#Exhibit of the Month

The 21 beads form part of a bronze hoard found in 2019 within a forested area close to the town of Nisporeni. Alongside the beads, the hoard included numerous bronze ornaments (2 Röschitz-Sanislău-type fibulae, 7 necklaces, 12 rings, 22 tubes, 23 bracelets, and approximately 80 appliqués), one coral bead and a pendant made from a wild animal's tooth. At present, the amber beads are preserved in the collections of the Muzeul Național de Istorie a Moldovei, while the remainder of the hoard is in the possession of a private collector.
The hoard was discovered accidentally in a pit about 50 cm deep. The objects in this hoard are of Western origin, with known parallels in archaeological complexes from Poland, Hungary, Serbia, and Slovakia, and, to a lesser extent, in Romania. The presence of this bronze hoard on the territory of the Republic of Moldova illustrates the cultural dynamics of the region during the Early Iron Age and a fundamental shift in the vector of cultural influences from east to west.

The amber bead strand comprises 16 whole beads and five fragmentary ones. They have an elongated biconical shape and vary in size. The beads are brown-reddish in color; their lengths range from 1.1 to 3.1 cm, widths from 0.6 to 1.4 cm, thicknesses from 0.6 to 1.1 cm, and the perforation diameter ranges between 0.2 and 0.3 cm.
Amber beads appear in several bronze hoards dated to the Late Bronze Age in the eastern half of Slovakia and in Transdanubian Hungary. Parallels are also known from the Cioclovina Cave in Romania. With the onset of the Iron Age, amber items disappear from the Carpathian Basin for approximately 300 years, reappearing alongside the arrival of Scythian elements.
The bronze hoard discovered at Nisporeni is dated to the HaA2-HaB1-2 interval (1050/1000 - 800/750 B.C.).

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#Exhibit of the Month

September 2021

Painted amphora from Şuri

This unique amphora was found in 1984 during the excavations of the Şuri I settlement of the Cucuteni-Trypillia culture (5th-4th thousand BC), which existed in the Eneolithic era, in the mid-1st half of the 4th millennium BC, near the village of Şuri, Drochia District of the Republic of Moldova.

In the classifications of Cucuteni-Trypillian painted pottery, it belongs to a separate type distinguished by archaeologists, known in the special literature under various names: facial urns, amphorae with an ornament of the "owl face" type, amphorae with facial ornament, facial amphorae.

These names were given to the amphorae due to their peculiar ornament and their truncated-conical or rounded body that resembles the head of an owl (large circles on the sides of the handles are the eyes of a bird, and the handles are beaks), as well as due to attempts to hypothetically interpret the vessels as images of some two-faced or four-faced anthropomorphic, zoomorphic or ornithomorphic mythological creatures of the Cucuteni-Trypillian pantheon.

For the first time, amphorae with facial ornament appear in pottery assemblages of the Cucuteni-Trypillia community at the beginning of the 4th millennium BC, during the period of its highest flourishing, and are present later, as a separate type of tableware, in each of the dwellings of the settlements of this culture for about 700 subsequent years, until its collapse and disappearance from the historical arena in the last quarter of the 4th millennium BC.

The origin of the facial amphorae goes back to the anthropomorphic two-faced vessels with a rounded or spheroconical body, equipped with 2 or 4 handles, depicting two female figures standing with their backs to each other, which were used by the Cucuteni-Trypillians for centuries and were widely used in religious practices, representing, as is commonly believed, the main female deity of the Cucuteni-Trypillian pantheon - the Great Mother Goddess in her two different incarnations, who was also considered as the Deity of the Universe.

The study of vessels of this type indicates that, being a reflection of the cult of the Great Goddess and probably embodying cosmogonic ideas about the creation of the World from the elements and body parts of the Primordial Being (probably depicting this creature itself, possibly mixomorphic and like Aditi - the Divine Bull-Cow - androgynous), with their shape and ornament, the facial amphorae recreate the prevailing ideas of the Cucuteni-Trypillians about the structure of the Universe.

This is evidenced by the stylized features of anthropo- and zoomorphism, three-tier or two-tier division of the ornament vertically and four-tier division horizontally, the image of such cosmic universals as the Center and corners of the World, the Cosmic Mountain (Earth) and the Sky, the Tree of Life, the Sun, the Moon in various phases, etc. Often, images of animals, birds or their symbols are included in the ornamental system of the amphorae. There are also facial amphorae with two or four images of female deities with an indication of their particular characteristic functions. As with their prototypes, the anthropomorphic two-faced vessels, the most important ornamental zone in the facial amphorae is the space between the handles.

It is here that the ornament reflects one of the most significant themes of the Cucuteni-Trypillian religion, the theme of the connection between the Earth and Heaven.

#Exhibit of the Month

Exhibit of the Month Amber beads from a bronze hoard discovered near the town of Nisporeni

September 2021

Painted amphora from Şuri

#Exhibit of the Month