The metal vessel was likely used as a funerary urn. It was found together with another vessel, shaped like a shell and used as a lid for the urn, in a landslide along the road within the Yahorlyk Nature Reserve, Dubăsari District. The village of Yahorlyk is located at the mouth of the stream of the same name, a left tributary of the Dniester River. The vessel belongs to the Hemmoo type (or Eggers 63) and is a rare find in the late ancient sites of the 2nd-3rd centuries AD. Researchers consider this type of vessel to be of Italic, Gallo-Italic, or Mediterranean origin, frequently used as a funerary urn or burial inventory by the Bastarnae. Upon discovery, the vessel was reportedly filled with "earth and burnt bones."
The vessel was found together with a brass sheet vessel that had undulated or fluted walls. It has a height of 14.9 cm (without the base ring). The diameter of the vessel's body is 19.5 cm, and the total height is 16.2 cm. The rim of the vessel flares outward with a diameter of 20.5 cm. The vessel is made from thin brass sheet, only 0.1 cm thick. The upper part of the vessel is modestly ornamented. The middle of the rim, on the exterior, has a shallow horizontal line incised. The transition from the rim to the body is marked by a wide groove, 0.3 cm in width. From this groove, the rim thickens to 0.25 cm. On the upper part of the rim, on two symmetrically placed sides, semicircular handles with stepped bases were cut out. The handles are 2.2 cm in height and 5.1 cm in width. Including the "steps" at the base, the handles are 6.1 cm wide. In the middle of each handle, a circular elongated hole was made for the attachment of a handle, measuring 1.2 x 1.5 cm.
The ornamentation on the upper part of the vessel's body consists of two bands, each formed by two parallel incised lines, spaced 0.2 to 0.4 cm apart. The interval between the two bands is 0.9 cm. The vessel's handle is semicircular, mobile, fairly thick, rectangular in cross-section (0.8 x 0.9 cm), and made from a rounded brass bar. The ends of the handle are thinned to 0.6 cm and widened to 0.9 cm over a length of 2.6 cm, resembling bird heads. On the median part of the bar, incised marks resembling Roman numerals IX and XI are present. The bottom of the vessel was made from a separate brass sheet, worked by pressing on a lathe. Evidence of this process is the indentation from the lathe's fixing rod, preserved in the central part of the vessel's bottom. Surrounding this indentation is an ornament consisting of two bands of concentric lines, with diameters of 1.8 cm and 5.9 cm, respectively. The lower part of the vessel is raised and rests on a ringed base, formed by shaping the vessel's walls and bending the piece that formed the actual bottom. This base has a diameter of 8.7 cm.
For the North-West Pontic and East-Carpathian regions, several scattered sites or points where fragments of metal vessels were discovered, used as funerary inventory or urns, should be mentioned. These include discoveries from the funerary complexes of flat necropolises dated to the first centuries AD, at Hansca-Lutăria II and Dănceni-Ialoveni. Here, excavations identified noble graves with fragments of bronze vessels with metal handles, similar to the vessel from Yahorlyk.
Abstract: Many icons from the collection of the Museum are devoted to the theme of the Eucharist - the iconographic types of "The Last Supper" and "Jesus Christ "The Vine". This article presents an iconographic type less well-known in our area - "Jesus Christ "The Vine", which is reflected on the three icons from the museum. Eucharist is one of the great sacraments in which Jesus Christ, presaging the sacrifice of the Cross, gives his disciples bread and wine in the chalice referring to the bread as "my body" and the wine as "my blood". Icons from the Museum's collection represent the general scheme of this type of icons: the Savior is depicted sitting on the altar table, behind Him - the Cross, vines with grapes grows from His rib and He presses the grapes with both hands into the chalice, supported by an angel. On the left side another angel holds a large rolled scroll. On the two icons, in the upper part of the composition, two angels hold scrolls with inscriptions, on one of the icons in the Romanian language, on the other in the Old Slavonic: "one who eats My Body", "one who drinks My Blood". The theme of the Eucharist was treated in images from ancient times; it was conveyed through symbolic images of the basket of bread, fish, vine, its fruit, birds pecking grapes or the Christian meal scenes. Later, there were images in which the Savior was depicted in the vine, among the twelve apostles. Since the 16th century there are known the icons, on which at the base of the cross there is depicted the Tomb of Christ, and near the Tomb the resurrected Jesus Christ covered with a white cloth stands on the plate shifted to one side. In the hands of the Savior there is a vine growing out of the grave, and he presses the wine in the chalice, which holds the kneeling angel. These images develop into complex compositions, very common in the 17th-18th centuries in Poland, the southern regions of Russia, in Romania, Georgia, and Serbia. Such the images designed for the location in the altar are found on the icons on glass and on wooden icons. Icons from the museum's collection, which are dated from the end of the 19th century to 1920s-1930s, perhaps were created by the order of parish or the laity. They were maintained, in all probability, in the altars of churches or in the naos as icons for prayer. This assumption is confirmed by their impressive size.
List of Figures: Fig. 1. Jesus Christ "The Vine", the first half of the 15th century, Angelos Akotantos, Greece. Fig. 2. Jesus Christ "The Vine", the first half of the 15th century, Angelos Akotantos, Greece. Fig. 3. Jesus Christ "The Vine", 16th century, Ioan and Sofronie Zugravul, Sucevița Monastery. Fig. 4. The Eucharist, 17th-19th centuries, Romania, private collection, Holland. Fig. 5 Jesus Christ "The Vine", around 1700, Hurezi Monastery. Fig. 6. Jesus Christ "The Vine", the beginning of the 18th century, Lviv. Fig. 7. Jesus Christ "The Vine", about 1740, Volyn. Fig. 8. Jesus Christ "The Vine", 17th century. The Sanok Museum, Poland. Fig. 9. Miniature from the Collection of Akathist Hymns of 1674, printing of Kiev-Pechersk Lavra. Fig. 10. Jesus Christ "The Vine", the beginning of the 18th century. The Church of the Ascension in the village of Olgomel, Brest. Fig. 11. Jesus Christ "The Vine", 19th century, Georgia. Fig. 12. Jesus Christ "The Vine", 18th century, A. Ponehalsky, the church in Călinești-Căeni, Maramureș. Fig. 13. Miniature, Missal of the Metropolitan Stephen of Wallachia (1648-1688). Fig. 14. Jesus Christ "The Vine", 1927, Ioasaf Berghie, Bessarabia (from the NMHM collection). Fig. 15. Jesus Christ "The Vine", 1928, Church of the Holy Apostles Peter and Paul in the village of Petrovka, Sărata, Odessa. Fig. 16. Jesus Christ "The Vine", 1920s-1930s, Irinei Protchenko, Bessarabia from the NMHM collection). Fig. 17. Jesus Christ "The Vine", 1920s-1930s, Bessarabia (from the NMHM collection).
Adelaida Chiroșca
Nativity of Christ: interpretation of the plot in icons from the collection of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Adelaida Chiroșca
Iconographic patterns of the Dormition of the Mother of God in the collection of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Ana Boldureanu, Adelaida Chiroșca, Elena Revenco
Medieval coin hoard of the 16th century from Parcani, Soroca District, Republic of Moldova
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
Adelaida Chiroșca
The image of Our Lady of Hârbovăț from the collection of icons of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Adelaida Chiroșca
Lockets with the image of the Holy Virgin from the collection of the National Museum of Archaeology and History of Moldova
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
The metal vessel was likely used as a funerary urn. It was found together with another vessel, shaped like a shell and used as a lid for the urn, in a landslide along the road within the Yahorlyk Nature Reserve, Dubăsari District. The village of Yahorlyk is located at the mouth of the stream of the same name, a left tributary of the Dniester River...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The vessel was found together with a brass sheet vessel that had undulated or fluted walls. It has a height of 14.9 cm (without the base ring). The diameter of the vessel's body is 19.5 cm, and the total height is 16.2 cm. The rim of the vessel flares outward with a diameter of 20.5 cm. The vessel is made from thin brass sheet, only 0.1 cm thick. The upper part of the vessel is modestly ornamented. The middle of the rim, on the exterior, has a shallow horizontal line incised. The transition from the rim to the body is marked by a wide groove, 0.3 cm in width. From this groove, the rim thickens to 0.25 cm. On the upper part of the rim, on two symmetrically placed sides, semicircular handles with stepped bases were cut out. The handles are 2.2 cm in height and 5.1 cm in width. Including the "steps" at the base, the handles are 6.1 cm wide. In the middle of each handle, a circular elongated hole was made for the attachment of a handle, measuring 1.2 x 1.5 cm.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
