EN RO















#Exhibit of the Month

>>>

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.
The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

Virtual Tour


Publications Journal „Tyragetia"   vol. VI [XXI], nr. 2


The monk-painter Irenaeus Protcenco and his famous icon
ISSN 1857-0240
E-ISSN 2537-6330

The monk-painter Irenaeus Protcenco and his famous icon "Our Lady of Sorrows"

Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie

The name of Irenaeus Protcenco (1888-1953), whose icons were in great demand in the interwar period and whose mural painting once adorned famous churches and chapels of Bessarabia, the Ukraine, and Romania, are now little known.

The famous icon painter created his works in great love for God. Although he did not sign his icons, they can be unmistakably recognized through the unique style.

Born in Ukraine in a noble family and named Ioan, he graduated from the Kiev Academy of Fine Arts and his graduate work was painting of the Suruceni monastery (1907-1909).

Later he worked in Chișinău, where he became great religious painter, the author of highly artistic miniatures, engravings with enamel, and icons for iconostases. The last years of his life he spent in Romania, at the Sihăstria Monastery, where he created probably the most beautiful and significant of his works. Here he died in the summer of 1953, three days after the adoption of the monastic vows under the name of Irenaeus. Those who know his works suggest that the most beautiful icons created by this great painter are dedicated to the Virgin. Of these the most significant are “Axion Estin”, “Prodromița”, and “Sweet Kiss”. But the most valuable icon of the painter is “Our Lady of Sorrows” from the chapel of Sts. Joachim and Anna at Sihăstria.

In the collection of the National Museum of Archaeology and History of Moldova there is kept a similar icon painted by Irenaeus Protcenco. It recalls the endless grief of the Mother about Her Son crucified on the cross.

List of illustrations:
Fig. 1. Irenaeus Protcenco, Our Lady of Sorrows (after Bălan 2006).
Fig. 2. Irenaeus Protcenco (1888-1953) (after Aioanei 2009).
Fig. 3. Jesus Christ on the Cross, Chapel of Saints Joachim and Anna, Sihăstria Monastery (after Bălan 2006).
Fig. 4. Jesus Christ on the Cross, Noul-Neamț Monastery, Chițcani.
Fig. 5. Holy Trinity, St. George’s Church, Suruceni Monastery.
Fig. 6. Fragment of wall painting, St. George’s Church, Suruceni Monastery.
Fig. 7. Fragment of wall painting, St. George’s Church, Suruceni Monastery.
Fig. 8. Our Lady of the Sign, St. George’s Church, Suruceni Monastery.
Fig. 9. Virgin with Child, scene of the altar, St. George’s Church, Suruceni Monastery.
Fig. 10. Grave of Irenaeus Protcenco, Sihăstria Monastery.
Fig. 11. Icon of the Virgin (from the collection of NMAHM).

Adelaida Chiroșca
17th c. coin hoard discovered in Ciocilteni village, Orhei district
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Adelaida Chiroșca
Two monetary treasures from the 16th and the 17th centuries from the collections of the NMAHM
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Adelaida Chiroșca
Medieval coins discovered at Soroca fortress
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Ana Boldureanu, Adelaida Chiroșca, Elena Revenco
Medieval coin hoard of the 16th century from Parcani, Soroca District, Republic of Moldova
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
Adelaida Chiroșca
Lockets with the image of the Holy Virgin from the collection of the National Museum of Archaeology and History of Moldova
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007



 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
September 25, 2025 – September 1, 2026
 
August 11, 2025 – January 31, 2026
 
Over 2500 pieces made of precious metals with historic, artistic and symbolic value
  

Come to Museum! Discover the History!
  
Visit museum
Visit museum
Summer schedule: daily
10am – 6pm.

Winter schedule: daily
10am – 5pm.
Closed on Mondays.
Entrance fees:  adults - 50 MDL, Pensioners, students - 20 lei, pupils - 10 MDL. Free access: enlisted men (...)

WiFi Free Wi-Fi Zone in the museum: In the courtyard of the National History Museum of Moldova there is Wi-Fi Internet access for visitors.


#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...

Read More >>

































The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC