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#Exhibit of the Month

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The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

Virtual Tour


Exhibitions

"The Archaeological Landscape of Old Orhei"

February 20 – March 20, 2025

The Archaeological Landscape of Old Orhei is an ensemble of exceptional archaeological sites, located in a fortified natural space with unique features on a global scale. As a result of millennia of collaboration between human genius and the natural environment, the Archaeological Landscape of Old Orhei represents an extraordinary repository of heritage values, a place of rare beauty and great attractiveness that deeply impresses any visitor.

The exhibition aims to present these remarkable heritage values through a collection of photographic panels, offering visitors a comprehensive insight into the rich history and cultural significance of Old Orhei.

The landscape is in the central-eastern part of the Republic of Moldova and extends along the Răut River gorge, 50 km from Chișinău. It is situated in a strategically important location, at the confluence of ancient civilizations: barbarian and Greek, sedentary and nomadic, oriental and western, Christian and Muslim.

The landscape includes a natural amphitheatre of rare beauty, formed by the confined meander of the Răut River, with high banks along its winding course, providing remarkable defence conditions, in fact being a splendid natural fortress.

Old Orhei has multiple elements that give it remarkable universal value, such as: the unique configuration of the landscape; the unity and diversity of the natural framework; the remarkable richness of vital natural resources for the inhabitants; the very important geostrategic position of the place; the strong natural fortification of the landscape; the positioning of the site at the border between spaces with very different cultural models; the remarkable sacredness of the place; the ingenious anthropic adaptation of the space; the high political-economic and military status of the space in various eras, and the extremely high concentration of anthropic traces in this area.

This special place has strongly attracted human communities since ancient times. Within the Landscape of Old Orhei, there is a very high concentration of archaeological sites, perfectly adapted to the relief forms here.

The oldest traces of habitation represent two Upper Palaeolithic sites (ca. 30,000 - 20,000 BC). There is also a long-term settlement from the Copper Age (ca. 5,000 - 3,500 BC). Sparse traces from the late Bronze Age (ca. 1400 - 1100 BC) are also encountered. In the same space, vestiges from the early Iron Age (ca. 1000 - 100 BC) are documented.

On the same promontory, sporadic traces from the late antique period (3rd-4th centuries) are found. Two early medieval settlements (5th - 13th centuries) follow. In the 12th - 13th centuries, in the upper part of the promontory, there was a fortified rural settlement, conquered and destroyed by the Mongols around 1241.

In the first half of the 14th century, an oriental-type city - Şehr al Cedid / Yangı Şeher (New City) - was founded on this site, which existed until 1369 when the Mongols withdrew from the region under pressure from Lithuanian and Moldovan armies.

On the ruins of this city, after 1369, one of the most important medieval Moldovan cities - Orhei - was founded, which existed until the mid-16th century.
The exhibition " The Archaeological Landscape of Old Orhei " can be visited from February 20 - March 20, 2025, at the National Museum of History of Moldova, Chișinău, 31 August 1989 Street, No. 121 A.



 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC