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#Exhibit of the Month

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We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.

These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.

The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.

The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."

The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.

Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.


Virtual Tour


#Exhibit of the Month

July 2021

Bronze finial from Răscăieţii Noi

This unusual object of the Scythian period was found in 1953 by a village teacher A.I. Shiryaev at the top of a mound near the village of Răscăieţii Noi in the Ştefan Vodă District. A quarter of a century later, excavations in 1979 revealed that this outstanding mound (about 10 m high and more than 40 m in diameter) was erected in the Early Bronze Age, at the beginning of the 3rd millennium BC. Then, two thousand years later, there were buried Scythians, with which, apparently, other finds are associated, a cauldron and a finial, cast in bronze.

The finial from Răscăieţii Noi is one of the items made in the Scythian animal style, a special manner of decoration that spread along with the culture of the early nomads of Eurasia from Central Europe to the Black Sea region and the Caucasus, from the Volga region to southern Siberia, from Central Asia to Mongolia and northern China. However, in spite of the general Eurasian coverage, the artifact from Răscăieţii Noi contains features characteristic mainly of Eastern Europe. Firstly, it was the Eastern European nomads who preferred to portray both daytime birds of prey (Falconiformes) and individual parts of their body: their head or beak. Secondly, the "European" bestiary of the Scythian animal style (as opposed to the "Asian" Scythian-Siberian bestiary) often includes fantastic animals (and their various "artistic transformations") that came here under the influence of the cultures of the Middle East. Thus, the "fantastic" image of the Răscăieţii Noi artifact is given by a beak bent in one and a half turns, which does not happen in nature. Thirdly, the very shape of the object is characteristic only for the North Caucasus, the steppes of the Black Sea region and the Ukrainian forest-steppe.

Such finials were interpreted as symbols of power, as a kind of standard banners, and even as decorations for the masts of ships. However, most researchers consider them to be associated with funeral processions, most likely to decorate funeral canopies, carts or chariots. The latter version seems to be the most preferable, especially since similar decorations are found on the images of the chariots of the Middle East. In terms of style, the artifact from Răscăieţii Noi is associated with finials from the mounds of the Ukrainian forest-steppe and the North Caucasus, however, performed in a more realistic manner. It seems that the specimen from Răscăieţii Noi shows further stylization of the image, reaching its highest stage, when the beak is only guessed in the curls of the upper part of the finial, but the pronounced cere and relief eye still emphasize the resemblance to the head of a bird of prey. From the middle of the 5th century BC things made in such a stylized manner penetrate into the steppes of the Black Sea region, including the bank of the Dniester in its lower reaches, where the finial was found near the village of Răscăieţii Noi.




 

 


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#Exhibit of the Month

We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC