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#Exhibit of the Month

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The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

Virtual Tour


Exhibitions

"Icon of Christ - living expression of the Gospel"

April 25 – August 18, 2024

The exhibition entitled "Icon of Christ - living expression of the Gospel" is dedicated to the collection of icons with a Christological theme from the heritage of the National Museum of History of Moldova. The exhibition aims to familiarize the visiting public with some of the ecclesiastical art objects from the museum's collection, many of these being exhibited for the first time.

As an essential part of life, icons embody the artistic preferences and worldviews of different segments of the population. The icons preserved in the museum collections represent the miniature model of the style and traditions of the local iconographic art. The exhibition includes significant cultural assets for their patrimonial, artistic, spiritual and memorialistic value.

About sixty icons from Bessarabia, Ukraine, Russia, Jerusalem and Greece are presented in the exhibition. The earliest icon dates from 1810, in its field the name of the author, the monk Evtaph, is also found, the latest comes from a monastery workshop in Greece, dating from the second half of the 20th century. Painted on wood and canvas, the icons represent various styles of iconographic art such as those of the Byzantine tradition and of the realist-academic manner, those that combine the baroque element, as well as those of naive expression. The exhibited icons represent the fruit of painters with special training and that of amateur painters, characteristics that evoke the iconographic expressions that shaped the Bessarabian icon in that period.

The distinctive element of the exhibition is the diversity of categories and styles of interpretation, of techniques and materials, of forms of realization - all this giving it authenticity and personality. Given the numerous presence of pieces of the same iconographic category, the criterion for displaying the icons is the typological one. The entire iconographic material has been systematized in five distinct compartments. The first thematic group is made up of the icons that evoke the "Evangelical Face of the Savior", a category that sums up the most iconographic types from the "Birth of the Lord" to the "Entombment". "The Face of Christ in Glory" includes the iconographic subjects - " The Transfiguration", the "Resurrection of the Lord" and the "Ascension of the Lord" - moments when the apostles are initiated into revelatory mysteries not yet known to them. The "unmade face of the Savior" is depicted in the icons "Mahram of King Abgar" and "Mahram of Veronica ", these representing the Achiropites", images on which, according to tradition, the face of the Savior miraculously appears.

The first representation is considered the "Byzantine" or Eastern face of God, printed on the handkerchief sent to King Abgar of Edessa, the second, also called the "Roman" or Western face, it reproduces the suffering face of the Lord on the face of Veronica, the woman who through the touch of the Saviour's garment healed the heavy afflictions. The "Good Shepherd" icons represent the "Symbolic Face of the Saviour", a face inspired by the Gospel, from the words and parables of the Saviour, rendered as deeply as it is sublime and pure in its spirituality. The iconographic types Jesus Christ "Vine", Jesus Christ "Pantocrator", Jesus Christ "Great Emperor" and Jesus Christ "High Priest" embody the "Liturgical Face of the Savior". The most numerous images in this compartment are those in which Jesus Christ is depicted in the posture of Pantocrator.Reproduced in about 40 icons, the most representative ones were selected for their artistic and spiritual messages.

Other liturgical objects from the museum's heritage were used as complementary material - pectoral crosses, candlesticks, chalices, censers, etc. The visiting public will have the opportunity to examine some enlarged details from the composition of the icons on display, placed separately, which may pleasantly surprise them.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC