#Exhibit of the Month

This clay vessel was discovered in 1982 by archaeologist V. Sorochin during excavations of a burial mound (no. 1) located in the village of Speia, Dubăsari District. It originates from grave no. 5 and is dated to the 4th millennium BC, belonging to the Usatovo culture.
The vessel was found in a child's grave. The burial pit had an oval shape, and the deceased was laid in a crouched position (similar to the fetal posture), on the left side. A total of five vessels were uncovered in this grave: three near the back, one at the feet, and one in the pelvic area.
The cultural attribution of this funerary complex was determined based on the burial rite and grave goods. This culture is characterized by the specific construction of the burial pit, as well as the positioning and orientation of the deceased toward the east and northeast.

The vessel is shaped from clay mixed with finely crushed shell. Its walls curve gradually toward the top, with the widest diameter at the shoulder area. It has a short neck, a slightly flared rim, and a flat base. The surface is carefully polished, in some areas to a lustrous finish. The interior is reddish-brown, while the exterior is yellowish-brown with gray spots. The rim features groups of perforations, three of which are preserved in their original state. The diameter of the holes is 0.35 cm. The space between the groups of perforations is decorated with cord impressions. The transition from the neck to the shoulder is adorned with three horizontal lines made with cord, from which, in five places, three vertical lines descend, each 5 cm long, executed using the same technique. At the time of discovery, these lines were filled with a white paste. The space between the groups of lines is decorated at the top with short vertical lines (0.5 cm long), and in the center with a meander ornament made of two parallel lines impressed with cord. The base of the vessel retains the imprint of a textile.
Vessel dimensions: Height: 22 cm; Rim diameter: 15.7 cm; Maximum diameter: 22 cm; Base diameter: 10 cm.

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Events Archive

Opening of the Exhibition "And They Saw the Voices..."

October 10, 2024

On October 10, the opening of the exhibition "And They Saw the Voices..." took place in the lobby of the National Museum of History of Moldova, bringing together representatives of the accredited diplomatic corps in Moldova, Jewish organizations, and representatives from other museums and institutions in the country. This event was dedicated to discussions about the tragedies of October 7, 2023, and the vital role of art in the emotional healing process.

The exhibition featured 30 drawings created by children evacuated from Ashkelon, who found solace in art therapy after the bombings on October 7, 2023. These works reflected not only the trauma experienced but also the power of regeneration and the hope found in the creative process.

The ceremony was opened by Irina Șihova, the director of the Jewish History Museum, who emphasized: "This is not a political statement, but a story about trauma, art, and healing."

Additionally, Chief Rabbi Pinchas Zalțman paid tribute to the exhibition, highlighting its importance in promoting community cohesion through art. He noted that in times of hardship and suffering, art becomes a common language that can transcend cultural and religious barriers, bringing people together to share experiences and emotions.

Vladimir Boroda, director of the MAALOT Association, stated: "This exhibition demonstrates how art can unite different perspectives, transforming suffering into beauty."

Throughout the event, the art teacher discussed the importance of art in the healing process, presenting the exhibited works and sharing the stories behind them. Among these were the drawing "Boom" by 10-year-old Aviv Shilo, which conveys a powerful message of hope, and the piece "Dance of Death" by student Filip Beleavschi, exploring themes of death and loss. Another notable work, "The Sounds of Sirens and Rockets," addressed the traumatic effects of conflicts, prompting viewers to reflect on the impact of these experiences.

Each drawing offered a window into the emotional world of these young artists, highlighting the significance of art as a form of expression and healing.

This exhibition became a space for meeting and dialogue, where compassion and empathy were essential, providing a unique opportunity to explore how art can unite communities and support the emotional healing process.

The exhibition is open until October 20, 2024, inviting the public to explore and reflect on the messages conveyed through art.