#Exhibit of the Month

German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design.
The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style.
The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition.
It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV.

The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.

The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.

These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.

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Events Archive

Interactive visit for children with hearing disabilities

September 25, 2019

Each year, the museum dedicates the last week of September to supporting the social inclusion of young people with hearing disabilities. On September 25, 30 children from the Professional School no. 11 for children with hearing disabilities, from Chișinău, spent together unforgettable moments at the museum.

Even if deafness is a disability that is not visible, young people who have such deficiencies are exposed daily to the risk of not being accepted by society. Most of them had attended special institutions, starting with kindergarten, where they were assisted by professionals of the gestural language. In order to be able to work, most of these persons would need the support of an interpreter of mimicry and gestures. In the Republic of Moldova, only nine specialists in mimicry are authorized for about 5000 people with hearing problems. One of them was invited at the activity organized by the museum to facilitate the children's access to the information displayed in the museum.

There is no way of telling exactly what they liked the most, however the children showed great interest during all three hours spent in the museum. First, they were challenged to mold a prehistoric handmade clay vessel, to spark between two stones and to weave using a weaving installation. Being students at a vocational school, they showed great skill in everything, proving that the deed is worth much more than the word. After that, the children gathered together the pieces from a big puzzle, and the big surprise made by the museum was visit of the volunteers of the Color Party, who taught the children to model puppies and flowers from balloons, and painted the visitors on face and hands in their favorite colors.

This day brought sunshine to the museum. The happiness of the children is encouraging and motivating us to organize such interactive visits more often, because History makes no difference between its descendants. We hope that such activities will raise public awareness, and spread inclusive practices in other public institutions.

The museum always has wide open doors for everyone.