#Exhibit of the Month

This clay vessel was discovered in 1982 by archaeologist V. Sorochin during excavations of a burial mound (no. 1) located in the village of Speia, Dubăsari District. It originates from grave no. 5 and is dated to the 4th millennium BC, belonging to the Usatovo culture.
The vessel was found in a child's grave. The burial pit had an oval shape, and the deceased was laid in a crouched position (similar to the fetal posture), on the left side. A total of five vessels were uncovered in this grave: three near the back, one at the feet, and one in the pelvic area.
The cultural attribution of this funerary complex was determined based on the burial rite and grave goods. This culture is characterized by the specific construction of the burial pit, as well as the positioning and orientation of the deceased toward the east and northeast.

The vessel is shaped from clay mixed with finely crushed shell. Its walls curve gradually toward the top, with the widest diameter at the shoulder area. It has a short neck, a slightly flared rim, and a flat base. The surface is carefully polished, in some areas to a lustrous finish. The interior is reddish-brown, while the exterior is yellowish-brown with gray spots. The rim features groups of perforations, three of which are preserved in their original state. The diameter of the holes is 0.35 cm. The space between the groups of perforations is decorated with cord impressions. The transition from the neck to the shoulder is adorned with three horizontal lines made with cord, from which, in five places, three vertical lines descend, each 5 cm long, executed using the same technique. At the time of discovery, these lines were filled with a white paste. The space between the groups of lines is decorated at the top with short vertical lines (0.5 cm long), and in the center with a meander ornament made of two parallel lines impressed with cord. The base of the vessel retains the imprint of a textile.
Vessel dimensions: Height: 22 cm; Rim diameter: 15.7 cm; Maximum diameter: 22 cm; Base diameter: 10 cm.

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Exhibitions

„Václav Havel’s portrait”

March 2nd - April 10th, 2016

The exhibition was organised by the Czech Centre in Bucharest (curator: František Zachoval) in partnership with the National Museum of History of Moldova and the Czech Embassy in Moldova.

The exhibition is a tribute to the 80 years anniversary of the birth of Václav Havel, whom he has never lived. Václav Havel is a writer, philosopher, Czech dissident and politician. He was one of the first spokesmen of Charter 77, leading personality of the political changes in November 1989, the last president of Czechoslovakia and the first president of the Czech Republic. Literary genius, irreproachable moral qualities and political victories made him one of the most respected personalities of the late twentieth century.

The exhibition reflects the personality of Václav Havel in Czech artists' vision. Undoubtedly, Havel played one of the most important roles in the revolutionary months of 1989, when he brilliantly formulated the fundamental purpose of transformation period that was to follow, such as rebuilding of a pluralist political system or reconstruction of market economy. Therefore, the exhibition is the very paradigm of Havel's concept of the world, being one of the most important promoters of pluralism of opinions. The same pluralism was set behind the project exhibition, showing the personality of Václav Havel in artworks made between 1990 and 2015 by known Czech artists, such as: Milan Knížák, Jiří Kovanda, Jiří David, Kurt Gebauer, Milan Mikuláštík, Adam Kovalčík, Bořek Šípek, Martin Zet and artistic group Guma Guar.

The artworks displayed in the exhibition are: „Česká krajina" (Czech landscape - 1990) by Milan Knížák; „Skryté podoby" (Hidden portraits - Václav Havel, 1991-1995), artwork part of a large international project by Jiří David; „Havla zřejmě čeká těžší práce doma" (Obviously, Havel awaits a harder job at home - 1998) by Jiří Kovanda; commemorative medal „Macroscopium rationem popularem tuens stand" (2014) by Bořek Šípek; installation „Srdce" (Heart - 1997-2007) by Kurt Gebauer; billboard „Podpis krvavého humanisty" (Signature of bloody humanist) by Guma Guar; „Power Play" (1998) by Milan Mikuláštík; „Portrait of Václav Havel" (2013) by Adam Kovalčík; „Easy Marchers" (video, 26 min., 39 sec.) by Martin Zet. The works capture the personality of Václav Havel through eyes of criticism and admiration of contemporary Czech visual artists.

The event was supported by Staropramen. Media partners: Kiss FM.