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#Exhibit of the Month

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To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.
The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

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#Exhibit of the Month

July 2021

Bronze finial from Răscăieţii Noi

This unusual object of the Scythian period was found in 1953 by a village teacher A.I. Shiryaev at the top of a mound near the village of Răscăieţii Noi in the Ştefan Vodă District. A quarter of a century later, excavations in 1979 revealed that this outstanding mound (about 10 m high and more than 40 m in diameter) was erected in the Early Bronze Age, at the beginning of the 3rd millennium BC. Then, two thousand years later, there were buried Scythians, with which, apparently, other finds are associated, a cauldron and a finial, cast in bronze.

The finial from Răscăieţii Noi is one of the items made in the Scythian animal style, a special manner of decoration that spread along with the culture of the early nomads of Eurasia from Central Europe to the Black Sea region and the Caucasus, from the Volga region to southern Siberia, from Central Asia to Mongolia and northern China. However, in spite of the general Eurasian coverage, the artifact from Răscăieţii Noi contains features characteristic mainly of Eastern Europe. Firstly, it was the Eastern European nomads who preferred to portray both daytime birds of prey (Falconiformes) and individual parts of their body: their head or beak. Secondly, the "European" bestiary of the Scythian animal style (as opposed to the "Asian" Scythian-Siberian bestiary) often includes fantastic animals (and their various "artistic transformations") that came here under the influence of the cultures of the Middle East. Thus, the "fantastic" image of the Răscăieţii Noi artifact is given by a beak bent in one and a half turns, which does not happen in nature. Thirdly, the very shape of the object is characteristic only for the North Caucasus, the steppes of the Black Sea region and the Ukrainian forest-steppe.

Such finials were interpreted as symbols of power, as a kind of standard banners, and even as decorations for the masts of ships. However, most researchers consider them to be associated with funeral processions, most likely to decorate funeral canopies, carts or chariots. The latter version seems to be the most preferable, especially since similar decorations are found on the images of the chariots of the Middle East. In terms of style, the artifact from Răscăieţii Noi is associated with finials from the mounds of the Ukrainian forest-steppe and the North Caucasus, however, performed in a more realistic manner. It seems that the specimen from Răscăieţii Noi shows further stylization of the image, reaching its highest stage, when the beak is only guessed in the curls of the upper part of the finial, but the pronounced cere and relief eye still emphasize the resemblance to the head of a bird of prey. From the middle of the 5th century BC things made in such a stylized manner penetrate into the steppes of the Black Sea region, including the bank of the Dniester in its lower reaches, where the finial was found near the village of Răscăieţii Noi.




 

 


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#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC