#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

Virtual Tour

Exhibitions

The compartment of World War II and Stalinist repression

(Permanent Exhibition „History and Civilization”)

The department presents documentary evidences about World War II and political repression during the Stalinist dictatorship.

Numerous photos, documents, military clothing items, letters from the front, personal belongings of soldiers recreate the ordeal of war, which caused millions of deaths and immeasurable economic losses.

The compartment of World War II and Stalinist repression

Among the relics presented in the showcases you can see a photograph of the commander of the 12th gendarme regiment G. Niculescu, who was the first Romanian colonel fallen in the battles of Tiganca on July 9, 1941; letters from the front written by E. Filatov, soldier in the Romanian army, to his wife; military ID that belonged to V. Sava, a native of the village of Bardar, Lapusna District; photograph and flying helmet of S. Harhalup who’s aircraft was shot down on 30 June 1941 during a fight over his native village of Valea Adanca, Camenca District; sailor’s shirt of I. Caimacan and shoulder straps of Colonel L. Grecu, who participated in the war in the ranks of Soviet troops and navy.

A number of exhibits remind of the horrible concentration camps of Auschwitz-Birkenau, where more than 4 million people, representatives of 27 nationalities, were killed Nearby you can see the clothes of a prisoner of the Soviet forced labor camps and a certificate on the name of Vasile Cojocaru, a former political prisoner, as well as a certificate stating that Peter Cojocaru was shot in 1942 at the camp in Mariinsk, Kemerovo Region.

Such a fate befell tens of thousands of Bessarabians who were in the Soviet Gulag. During the 11 years, from 1940 to 1951, the MSSR there were carried out three large-scale deportations and dozens of arrests and deportations at the local level. In June 1941 there were deported 3470 families of "anti-Soviet elements" (22 848 persons). On the night of 5 to 6 July 1949, 11 293 families (over 35 thousand people) of hardworking peasants were forcibly sent to the suffering and death in Siberia and other remote areas of the Soviet empire. In 1951, as a result of the operation "North", 723 families of Jehovah‘s Witnesses (over 2,600 people) have been forcibly relocated.

The exhibition includes photographs, letters from the camps, lists of confiscated property, personal belongings of the deported, and other documentary evidence about the fate of people who have experienced the deportation ordeal, such as poet Nicolae Turcan, scientist Alexei Barladeanu, teacher Catherine Dementieva, the Buiuc family from Chiperceni (Orhei District), the Baciu family from Mereni (Anenii Noi District), the Berezovschi family from Chisinau, Xenia Botnaru from Straseni, Alexandra and Gregory Scafaru from Ciuciuleni (Nisporeni District), and many others.