The Worcester Art Museum (Massachusetts) (https://www.ikonostas.in.ua/wp-content/uploads/2013/12/00009.jpg) Fig. 6. Fresco "Dormition of the Mother of God". Serbia, SopoФani, 13th c. (https://www.pravmir.ru/wp-content/ uploads/2013/08/0108.jpg). Fig. 7. Dormition of the Mother of God. A cave church of Göreme, Turkey, 11th c. (https://www.taday.ru/ data/2011/08/28/1233394130/01_Gioreme_Kappadokija_11v.jpg). Fig. 8. Dormition of the Mother of God. The Transfiguration Cathedral of the Mirozhsky Monastery in Pskov, mid12th c. (https://interestingeventsclub.uol.ua/text/3730919/). Fig. 9. Fresco "Dormition of the Mother of God". St. Nicholas Church, Curtea de Argeș, 14th c. (https://madalinfocsa.files.wordpress.com/2010/05/fresca.jpg). Fig. 10. Dormition of the Mother of God. The Hospital Church of the Hurezi Monastery, 17th c. (https://ro.wikipedia. org/wiki/Biserica_Bolni%C8%9Bei_M%C4%83n%C4%83stirii_Hurezi#/media/File:RO_VL_Romanii_de_ Jos_Hurezi_monastery_5.jpg). Fig. 11. Dormition of the Mother of God. Russia, late 18th early 19th c. (NMHM, FB-22918-42). Fig. 12. Icon "Dormition of the Mother of God" from the Kiev Pechersk Lavra, early 19th c. (NMHM, FB-23384-109). Fig. 13. Icon "Dormition of the Mother of God" from the Kiev Pechersk Lavra, 1885 г. Lithograph from the original of the 11th c. (https://fakty.ua/138804-kogda-s-vysoty-cerkovnyh-svodov-opuskalas-ikona-uspeniya-prihozha- nam-kazalos-chto-yavlyaetsya-sama-bogorodica). Fig. 14. Dormition of the Mother of God. Miniature from the Gospel of the Emperor Nicephorus II Phocas, 11th c. (https://www.pravmir.ru/wp-content/uploads/2012/08/0081.jpg). Fig. 15. Icon "Dormition of the Mother of God" from the Kiev Pechersk Lavra, 19th c. (NMHM, FB-23384-33). Fig. 16. Dormition of the Mother of God the Shroud of Gethsemane, Russia, 19th c., St. Athanasius Church, Etulia (Vulcănești) (NMHM, FB-22918-73). Fig. 17. The Gethsemane Shroud of the Mother of God. Jerusalem, 19th c. (https://alchevskpravoslavniy.ru/wpcontent/uploads/2012/10/16.jpg). Fig. 18. Dormition of the Mother of God. Jerusalem, 1868 г. (https://ippo.ru/img/palom/pl_9.jpg). Fig. 19. Dormition of the Mother of God. Bessarabia, 19th c., the Dormition Church, Copceac (Comrat) (NMHM, FB-22918-203). Fig. 20. Dormition of the Mother of God. Ivory medallion, Greece, 15th c. Victoria and Albert Museum, London (https://mariamagdalina.ru/?p=8057).
Adelaida Chiroșca
The iconographic message of the Last Supper compositions from the collection of the National Museum of the History of Moldova)
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Adelaida Chiroșca
Icons of the Intercession in the collection of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Ana Boldureanu, Adelaida Chiroșca, Elena Revenco
Medieval coin hoard of the 16th century from Parcani, Soroca District, Republic of Moldova
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
Adelaida Chiroșca
Lockets with the image of the Holy Virgin from the collection of the National Museum of Archaeology and History of Moldova
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Adelaida Chiroșca
17th c. coin hoard discovered in Ciocilteni village, Orhei district
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
The great ruler Stephen the Great, outstanding army commander and diplomat, was also concerned during his life with the economic prosperity of the country, supporting the development of crafts, trade and fairs. During his reign, groși and half groși minted in the dinar system were issued, a monetary system introduced in Moldova during the last reign of Petru Aron (1455-1457)...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
