#Exhibit of the Month

We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.

These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.

The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.

The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."

The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.

Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.

Virtual Tour

Exhibitions

„One century of Riga’s history: from 1914 until 2014”

Organized by the Embassy of Latvia in the Republic of Moldova at the initiative of the Ministry of Foreign Affairs of Latvia

October 5th-20th, 2016

The goal of the exhibition is, alongside important events in Europe, to reflect the events of the same time period in Riga; by means of various pictures and their combinations, to touch upon the themes of war and freedom as well as the outstanding personalities of the time, with the aim of showing the various, open, and multi-faceted Riga. The exhibition is formed and reflected by juxtapositions of various tendencies; fashion, architecture, design, music and other spheres and events of culture.

Motto of the exhibition: "The Phoenix of Riga"
Riga is similar to the Phoenix in Ancient Greek mythology - the bird that after burning has always been able to resurrect from ashes. Over one century, Riga has seen seven changes of the ruling power:
- Tsarist Russia;
- the German Kaiser;
- "red" Soviet Latvia and "white" Republic of Latvia;
- USSR occupation and Nazi Third Reich;
- Soviet occupation again
- up to the restoration of an independent Republic of Latvia.

Riga saw the evacuation of its factories in 1915, which diminished its population by a half; it saw the attacks of the Bermondt army, which left the quay of the river Daugava in ruins. The agrarian reform in the 1920s gave the city land property and made it possible to dream about the construction of an enlarged city with one million inhabitants. The devastation of Old Riga in 1941 was followed by restoration after the war, the city expanded into the former pastures and kitchen gardens, building new residential areas. The present-day Riga is proud of its cultural heritage.

The exhibition shows the impact of a series of events, which have taken place in Europe of the 20th century, over the history of Latvians, the impact that has resulted in the loss of independence of the Republic of Latvia. The major events - the wars and revolutions - are illustrated by panels with black-and-white and red fragments of historical photographs. The removal of ruins and the new construction to start everything from scratch is illustrated by the history of two nodal points - the City Hall Square and the Citadel. City scenes will be supplemented with information on everyday life: how the ordinary Rigan lived, what he ate, how he worked and recreated himself...

The pictures will show the flourishing Riga after World War I, the burning Riga in 1941, Soviet Riga, the Barricade Time and the 20 years of restored independence. We will stress Riga's ability to always resurrect as the Phoenix from ashes.