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The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle. 
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services. 
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right. 
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord. 

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

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Publications Journal „Tyragetia"   vol. VIII [XXIII], nr. 2


Icons of the Intercession in the collection of the National Museum of History of Moldova
ISSN 1857-0240
E-ISSN 2537-6330

Icons of the Intercession in the collection of the National Museum of History of Moldova

Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie

In the collection of the National Museum of History of Moldova there are six icons related to the famous iconographic type "Protection of the Holy Virgin". This type, that was designed to reflect the images of the feast of the Holy Virgin, has a complex composition, which harmoniously combines events, phenomena and characters belonging to different time periods. At the heart of it lies the vision of Andrew the Fool-for-Christ in the Blachernae church of Constantinople. The plot of the icons also recalls the miraculous phenomenon that became known as the Miracle of Blachernae. At the same time, this iconographic composition may be an illustration of the cycle of hymns, which conceptually transmits the idea of the intercession of the Blessed Virgin.

In the 10th century, in honor of the miraculous vision in Blachernae Eastern Church has established the celebration of the Intercession of the Theotokos on October 1; Russian Church celebrates this feast widely from the 12th century.

Today Orthodox Church unites under its auspices many holy temples dedicated to the feast of the Protection of Holy Virgin, which became a symbol of care and intercession.

Celebration of the Intercession on October 1 coincides with the feast of Romanos the Melodist (490-560), who is the author of the Akathist Hymn to the Theotokos.

The composition of icons of the Protection consists of the upper and lower parts. The upper part shows the Virgin standing on clouds with the veil symbolizing the protection in her hands, surrounded by saints, the holy prophets and the Myrrh-bearers. In the center of the lower part there is depicted Romanos the Melodist, on the right of him there are the emperors and men of Church; on the left St. Andrew the Fool-for-Christ is depicted, turning to his disciple Epiphanius and pointing up at the miracle that takes place in the temple. On some icons in the lower part there is depicted the dream of Romanos the Melodist, in which Our Lady gives him a scroll, blessing him to sing and write hymns. There are icons depicting only the Virgin.

Five of the six icons from the collection of NMHM are of average size, and one is larger, probably derived from a church dedicated to the feast. These icons are painted in oil and tempera on wood, composition of most of them corresponds exactly to this iconographic type.

List of illustrations:


1. Icon of the Intercession. Galicia, 12th century.
2. Icon of the Intercession. Suzdal, 13th century, the Cathedral of the Nativity of the Virgin.
3. Icon of the Intercession. Suzdal, 1360, the Convent of Intercession.
4. Icon of the Intercession. Novgorod, 1399, the Zverin Monastery.
5. Icon of the Intercession. Moldova, early 19th century. NMHM (FB-14017).
6. Icon of the Intercession. Moldova, 1871. NMHM (FB-23611).
7. Icon of the Intercession. Russia, 19th century. NMHM (FB-23384-4).
8. Icon of the Intercession. Bessarabia, early 20th century, St. Paraskeva Church in the village of Zgurița, Drochia District. NMHM (FB-22918-115).
9. Icon of the Intercession. Bessarabia, 1920s-1930s. NMHM (FA-10538-19).
10. Icon of the Intercession. Bessarabia, 1920s-1930s. NMHM (FB-22465).

Adelaida Chiroșca
The image of Our Lady of Hârbovăț from the collection of icons of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Adelaida Chiroșca
Iconographic patterns of the Dormition of the Mother of God in the collection of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Adelaida Chiroșca
17th c. coin hoard discovered in Ciocilteni village, Orhei district
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Adelaida Chiroșca
Nativity of Christ: interpretation of the plot in icons from the collection of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Adelaida Chiroșca
Lockets with the image of the Holy Virgin from the collection of the National Museum of Archaeology and History of Moldova
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007



 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." ...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC