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The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

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Exhibitions

“Black Pentecost. Deportation in Bărăgan”

May 29 - June 30, 2019

Wednesday, 29 May 2019, at 14.00, the National Museum of History of Moldova invites you to the photo and documentary exhibition "Black Pentecost. Deportation in Bărăgan" organized by the International Center for Studies into Communism of the Memorial of the Victims of Communism and of the Resistance, Sighet, Romania.

The exhibition brings together photographic images and documents reflecting the drama of the over 12,780 families deported in Bărăgan in June 1951 by the communist regime in Romania.


The deportations from Banat and Mehedinţi, from the summer of 1951, are one (and the cruelest) among the many social purification projects initiated by the communist regime of the Gheorghiu-Dej period, in full Soviet domination. Following a plan prepared for three months with a diabolical accuracy, on the night of 18th to 19th June, over 44000 persons were taken out of their homes without any prior notice, starting with women and men capable of work and continuing with their families, composed of elders up to 85 years old and children of all ages (one of them, born only two days before). After a two-week-long difficult road closed up in wagons meant for the transportation of animals, the deportees were laid in several railway stations in Bărăgan, from where trucks took them in 18 different points of the steppe desert. Abandoned under the open sky of a hot summer, they had to build their huts under the ground, as in the primitive commune. In the following years, they built better houses and started cultivating virgin lands. This is how they managed to assure food for them and for the animals in the yard, overcoming poverty and isolation, surviving as Robinson Crusoe of the 20th century.

The question raised by the exhibition "Black Pentecost: Deportation in Bărăgan" is: what was the purpose of uprooting of such a large number of people? Was the Communist regime worrying about diligence, earnestness, anti-communism, hope for the Americans to free them, penetrating the country through Tito's Yugoslavia? Otherwise, the huge forces employed into this project cannot be explained: over 10,000 armed soldiers (securitists, militians, military school students, border guards and firemen) coordinated and supervised by 2500 party activists.

Five years later, in 1956, the deportees returned to their homes, but many found them occupied by the regime's profiteers, and they were forced to take their lives for a second time. 1600 of them (of which 175 children) had died in detention and soon their bones were shown with the tractor, along with the villages made one with the ground.

Some villages, however, have been turned into "binding residence" centers for the thousands of political prisoners released from prison at the expiration of the sentence, but considered recalcitrants and "irreducibles". Between 1955 and 1964, at Rubla, Lăteşti, Măzăreni, Dropia, Zagna, Fundulea have lived many personalities of political and cultural life, including Corneliu Coposu, Ion C. Brătianu, Dan M. Brătianu, Constantin C. Giurescu, Ion Diaconescu, Camil Demetrescu, Hans Bergel, students Paul Goma, Dan Mugur Rusiecki, Ion Varlam. Penalty supplements, ranging from 12 to 60 months, long-term cohabitation in a small perimeter allowed them to become friends, transform their new existence into a school of solidarity. The most inhuman detention in this period was that of seven children - aged between 1 and 12 - deported to Lăteşti together with their mother after their father, a reformed priest, had been sentenced to 22 years. Another Orthodox priest was sentenced to hard labor for life because he dared leave briefly the binding residence, where he was brought after nine years of detention. In summary, however, the disintegration of the civic spirit did not succeed either with the deportees nor with the binding residents, and the Communists had to postpone the total atomization of society until the ‘70s - ‘80s, when the new generations gave in to the prophylactic terror triggered by the new communist regime.

The "Black Pentecost: Deportation in Bărăgan" exhibition is made up of 28 panels which show in a chronological and thematic order the international situation of the 1950s (the breaking of Tito by the Stalinist Kominform), elaboration of the "dislocation" plan, drafting of "black lists" and implementation of the deportation, life in Bărăgan, house building, earning water and food, school, work, funerals, and finally "Binding Residence". Explanatory texts are complemented by hundreds of photos, maps and objects, all of which come from the database of the International Center for Studies into Communism. Personal testimonials are transcripts of records made by CISAC collaborators.

The exhibition was made first in 2011 at the 60th anniversary since the deportations of June 1951 and was part of the project "Memory of Deportations in Romania", supported by the program "Europe for Citizens. Active European remembrance" of the European Commission.

Exhibition team: Romulus Rusan with Ioana Boca, Virginia Ion, Andreea Cârstea, Angela Bilcea. Graphic design: arch. Octavian Carabela, MB Studio.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC