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#Exhibit of the Month

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Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable.
With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects.
The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home.
In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present.
These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.

Virtual Tour


#Exhibit of the Month

October 2022

Icon of the Protection of the Mother of God

Several icons from the collection of the National Museum of History of Moldova reproduce in their compositions the miracle that would have been performed around the beginning of the 10th century in the church of Mother of God of Vlacherne in Constantinople. According to the legend, the townspeople retreated to the place for fear of an invasion that threatened the capital of the empire. The gathered crowd prayed incessantly, asking the Blessed Virgin to save the city. In the church of Vlacherne, her ancient vestments, which are said to make miracles, have been preserved for centuries. Among the Christians praying in the church was Saint Andrew the Fool-For-Christ, who came with his disciple Epiphanius, who would later become the Patriarch of Constantinople Polyevkt. After hours of fervent prayers, Saint Andrew was worthy to see the Mother of God passing through the royal doors with a procession of saints, who rose above the crowd, praying together with those present. In the end, the Blessed Virgin spread her garment over the crowd, as a sign of defense and protection, leaving the place. Also, from the legend we know that the city was really saved then.

Later, in memory of this miracle, the Church will order the Feast of the Protection of the Mother of God, celebrated on October 1/14.

The composition of the exposed icon highlights the interior of the Vlacherne church. In the upper register, in a radiate oval mandorla, the Mother of God soars on the clouds, holding the omophorus in her hands. She wears loose robes, trimmed with gold thread, beneath which red, gilded shoes can be seen. In the lower register, in the center of the gathered crowd, Romanos the Melodist is depicted sitting on the pulpit with the timetable in his hands, his head being framed by a radiant nimbus. He is dressed in festive robes, of the same shades as the vestments of the Mother of God. Romanus the Melodist is surrounded by several ecclesiastical faces and simple people, including Saint Andrew, who urges his disciple Epiphanie to look up at the miracle that was taking place in the church. The appearance of the hymnographer Romanos the Melodist (490-556) in this composition is not accidental. The young deacon began his activity in the Vlacherne church, where, five centuries later, Saint Andrew experienced his miraculous revelation. The legend tells that it was the Mother of God who endowed the young man with the grace of a wonderful voice, he later glorified her in his songs, writing, in all probability, the Akathist Hymn of the Mother of God. The Church commemorates Romanos the Melodist on October 1/14, the same day when the Protection of the Mother of God is commemorated.

The icon comes from the 19th century, from one of the workshops in southern Russia, being painted in tempera on a wooden support with dimensions 59x90x3 cm.



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC