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#Exhibit of the Month

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The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage.
The necklace consists of 11 elements made entirely of Egyptian faience. Eight of the beads are spherical and decorated with vertical incisions forming between 14 and 21 raised ribs. Their diameters range from 13 to 20 mm. Two additional elements are scarab representations measuring 23.5 × 19.5 mm, while the final component is a flattened cylindrical pendant bead featuring a central vertical groove and measuring 22 × 9 mm. The objects range in color from light blue to dark blue and violet hues, reflecting the natural deterioration and glaze variations characteristic of Egyptian faience.
Egyptian faience is an artificial quartz-based material coated with an alkaline glaze, typically blue or blue-green in color. It was widely used in Ancient Egypt and later spread throughout the Mediterranean and Pontic regions through trade networks. During the first centuries AD, such objects served as important indicators of cultural and economic contacts between the Mediterranean world and the communities of the North Pontic region.
Owing to its typological, technological, and symbolic characteristics, the Taraclia necklace is an exceptionally valuable artifact for the study of intercultural relations, the circulation of prestige goods, and the funerary practices of the Sarmatian communities during the first centuries AD (1st-2nd centuries AD).

Virtual Tour


#Exhibit of the Month

October 2022

Icon of the Protection of the Mother of God

Several icons from the collection of the National Museum of History of Moldova reproduce in their compositions the miracle that would have been performed around the beginning of the 10th century in the church of Mother of God of Vlacherne in Constantinople. According to the legend, the townspeople retreated to the place for fear of an invasion that threatened the capital of the empire. The gathered crowd prayed incessantly, asking the Blessed Virgin to save the city. In the church of Vlacherne, her ancient vestments, which are said to make miracles, have been preserved for centuries. Among the Christians praying in the church was Saint Andrew the Fool-For-Christ, who came with his disciple Epiphanius, who would later become the Patriarch of Constantinople Polyevkt. After hours of fervent prayers, Saint Andrew was worthy to see the Mother of God passing through the royal doors with a procession of saints, who rose above the crowd, praying together with those present. In the end, the Blessed Virgin spread her garment over the crowd, as a sign of defense and protection, leaving the place. Also, from the legend we know that the city was really saved then.

Later, in memory of this miracle, the Church will order the Feast of the Protection of the Mother of God, celebrated on October 1/14.

The composition of the exposed icon highlights the interior of the Vlacherne church. In the upper register, in a radiate oval mandorla, the Mother of God soars on the clouds, holding the omophorus in her hands. She wears loose robes, trimmed with gold thread, beneath which red, gilded shoes can be seen. In the lower register, in the center of the gathered crowd, Romanos the Melodist is depicted sitting on the pulpit with the timetable in his hands, his head being framed by a radiant nimbus. He is dressed in festive robes, of the same shades as the vestments of the Mother of God. Romanus the Melodist is surrounded by several ecclesiastical faces and simple people, including Saint Andrew, who urges his disciple Epiphanie to look up at the miracle that was taking place in the church. The appearance of the hymnographer Romanos the Melodist (490-556) in this composition is not accidental. The young deacon began his activity in the Vlacherne church, where, five centuries later, Saint Andrew experienced his miraculous revelation. The legend tells that it was the Mother of God who endowed the young man with the grace of a wonderful voice, he later glorified her in his songs, writing, in all probability, the Akathist Hymn of the Mother of God. The Church commemorates Romanos the Melodist on October 1/14, the same day when the Protection of the Mother of God is commemorated.

The icon comes from the 19th century, from one of the workshops in southern Russia, being painted in tempera on a wooden support with dimensions 59x90x3 cm.



 

 


Independent Moldova
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Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
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Period of Relative Autonomy of Bessarabia within the Russian Empire
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Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
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#Exhibit of the Month

The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC