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#Exhibit of the Month

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Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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#Exhibit of the Month

September 2024

The Metal Vessel from Yahorlyk on the Middle Dniester

The metal vessel was likely used as a funerary urn. It was found together with another vessel, shaped like a shell and used as a lid for the urn, in a landslide along the road within the Yahorlyk Nature Reserve, Dubăsari District. The village of Yahorlyk is located at the mouth of the stream of the same name, a left tributary of the Dniester River.

The vessel belongs to the Hemmoo type (or Eggers 63) and is a rare find in the late ancient sites of the 2nd-3rd centuries AD. Researchers consider this type of vessel to be of Italic, Gallo-Italic, or Mediterranean origin, frequently used as a funerary urn or burial inventory by the Bastarnae. Upon discovery, the vessel was reportedly filled with "earth and burnt bones."

The vessel was found together with a brass sheet vessel that had undulated or fluted walls. It has a height of 14.9 cm (without the base ring). The diameter of the vessel's body is 19.5 cm, and the total height is 16.2 cm. The rim of the vessel flares outward with a diameter of 20.5 cm. The vessel is made from thin brass sheet, only 0.1 cm thick. The upper part of the vessel is modestly ornamented. The middle of the rim, on the exterior, has a shallow horizontal line incised. The transition from the rim to the body is marked by a wide groove, 0.3 cm in width. From this groove, the rim thickens to 0.25 cm. On the upper part of the rim, on two symmetrically placed sides, semicircular handles with stepped bases were cut out. The handles are 2.2 cm in height and 5.1 cm in width. Including the "steps" at the base, the handles are 6.1 cm wide. In the middle of each handle, a circular elongated hole was made for the attachment of a handle, measuring 1.2 x 1.5 cm.

The ornamentation on the upper part of the vessel's body consists of two bands, each formed by two parallel incised lines, spaced 0.2 to 0.4 cm apart. The interval between the two bands is 0.9 cm. The vessel's handle is semicircular, mobile, fairly thick, rectangular in cross-section (0.8 x 0.9 cm), and made from a rounded brass bar. The ends of the handle are thinned to 0.6 cm and widened to 0.9 cm over a length of 2.6 cm, resembling bird heads. On the median part of the bar, incised marks resembling Roman numerals IX and XI are present. The bottom of the vessel was made from a separate brass sheet, worked by pressing on a lathe. Evidence of this process is the indentation from the lathe's fixing rod, preserved in the central part of the vessel's bottom. Surrounding this indentation is an ornament consisting of two bands of concentric lines, with diameters of 1.8 cm and 5.9 cm, respectively. The lower part of the vessel is raised and rests on a ringed base, formed by shaping the vessel's walls and bending the piece that formed the actual bottom. This base has a diameter of 8.7 cm.

For the North-West Pontic and East-Carpathian regions, several scattered sites or points where fragments of metal vessels were discovered, used as funerary inventory or urns, should be mentioned. These include discoveries from the funerary complexes of flat necropolises dated to the first centuries AD, at Hansca-Lutăria II and Dănceni-Ialoveni. Here, excavations identified noble graves with fragments of bronze vessels with metal handles, similar to the vessel from Yahorlyk.



 

 


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Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
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Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
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#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC