#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle.
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services.
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right.
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord.

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

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Events Archive

Opening of the Exhibition "And They Saw the Voices..."

October 10, 2024

On October 10, the opening of the exhibition "And They Saw the Voices..." took place in the lobby of the National Museum of History of Moldova, bringing together representatives of the accredited diplomatic corps in Moldova, Jewish organizations, and representatives from other museums and institutions in the country. This event was dedicated to discussions about the tragedies of October 7, 2023, and the vital role of art in the emotional healing process.

The exhibition featured 30 drawings created by children evacuated from Ashkelon, who found solace in art therapy after the bombings on October 7, 2023. These works reflected not only the trauma experienced but also the power of regeneration and the hope found in the creative process.

The ceremony was opened by Irina Șihova, the director of the Jewish History Museum, who emphasized: "This is not a political statement, but a story about trauma, art, and healing."

Additionally, Chief Rabbi Pinchas Zalțman paid tribute to the exhibition, highlighting its importance in promoting community cohesion through art. He noted that in times of hardship and suffering, art becomes a common language that can transcend cultural and religious barriers, bringing people together to share experiences and emotions.

Vladimir Boroda, director of the MAALOT Association, stated: "This exhibition demonstrates how art can unite different perspectives, transforming suffering into beauty."

Throughout the event, the art teacher discussed the importance of art in the healing process, presenting the exhibited works and sharing the stories behind them. Among these were the drawing "Boom" by 10-year-old Aviv Shilo, which conveys a powerful message of hope, and the piece "Dance of Death" by student Filip Beleavschi, exploring themes of death and loss. Another notable work, "The Sounds of Sirens and Rockets," addressed the traumatic effects of conflicts, prompting viewers to reflect on the impact of these experiences.

Each drawing offered a window into the emotional world of these young artists, highlighting the significance of art as a form of expression and healing.

This exhibition became a space for meeting and dialogue, where compassion and empathy were essential, providing a unique opportunity to explore how art can unite communities and support the emotional healing process.

The exhibition is open until October 20, 2024, inviting the public to explore and reflect on the messages conveyed through art.