#Exhibit of the Month

The metal vessel was likely used as a funerary urn. It was found together with another vessel, shaped like a shell and used as a lid for the urn, in a landslide along the road within the Yahorlyk Nature Reserve, Dubăsari District. The village of Yahorlyk is located at the mouth of the stream of the same name, a left tributary of the Dniester River.
The vessel belongs to the Hemmoo type (or Eggers 63) and is a rare find in the late ancient sites of the 2nd-3rd centuries AD. Researchers consider this type of vessel to be of Italic, Gallo-Italic, or Mediterranean origin, frequently used as a funerary urn or burial inventory by the Bastarnae. Upon discovery, the vessel was reportedly filled with "earth and burnt bones."

The vessel was found together with a brass sheet vessel that had undulated or fluted walls. It has a height of 14.9 cm (without the base ring). The diameter of the vessel's body is 19.5 cm, and the total height is 16.2 cm. The rim of the vessel flares outward with a diameter of 20.5 cm. The vessel is made from thin brass sheet, only 0.1 cm thick. The upper part of the vessel is modestly ornamented. The middle of the rim, on the exterior, has a shallow horizontal line incised. The transition from the rim to the body is marked by a wide groove, 0.3 cm in width. From this groove, the rim thickens to 0.25 cm. On the upper part of the rim, on two symmetrically placed sides, semicircular handles with stepped bases were cut out. The handles are 2.2 cm in height and 5.1 cm in width. Including the "steps" at the base, the handles are 6.1 cm wide. In the middle of each handle, a circular elongated hole was made for the attachment of a handle, measuring 1.2 x 1.5 cm.

The ornamentation on the upper part of the vessel's body consists of two bands, each formed by two parallel incised lines, spaced 0.2 to 0.4 cm apart. The interval between the two bands is 0.9 cm. The vessel's handle is semicircular, mobile, fairly thick, rectangular in cross-section (0.8 x 0.9 cm), and made from a rounded brass bar. The ends of the handle are thinned to 0.6 cm and widened to 0.9 cm over a length of 2.6 cm, resembling bird heads. On the median part of the bar, incised marks resembling Roman numerals IX and XI are present. The bottom of the vessel was made from a separate brass sheet, worked by pressing on a lathe. Evidence of this process is the indentation from the lathe's fixing rod, preserved in the central part of the vessel's bottom. Surrounding this indentation is an ornament consisting of two bands of concentric lines, with diameters of 1.8 cm and 5.9 cm, respectively. The lower part of the vessel is raised and rests on a ringed base, formed by shaping the vessel's walls and bending the piece that formed the actual bottom. This base has a diameter of 8.7 cm.

For the North-West Pontic and East-Carpathian regions, several scattered sites or points where fragments of metal vessels were discovered, used as funerary inventory or urns, should be mentioned. These include discoveries from the funerary complexes of flat necropolises dated to the first centuries AD, at Hansca-Lutăria II and Dănceni-Ialoveni. Here, excavations identified noble graves with fragments of bronze vessels with metal handles, similar to the vessel from Yahorlyk.

Virtual Tour

Exhibitions

"A walk through 20th century Chișinău"

Opening: November 5, 2019, 17:00, Suțu Palace

November 5 – 24, 2019

Chisinau is, without a doubt, a city of contrasts. A settlement that leads life between "was" and "is". We live this contrast sharply, we see and experience it every day, and its architecture is deeply marked by the transition from the old to the new, being a witness and main indicator of change.

Known from the pictures from the beginning of the last century as a small but very friendly city, today we are increasingly confronted with the nostalgic phrase "here it was" ... "Here was the Diocese", "here was the Hotel Suisse", "here was the girls' gymnasium where the deputies from the Sfatul Țării voted the Union in 1918". Of the architectural jewels that once enjoyed the eyes of the townspeople, today we have only pictures left. These pictures are included in collection catalogs and today, the unknown treasures of architecture and urban life, reflected in 48 images, are brought to the public's attention in an exhibition dedicated to Chișinău in the 20th century.

Chișinău is an open air museum, where thousands of people throughout their lives have lived, loved, built with meaning and humility the image of the city "carved in white stone". Each street keeps the footsteps of those who admired it, whether they were simple or noble people. Each villa retains the living memory of its masters and some are still waiting for them, and the holy places in Chișinău are illuminated by the thoughts of those who admired them or passed through the entrance door.

This exhibition is a challenge for all of us to rediscover Chișinău in times when we have and give so little time for the beauty. It is an invitation to a virtual walk on the streets of former times in an attempt to bring back to attention known or forgotten facts, places loaded with history or emotions. And, as in any place that tends to validate its authenticity through culture, Chișinău, today, perhaps more than ever, needs the exercise of memory in order to survive and develop.

The exhibition of these images at the Suțu Palace was made possible thanks to the combined effort of two teams formed of Dr. hab. Eugen SAVA - General director, Mariana VASILACHE-CUROȘU - Deputy director, Ana GRIȚCO - Head of History section, Cătălina PLINSCHI and Denis TOPAL - exhibition graphics (National Museum of History of Moldova); and Dr. Adrian MAJURU - Manager and Dr. Dan PÎRVULESCU - Deputy director (Bucharest Municipal Museum), hosts of this event.