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The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

Virtual Tour


Exhibitions

"Greco-Roman Imports in the Northwestern Black Sea Coast"

30 May - 30 december 2012

  
The exhibition Greco-Roman Imports in the Northwestern Black Sea Coast is based exclusively on the archaeological collections of the museum. It brings together multiple pieces of different categories: vessels, jewelry, tools, utensils, sculptures, etc. The objects are made of different materials: fired clay, non-ferrous and semiprecious metals, glass and glassy paste, semiprecious stones, marble.

The exhibition aims to show all categories of Greek and Roman imports, which were found in the area to the north of the Black Sea, thereby reflecting the exchange and trade, which lasted over a millennium among the tribes that inhabited the Northwestern Pontic territories, especially those of the Prut-Dniester interfluve.

Exchange relations between different communities have always contributed to changes in the societies in contact, resulting in cultural, economic, and spiritual interference.


The population of Northwestern Pontic territories, including the Prut-Dniester space, during the period from the 6th century B.C. to the 4th century A.D. has been substantially influenced by Greek and Roman civilizations in their ascension.

Already in the late 6th century B.C. the Thraco-Getae-Dacians maintained exchange and trade relations with the Greek settlers and merchants. Among the goods brought by them, the most popular were wine and olive oil; for their transportation and storage were used special vessels - amphorae.

Another category of the Greek import, found in both the Getae barbaric world and the Scythian nomadic tribes, are black-glazed luxury vessels, some painted with red figures; among them there are one of the most beautiful items of Athenian craftsmen - red-figure pelike (a jug  for diluted wine) found at Manta and kantharoi - cups with two handles used for drinking wine.

Among the objects ones belonged to the Scythian aristocracy there were widespread jewels of precious metals (gold, silver), glass, and bronze objects, including mirrors and arms. In the Scythian princely tombs of Nicolskoe, Dubasari, Butor there were discovered gold appliqués for clothing, gold earrings.

The archaeological investigations in the Greek towns of the northern and northwestern Black Sea coast led to the discoveries of beautiful marble sculptures, representing the heroes and gods of the Greek pantheon, including the marble head of Hercules.

The Roman conquest of Greek colonies in the early 1st millennium A.D. has contributed to the appearance of new goods of Roman tradition in the native world of the Northwestern Pontic area.  Along with the Thracian population, there were other consumers of the imported goods. Among these there were Sarmatians - a population of Iranian origin (1st century B.C. - 3rd century A.D.), and the carriers of Santana de Mures culture (3rd - 4th centuries) - a culture with many ethnocultural elements, including the local -Dacian and Roman ones.

Among the categories of import during the Roman period there remain wine and olive oil, which also are brought  in amphorae, but already of another shape, which is due to new time and traditions, but keeping the same use.

The Sarmatians, especially wealthier strata, were large consumers of Roman adornments made of gold and silver, semiprecious stones, bronze and glass tableware, such as the bronze bowl from Cazaclia, a bronze pot, and some chance finds.

Among carriers of the Santana de Mures culture here were widespread import vessels made of fired clay, more rarely of glass, as well as multiple adornments of semiprecious stones and glassy paste. The most interesting are gold rings from Mocra.

The influence of Roman culture also penetrated into the northwestern Black Sea region with art and religious objects (marble sculpture).

Close contacts of the population of Prut-Dniester space with representatives of Greek and Roman civilizations have contributed to the development and evolution of local communities, and artifacts presented in the exhibition are an eloquent witness to this relationship.

The exhibition is aimed at both professionals and the general public, everyone who is interested in archeology and ancient history of our region.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC