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The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

Virtual Tour


Exhibitions

“REMEMBERING CHILDHOOD, TESTIMONIES OF BESSARABIAN DEPORTEES”

Arbor Association for Culture and Arts, Bucharest

August 31 – September 25, 2022

On August 31, 2022, the Arbor Association for Culture and Arts and the Museum of Victims of Deportations and Political Repressions, a branch of the National Museum of History of Moldova, organized the opening of the exhibition "Remembering childhood, testimonies of Bessarabian deportees", which restores the spirit of tragic destinies, the testimonies of deportees and victims of the totalitarian regime from the left bank of the Prut in the Soviet period. The event was attended by the Ambassador of the Republic of Moldova in Romania Victor Chirilă, representatives of the academic and scientific communities from Romania and the Republic of Moldova. The opening enjoyed a wide interest from artists, representatives of the young generation and, particularly, from the descendants of Bessarabian families deported or repressed during the totalitarian-communist regime.

The collection of testimonies brings together materials and research carried out by the National Museum of History of Moldova in partnership with the Pro Memoria Institute Center of Excellence at the State University of Moldova, the Institute of History, the "Alecu Russo" State University in Balti and the "B.P. Hasdeu" State University in Cahul from 1991 to 2021. Investigations indirectly concerned the mechanisms of memory. We see how they work with people who in their childhood have gone through repressions and deportations, what dilemmas arise when it comes to representing the totalitarian past, how silence and collective amnesia have persisted. The research introduces new materials collected from family archives into scientific circulation, providing a broader context for the policy of forced Sovietization, as well as anti-Soviet resistance in Bessarabia.


During the exhibition, the curators Ludmila D. Cojocaru, director of the Museum of Victims of Deportations and Political Repressions, a branch of the National Museum of History of Moldova, and Victoria Nagy Vajda, president of the Arbor Association, proposed to trace the dramatic journey of some young people and children deported to the other end of the Soviet Union, whom the Soviet authorities considered "enemies of the people" and dangerous elements for society". The collection of testimonies takes the form of an installation made up of photographs nested in old jewellery boxes. The life stories of the repressed can be heard performed by Chisinau actors Elena Frunze-Hatman and Ghenadie Gâlcă, to the music of Ștefan Panea. The personal belongings of the deportees were brought from the National Museum of History of Moldova, from the Open-Air Museum Complex Memorial to the Victims of Political Repressions from the village of Mereni and from private collections; for a better understanding of the distance travelled by the deportees in freight cars, the artist Ramona Iacob created a map of the "Gulag of the Bessarabians". The exhibition will show the animated film "The Nameless Cat" about the Bessarabians deported to Siberia, made by the famous Chisinau artist Ghenadie Popescu.

In the context of the aggression of the Russian Federation against Ukraine and the news of the deportation of the Ukrainian population from the front line to Russia, we state that the practices of the past have not gone away, and the mistakes and terror of the last century still threaten us. Thus, the exhibition "Remembering childhood, testimonies of Bessarabian deportees" carries not only a page of the past, but also an alarm about the present, if humanity does not make every effort to restore peace and good neighbourliness in the region.

The project was carried out by the Arbor Association for Culture and Arts in partnership with the National Museum of History of Moldova, the Pro Memoria Institute Center of Excellence at the State University of Moldova and the Embassy of the Republic of Moldova in Romania.


Arbor.art.room

11 Transilvaniei Street, sector 1, Bucharest, Romania

"Remembering childhood, testimonies of Bessarabian deportees"
Curators: Ludmila D. Cojocaru and Victoria Nagy Vajda
Opening: 31.08.2022, from 16:00 to 21:00
Visiting period: 01.09.2022 - 25.09.2022
12:00 - 18:00 │ Monday, Tuesday closed



 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC