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#Exhibit of the Month

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The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle. 
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services. 
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right. 
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord. 

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

Virtual Tour


Exhibitions

„Chișinău – Archaeological Evidence of Our Millennial History”

October 14th - December 14th, 2013

Chișinău – Archaeological Evidence of Our Millennial History
Chișinău with its historical center is the only city protected by the state in Republic of Moldova. Fist mentioned in 1436, Chișinău was founded in the area of Măzărache Hill and enlarged afterwards to include Buicani, Vovințeni and other neighboring estates. Being a market-town from the middle of 17th century, Chișinău is a typical medieval and pre-modern Moldovan town situated along the big international commercial road connecting the centers from Lower Danube and Black Sea with the towns from Central and Northern (Hanseatic) Europe. This position turned to be decisive at the beginning of 19th century when, owing to its geographical and economical situation, the town has become an important political, administrative and cultural center in the space between Prut and Dniester rivers. This also explains the great interest of historians and lovers of antiquities in Chișinău during the entire modern period.

However, the lack of systematic archaeological investigations lead to the impossibility of outlining a coherent, unitary and complex image of old, medieval and re-modern history of the biggest town east of Carpathians up until now. The academic studies of synthesis or those with encyclopedic character dedicated to Chișinău reflect in general and rigid terms aspects of social-economic, political and cultural life of the town and its evolution from oldest times until the modern period.

Although sporadic, the archaeological excavations and surveys conducted after WW2 in the perimeter of Chișinău and nearby villages resulted in the identification of tenths of sites representing prehistoric settlements, ancient settlements and cemeteries, fortresses and barrows from different historical periods. The settlement discovered in the north-western periphery of the city and attributed to the Thracian Hallstatt from the 12th-10th cc. BC is one of them and it was researched in 1955-1956. This settlement also gave the name to an important archaeological culture - Chișinău-Corlăteni culture, which is recognized by the international scientific community.

Important discoveries made in the last years contribute to defining the historical coordinates of Chișinău and to establishing its century-old evolution. The archaeological investigations from 2009 and 2010 conducted at Valea Morilor, the rescue archaeological excavations from 2010 at Măzărache Church and those from 2012 at Piața Veche, brought to the daylight priceless archaeological evidences for the city's past and for our national history. Therewith, systematic archaeological investigations at some cemeteries from around Chișinău, at Durlești-Valea Babei, Budești and Trușeni come to complete the picture of human communities' evolution from prehistory until the medieval and pre-modern period in this part of the country.

Chișinău – Archaeological Evidence of Our Millennial History Chișinău – Archaeological Evidence of Our Millennial History Chișinău – Archaeological Evidence of Our Millennial History Chișinău – Archaeological Evidence of Our Millennial History

All these discoveries, presented in the vitrines of the exhibition dedicated to the 577th anniversary from the first documentary mention of Chișinău, invite researchers, culture personalities, lovers of history and antiquities, but also city's governors with European aspirations to cultivate more love towards our cultural inheritance, toward the city's past which deserves not only exploitation but also study, protection and valorification.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
10 December – 19 December 2025
 
Exhibition ”Art Speaks Where the Voice Is Silent”
 
25 November – 19 December 2025
 
2 December 2025 – 4 January 2026
 
September 25, 2025 – September 1, 2026
 
August 11, 2025 – January 31, 2026
 
Over 2500 pieces made of precious metals with historic, artistic and symbolic value
  

Come to Museum! Discover the History!
  
Visit museum
Visit museum
Summer schedule: daily
10am – 6pm.

Winter schedule: daily
10am – 5pm.
Closed on Mondays.
Entrance fees:  adults - 50 MDL, Pensioners, students - 20 lei, pupils - 10 MDL. Free access: enlisted men (...)

WiFi Free Wi-Fi Zone in the museum: In the courtyard of the National History Museum of Moldova there is Wi-Fi Internet access for visitors.


#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." ...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC