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To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.
The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

Virtual Tour


Exhibitions

“Colors of Orthodoxy. Poland”

March 14 - April 30, 2022

Although the dominant religion in Poland is Catholicism, adherents of the Orthodox and Greek Catholic Church have lived in Polish territory for centuries. Some of their traditions and rich heritage are presented in the exhibition "The Colors of Orthodoxy. Poland", which can be seen from March 14 to April 30, 2022 at the National Museum of History of Moldova, Chisinau.

The process of Christianization of the Slavs, which began simultaneously with the mission of Saints Cyril and Methodius, took place when the Slavs came into contact with Byzantine culture. Although the Piasts, the first rulers of the Polish territory, converted to Western Christianity in 966, the mission of the two saints spread to the Eastern Slavic territories, including Cherven Cities, Wistulans' state, the territory between the Vistula and Bug rivers. Until the 14th century, Chełm, Podlaskie Voivodeship and the area between the Vistula and Bug rivers were mainly under Russian influence.

The political and cultural role of the Orthodox Church in the Polish territories increased due to the territorial expansion of the Piast dynasty to the east. The ongoing struggles in the eastern territories, as well as the repeated change of borders, have led to the formation of a population with different religions and cultures. Although the number of followers of the Orthodox religion increased significantly, the Orthodox Church was only a tolerated denomination compared to the dominant Roman Catholic Church.

The situation changed considerably with the Union of Brest in 1596 between the Roman Catholic Church and some of the bishops of the Orthodox Church, who recognized the authority of the Pope. Until the beginning of the 18th century, this union, which led to the creation of the Greek Catholic (Uniate) Church, encompassed almost the entire structure of the Western Church on Polish territory (however, the Jabłeczna Monastery remained Orthodox throughout its existence).

After the partition of Poland (in 1772, 1793, 1795), the Greek Catholic Church survived in the territories under Austrian occupation, being, in turn, liquidated in several stages in the territories occupied by the Russians.

On the territory of Poland, revived in 1918, the Orthodox Church faced distrust from the state authorities and association with Russian oppression. In 1924, it received the status of an autocephalous church, but was not recognized by the Russian Church, which granted it the right to autocephaly only after the World War II. The number of believers in the Polish Autocephalous Church declined sharply after World War II as a result of the resettlement of the Ukrainian population in the USSR in 1944 and the resettlement of Poles from the Eastern Bordering Areas to the so-called Restored Territories, that is, to modern western Poland.

According to the latest 2011 census, about 190,000 Orthodox and Greek Catholics live in Poland, or about 0.5% of the country's total population.

Despite the relatively small number of believers, the Orthodox Church is an important part of Polish culture. In some parts of the country (especially in the north-east and south-east), members of the Orthodox Church and the Uniate Church make up the majority of the population or an important part of it (for example in the Podlaskie or Polesie regions).

The beauty of nature, ethnic and cultural diversity, as well as the rich history of these lands attract tourists. Poland also has valuable monuments associated with Eastern churches, and eight wooden churches in the Subcarpathian region are on the UNESCO World Heritage List.

The exhibition "Colors of Orthodoxy. Poland" can be seen at the National Museum of History of Moldova, Chisinau, on the fence from 31 August 1989 Street, 121A, from March 14 to April 30, 2022.



 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
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#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC