#Exhibit of the Month

Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable.
With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects.
The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home.
In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present.
These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.

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Events Archive

Inauguration of the "Architecture of Independence in Central Europe" exhibition

February 1, 2023

On February 1, 2023, in the premises of the National Museum of History of Moldova took place the opening of the "Architecture of Independence in Central Europe" exhibition.

The event was opened by Eugen Sava, the General Director of the National Museum of History of Moldova, who stated that this exhibition is a continuation of the collaboration between NMHM, the Polish Institute in Bucharest and the Embassy of the Republic of Poland in Chisinau. Mr. Sava highlighted the importance of this beneficial relationship, which has as a results, numerous projects and exhibitions realized during the last years.

Svetlana Pociumban, head of the Cultural Heritage Directorate of the Ministry of Culture and Natalia Mosor, director of the Polish Institute in Bucharest, came with greetings and speeches, who reiterated the importance of Moldovan-Polish collaboration and thanks to which we can admire this exhibition today.

S.E. Tomasz Michał Kobzdej, Ambassador of the Republic of Poland in Chisinau, reported on the concept and content of the exhibition. Mr. Ambassador highlighted the main processes that the cities of Central Europe went through in the period after the First World War and how they influenced the architecture of that period, architecture that combines various aspects, among which the political, social and cultural are already found.

The leitmotif of the exhibition is to present the very dynamic period, after 1918, from the perspective of the entire spectrum of changes that influenced the space, urban planning and architecture of the new countries that appeared on the map of Central Europe. In the present case, the architecture of independence is understood more broadly than just individual buildings. It is the symbol of its materiality in the landscape of regions and cities, of the search for new models of national iconography, of the desire to create opportunities for social development, but also of the emergence of the idea of a new man.

Also, the end of the First World War marked the birth of the idea of a new man. The man of the future had to be healthy and athletic, and his body had to resemble a machine. Health and hygiene, sport and active recreation were considered factors of social and moral change, as well as important elements in the consolidation of new societies. Spas have developed, as has the sports infrastructure. Sports halls, racetracks, swimming pools, stadiums that could accommodate thousands of spectators became visible symbols of modernization and a great propaganda tool for the newly created states.

The curators of the exhibition are Łukasz Galusek, Dr. Żanna Komar, Helena Postawka-Lech, Dr. Michał Wiśniewski, Natalia Żak.

The exhibition "Architecture of Independence in Central Europe" is co-financed from the funds of the Polish Minister of Culture and National Heritage, as part of the NIEPODLEGŁA Multiannual Program for the years 2017-2022 and can be seen at the National Museum of History of Moldova from February 1-28, 2023.

#Exhibit of the Month

Decorative Bells

Inauguration of the "Architecture of Independence in Central Europe" exhibition

February 1, 2023

#Exhibit of the Month