The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet." Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.
The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."
The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.
This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.
Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.
The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.
• Ilie Borziac, Nicolae Chetraru, Bone Objects with Traces of Activity Characteristic for Mousterian Culture between Prut and Dniester • Serghei Fidelschi, Trade Development of the Settled Population of the Lower Dniester in the 7th-3rd Century B.C. • Alexandru Levinschi, Serghei Covalenco, Sergiu Bodean, New Getian Vestiges in the Zone of the Moldavian Codri • Igor Cetvericov, Natalia Mateevici, Epigraphic Pieces from the Barbarian Settlement by the River of Crasnaia in the Area of Lower Dniester · Vlad Vornic, Glass Vessels Discovered in the Archaeological Centre of Budești • Gheorghe Postică, Observations concerning the topography and the structure of the early medieval settlements from Prut-Dniester space • Vlad D. Ghimpu, Les Roumains dans la région du Dniestr et Danube en VIII-XII siècles • Ecaterina Abâzova, Svetlana Reabțeva, Some New Examples of Medieval Non-Ferrous Artifacts in the Collections of the National Museum of History of Moldova • Ion Eremia, International Juridical Status of Moldova to the end of the 14th Century • Ion Chirtoagă, Foreign Commerce in the East of the Carpathian Mountains in 14th -early 15th Century • Angela Zubco, Foreign Pressure and Interferences to the Foundation of the Metropolitanate of Moldova • Andrei Eșanu, Valentina Eșanu, From Weapons to a Compromise in the Home Policy of Stephen the Great: Forming of the First Gospodar's Council (1457) • Tamara Nesterov, Reliques du canon médiéval de proportion dans l'architecture ecclésiastique en pierre de Bessarabie • Eduard Baidaus, Victor Damian, The zaporozhian cossacks and the "moldavian" policy of poland (The end of 16th - beginning of the 17th centuries) • Lilia Zabolotnaia, Image of Woman from Moldova Reflected in Internal Documents and Formers' Descriptions (the l6th-17th Centuries) • Nicolae Răileanu, Moldavian-Turkish Relations and the Juridical Status of the Romanian Principalities • Violeta Tipa, Medieval Moldavian Gala Dress: Between Occidental and Oriental Influences • Andrei Emilciuc, Port Odesa in the tsarist policy of consolidation of Russia's positions in the black sea basin • Valentin Tomuleț, Maria Maftei, L'institution de la barrière d'Ismail (1812-1818) • Valentin Tomuleț, Les sources de profit et le niveau de richesse de la bourgeoisie commerciale de bessarabie (les années 1831-1868) • Marian Petcu, The Origins of News Items in the Romanian Press • Aliona Gheorghiță, The Numerical Evolution of the Bulgarian Population in Bessarabia During the 19th Century • Valentin Tomuleț, Tatiana Chicaroș, Considérations générates sur l'évolutoin de I'enseignement secondaire pour les jeunes filles en Bessarabie dans la deuxième partie du XIX siècle - le debut du XX siècle • Maria Danilov, Romanian Books from the Library of the Harjauca Cloister (19th-early 20th Centuries) • Keziban Acar, Images of the turkes in russian patriotic culture during the russo-turkish war of 1877-1878 • Elena Ploșnița, About the "Monumental" Policy of the Russian Tsarism and the "Monumental" Heroes in Bessarabia (1812-1918) • Anatol Povestca, La vérité historique sur la question de Bessarabie • Lidia Pădureac, Impact of Home Policy on Foreign Policy: The Romanian-Soviet Relations in 1917-1934 • Artur Cavalini, Corneliu Zelea Codreanu and the Italian neo-fascism • Elena Postică, Certaines considérations sur l'histoire et la signification des monuments de la gloire militaire dans la République de Moldova II. Personality, politologie et histoire locale
• Dorin Teodorescu, Antim Ivereanul, the Bishop of Ramnic in 1705-1708 • Dinu Poștarencu, The Family of Stroescu from Bessarabia • Vasile Dobrescu, "Astra", Vasile Stroescu and the Credit Cooperative movement from Transylvania. Projection and Accomplishments • Maxim Melinti, Bishop Nicodim (Krotkov) - worthy attendant of Besarabia • Silvia Şaranuța, Albina Osterman (1856-1936) • Ludmila Năstase, Les trois Maries de la famille Sciusev • Vasile Malanețchi, Ten Letters Written by Leon Boga to Father Alexandra Bardieru • Silviu Andrieș-Tabac, Les Armes et les Drapeaux des villages de Bubuieci et Colonița • Ion Rotaru, Some Considerations Concerned the Origin of the HarbovatVillage Name • Nicolae Bulat, "Încercari" - the Magazine of Soroca Pupils of Lyceums (1936-1939) • Nicolae Demcenco, Nos coeurs en granit • Essam Abou Salem, A New Way of Adjustment of the Palestinian-Israeli Conflict • Aurelia Popușoi, The Correlation between Political Institutions and Political • Constantin Solomon, Parliamentary Election 2005 in Moldova • Victoria Perciun, Elections and Their Role in the Social Development
III. Religion, museografie et etnographie
• Natalia Chișcă, From Theology to Iconography · Alina Felea, Testaments as a Source of Study of Attitudes to the Death • Emanuil Brihuneț, Tombstones of 18th - Early 19th Century in the Lower Dniester Region • Svetlana Lupașco, La découverte de l'original dans l'iconographie. XVII-XIX siècles • Victor Filatov, Some Considerations Concerned the Identification of a Chain Mail • Ludmila Istomina, From the History of Construction of the Archangel Michael Cathedral Church from Cahul • Irina Goncearova, Medals with the Images of the Popes from the Collections of the National Museum of History of Moldova • Eugenia Borodac, Tamara Stamatov, Examples of the Caucasian Cold Steel from the Collection of the National Museum of History of Moldova • Ana Grițco, La collecton de cartes posrales du parrimoine du Musée National d'Histoire de Moldova) • Liubov Malahov, The Gospel from the Kievo-Pecherskaya Lavra (1890) - a Rare Book from the Collections of the National Museum of History of Moldova • Silvia Şaranuța, Ornements populaires moldaves du patrimoine du Musée National d'Ethnographie et d'Histoire Naturelle • Varvara Buzilă, The ritual of wine "honoring"
IV. Comptes - rendus, chronique museale, ommages
• Constantin Stere, Un caz de conștiință, Editura Viața Românească, București, 1921, 86 p., [Dragoș Toma, O carte rară din colecția Muzeului Național de Arlieologie și Istorie] • Presa din Basarabia. Analize, contexte, valori (2854-2004), Cartdidact, Chișinău, 2005, 144 p. [Constantin Drachenberg, "Un valoros studiu științific"] • Cartea Memoriei. Catalog al victimelor totalitarismului comunist, vol. I-IV, Ştiința, Chișinău (vol. I,1999,464+XIV p.; vol.II, 2001, 464 p.; vol. III. 2003, 424 p.; vol.IV, 2005, 438 p.) [dr. hab. prof. univ. Anatol Petrencu, "Un important studiu privind trecutul totalitar"] • Analecta Catholica. Episcopia Romano-Catolică de Chișinău, I, Chișinău, 2005, 300 p. [Aurelia Cornețchi] • Silvia Grossu, Written Romanian Press in the Past, at Present and in Perspective. The National Symposium of Journalism, 2005 · Ana Grițco, "Le cygne de Bessarabie" est revenue à la maison · Valeriu Nazar, In the Universe of the Bessarabian Press • Ecaterina Bondarenco, L'exposition "Le visage visible et invisible de l'objet du patrimoine" · Aurelia Cornețchi, Exhibition "Destinies in the Light of Arts" • Natalia Chișcă, Cultural-Scientific Activities of the National Museum of History of Moldova in 2005 · Nicolae Chetraru: at the origines of the Bessarabian Archaeology • Alexandra Primac: a Hardened Destiny.
The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
