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#Exhibit of the Month

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Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.

Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.

The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system.
The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia.
The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London.
The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit.
June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.

Virtual Tour


Exhibitions

„Václav Havel’s portrait”

March 2nd - April 10th, 2016

The exhibition was organised by the Czech Centre in Bucharest (curator: František Zachoval) in partnership with the National Museum of History of Moldova and the Czech Embassy in Moldova.

The exhibition is a tribute to the 80 years anniversary of the birth of Václav Havel, whom he has never lived. Václav Havel is a writer, philosopher, Czech dissident and politician. He was one of the first spokesmen of Charter 77, leading personality of the political changes in November 1989, the last president of Czechoslovakia and the first president of the Czech Republic. Literary genius, irreproachable moral qualities and political victories made him one of the most respected personalities of the late twentieth century.

The exhibition reflects the personality of Václav Havel in Czech artists' vision. Undoubtedly, Havel played one of the most important roles in the revolutionary months of 1989, when he brilliantly formulated the fundamental purpose of transformation period that was to follow, such as rebuilding of a pluralist political system or reconstruction of market economy. Therefore, the exhibition is the very paradigm of Havel's concept of the world, being one of the most important promoters of pluralism of opinions. The same pluralism was set behind the project exhibition, showing the personality of Václav Havel in artworks made between 1990 and 2015 by known Czech artists, such as: Milan Knížák, Jiří Kovanda, Jiří David, Kurt Gebauer, Milan Mikuláštík, Adam Kovalčík, Bořek Šípek, Martin Zet and artistic group Guma Guar.

The artworks displayed in the exhibition are: „Česká krajina" (Czech landscape - 1990) by Milan Knížák; „Skryté podoby" (Hidden portraits - Václav Havel, 1991-1995), artwork part of a large international project by Jiří David; „Havla zřejmě čeká těžší práce doma" (Obviously, Havel awaits a harder job at home - 1998) by Jiří Kovanda; commemorative medal „Macroscopium rationem popularem tuens stand" (2014) by Bořek Šípek; installation „Srdce" (Heart - 1997-2007) by Kurt Gebauer; billboard „Podpis krvavého humanisty" (Signature of bloody humanist) by Guma Guar; „Power Play" (1998) by Milan Mikuláštík; „Portrait of Václav Havel" (2013) by Adam Kovalčík; „Easy Marchers" (video, 26 min., 39 sec.) by Martin Zet. The works capture the personality of Václav Havel through eyes of criticism and admiration of contemporary Czech visual artists.

The event was supported by Staropramen. Media partners: Kiss FM.




 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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Winter schedule: daily
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Entrance fees:  adults - 50 MDL, Pensioners, students - 20 lei, pupils - 10 MDL. Free access: enlisted men (...)

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#Exhibit of the Month

Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany. Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC