#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

Virtual Tour

March 2024

The „askos” type vessel from Ciumai

The exposed object, an "askos" type ceramic vessel, comes from the tumulus necropolis near the village of Ciumai, Taraclia district. The vessel was discovered in 2015 in a cenotaph tomb attributed to the Jamnaja culture, dated to the early Bronze Age (ca. 3300-2600 BC).

The vessel, with an obviously asymmetrical configuration, is hand-moulded from quality clay paste, having a smooth brown surface with gray spots. The body of the vessel is provided with a pronounced protrusion and a truncated neck with a wider opening towards the mouth. The vessel has a stem and is ornamented with three pairs of symmetrically placed relief appliqués. The height of the bowl is 15.5 cm, the diameter of the mouth is 11.4 cm, the diameter of the body is 15 cm and the diameter of the base is 7.5 cm. Such vessels in the archaeological literature are known as "askos" vessels, the respective term being of ancient Greek origin, denoting one of the primitive containers of the period - the bellows made of animal skin.

In prehistoric times, among some peoples, the bellows was transposed into ceramics, in these cases the basic features of the archaic leather vessel were preserved, acquiring a prominent convex shape with a stem and a flat bottom. From the original appearance of the bellows, the asymmetric mouth corresponding to the animal's neck has been preserved, and sometimes three or four legs, corresponding to the appendages of the flayed skin from the animal's legs. These vessels have lost their original zoomorphic character, entering as a new form in the inventory of Neo-Eneolithic ceramics. The first vessels of this type are attested in Greece, in the early Neolithic (ca. 5000-4500 BC) having the shape of cups or cups. In the Neo-Eneolithic Carpatho-Balkan cultures, the type of Aegean askos of short or tall form, with or without legs and with a handle, is found. Less often, they are provided with two mouths (one for filling and one for emptying) or they are off-center and provided with strangely shaped mouths. In the space between the Carpathians and the Dnieper, only tall forms of simple askos, without zoomorphic elements, are known. Askos-type vessels are present in various prehistoric cultures, especially in Southeast Europe and Anatolia.

Being often discovered in association with cult inventory, askos vessels could be an important indicator of use in religious ritual practices. Along with the zoomorphic, anthropomorphic and rhyton-type vessels (roughly conical container from which, in some ceremonies, liquids were drunk or poured), the askos were included in the category of vessels intended for worship, being related to libations (ritual act that consisted of tasting and then pouring a cup of wine, milk, etc. as homage to the deity).

#Exhibit of the Month

Folding bellows camera, “Agfa Isolar Luxus”. AGFA Company, Munich, Germany, 1928

March 2024

The „askos” type vessel from Ciumai

#Exhibit of the Month