#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle.
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services.
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right.
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord.

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

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Exhibitions

“Guardians of age-old borders”

70 years since the beginning of systematic research of medieval settlements on the Dniester

September 9, 2020 - January 4, 2021

2020 marks the 70th anniversary of the beginning of systematic archaeological research of the early medieval fortified settlements between the Răut and the Dniester. The investigations carried out in the sites of Echimăuți, Alcedar, Lucășeuca, Țareuca, Rudi - Farfuria Turcească, Poiana-Cunicea, Tătărăuca Nouă-Germănărie and others made it possible to reconstruct the historical and archaeological realities of the 9th-11th centuries AD. It was discovered that these complex strategic systems, consisting of a ditch, a rampart made of earth and wood, endowed with strong palisades, were built in the context of imminent threat from the outside and that they could be built by strong, well-cohesive political structures at the regional level.

The exhibition shows some of the discoveries in the northeast of the Prut-Dniester territory, represented by fortified round settlements built a fundamentis, "long houses", iron melting furnaces, craft workshops for making tools and weapons of iron, bone and horn or for the manufacture of silverware, burial mounds with cremation graves, hoards of tools and weapons, battle axes, hoards of silver objects containing Islamic and Byzantine coins, silver ingots, Scandinavian pendants with animalistic ornaments, including that of Gnezdovo type, iron weights in bronze foil, balance scale, miniature iron or bronze axes, amber beads, and so on. Some of these materials are presented in the basic exhibition or in the museum exhibition Treasury, others are kept in the collections of some museums in the Republic of Moldova or abroad.

The appearance, during this period, of defensive systems in the area between the rivers of Răut and Dniester, as well as in northern Bukovina, was associated with the penetration of Scandinavians into the region, who followed on the old trade route from the Baltic Sea to the Black Sea, to the Balkans, to Byzantium, Constantinople or Baghdad, along the Vistula and Dniester rivers, also called "the second trade route from the Varangians to the Greeks". The fortified settlements were places of rest for merchants or intermediate military camps, which over time became prosperous military, administrative, craft and trade centers, real medieval proto-cities, to the construction of which the local Romanian population contributed. Apparently, they were destroyed by the invasion of the Turanian nomads at the end of the 11th century.

The archaeological artifacts that form the basis of the exhibition are originals and only some of them have been subjected to restoration and conservation. Several battle axes are part of Mr. Victor Borshevich's private collection. The exhibition is complemented by a model of the fortified settlement from Echimăuți, made in the 1960s, several reconstructions of tools and weapons, and various and images that illustrate the subject matter.

The exhibition, through the artifacts displayed, contributes to the increase of the educational and cultural potential of the museum activities, to the promotion of the values of national heritage in the international context.

Curator: Ion Tentiuc, PhD