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#Exhibit of the Month

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The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage.
The necklace consists of 11 elements made entirely of Egyptian faience. Eight of the beads are spherical and decorated with vertical incisions forming between 14 and 21 raised ribs. Their diameters range from 13 to 20 mm. Two additional elements are scarab representations measuring 23.5 × 19.5 mm, while the final component is a flattened cylindrical pendant bead featuring a central vertical groove and measuring 22 × 9 mm. The objects range in color from light blue to dark blue and violet hues, reflecting the natural deterioration and glaze variations characteristic of Egyptian faience.
Egyptian faience is an artificial quartz-based material coated with an alkaline glaze, typically blue or blue-green in color. It was widely used in Ancient Egypt and later spread throughout the Mediterranean and Pontic regions through trade networks. During the first centuries AD, such objects served as important indicators of cultural and economic contacts between the Mediterranean world and the communities of the North Pontic region.
Owing to its typological, technological, and symbolic characteristics, the Taraclia necklace is an exceptionally valuable artifact for the study of intercultural relations, the circulation of prestige goods, and the funerary practices of the Sarmatian communities during the first centuries AD (1st-2nd centuries AD).

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#Exhibit of the Month

January 2023

Mirror from Nikolskoe

In the culture of many peoples from ancient times (and to the present day), mirrors have been given a special role in ritual practice, especially funerary ones. For many communities, mirrors, like metal objects in general, served to protect against evil spirits. Mirrors had a dual purpose - a utilitarian one, as a toilet item, and ritual, as an attribute of a magical rite. The latter is explained by the fact that in the ideas of many peoples the soul of a person is connected to his reflection in a mirror or water. Being external to man, the "soul-reflection" is subject to various dangers.

Obviously, belief in the magical possibilities of mirrors is one of the reasons why the owners kept them closed in wooden, cloth, felt or leather cases and pouches. An expensive mirror was placed in the grave along with the deceased for fear that the soul of a living person reflected in it could be carried away by the spirit of the person passed away. On the other hand, to this day, many nations have a tradition of hanging all the mirrors if there is a dead person in the house, so as not to multiply death.

Metal mirrors are quite rare at the dawn of Scythian history, but over time, they were widely distributed in the Classical time or "Herodotus' Scythia" of the 5th-4th centuries BC. Then the mirror became one of the most important toilet items in Scythian burials. In the west of the Pontic steppes, at least 40 mirrors are known, made in Scythian or Greek workshops, 12 of them are stored in the collection of the National Museum of the History of Moldova.

One of the metal mirrors of Greek work was found on the left bank of the Dniester, near the Nikolskoe village, in the burial mound 14. It was found in a burial near a skull, and in addition to a mirror, 114 arrowheads and six golden fish-shaped plaques. The mirror was cast in bronze along with the handle. The mirror diameter is 16.5 cm, handle length with a round extension is 11.5 cm.

Although burial 1 of kurgan 14 was identified as male, 18-20 years old, mirrors are a marker of exclusively female burials. Such bronze mirrors with side handles appear in the middle of the 5th century BC but were most massively distributed during the last quarter of the 5th - the first half of the 4th century BC.



 

 


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#Exhibit of the Month

The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC