#Exhibit of the Month

Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.

Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.

The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system.

The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia.
The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London.
The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit.
June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.

Virtual Tour

Exhibitions

“Requiem for the Romanian Peasant: the Peasants and Communism”

Opening: May 18, 2020

They have always been on the battlefield. They fought with the Tatars, with the Turks and the Russians, with droughts and floods, with village headmen and activists, with tax collectors and quotas. They have always been defeated and victorious, for their sacrifice always nourished the continuity of history. However, in the fight against the Communists, they lost completely, because it destroyed not only their lives, but also their roots. Without land, peasants lost their essence. They went to wander, left for the cities, leaving the land and the household to women and children, and the harvest to students and soldiers. Those left to work in the fields began to "steal" from public property (which was actually their own property). Today the sacrifice of the peasants revolted in 1949-1950 remains a romantic episode. The final uprisings of 1960-1962 resemble medieval sieges. The day of April 1962, when collectivization was decreed, resembles the fall of Constantinople. Just as the paintings of Hagia Sophia illustrate a world foreign to the one to come, the peasants in the reality of our time seem martyrs without halos. Killed by bullets or ideology, they are the most numerous and innocent prey of communism.

The exhibition "Requiem for the Romanian Peasant: the Peasants and Communism" was organized in March 2009 by the International Centre for Studies into Communism, part of the Memorial to the Victims of Communism and to the Resistance - Civic Academy Foundation on the occasion of the of the 60th anniversary of the forced collectivization of agriculture and the beginning of the disaster for the Romanian peasantry (Plenary of the Central Committee of the Romanian Workers' Party on 3-5 March 1949). The curator of the exhibition was the late Romulus Rusan, director of the International Centre for Studies into Communism.

By means of archival documents, genuine photographs and evidences of oral history, the exhibition reconstructs the world of a Romanian village, which disappeared as a result of forced collectivization imposed by the communist regime. One of the main elements of the exhibition is a map of the numerous peasant uprisings against collectivization and quotas that took place in 1949-1962.

The Timiş and Arad branches of the Association of Former Political Prisoners in Romania, the County Museum of History in Alexandria and many witnesses of the events, some of which became historians, also collaborated in the creation of the exhibition. The graphic design was made by the architects Octavian Carabela and Marius Marcu-Lapadat.

The exhibition was presented in several cultural institutions in Bucharest, Alba Iulia, Arad, Alexandria, Baia Mare, Brăila, Iaşi, Cluj, Timişoara, Drobeta-Turnu Severin, Oradea, Satu Mare and other cities in Romania and at the B.P. Hasdeu State University in Cahul.

The exhibition can be seen in the hall of the second floor of the National Museum of History of Moldova from May 18, 2020.