#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

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Exhibitions

“Guardians of age-old borders”

70 years since the beginning of systematic research of medieval settlements on the Dniester

September 9, 2020 - January 4, 2021

2020 marks the 70th anniversary of the beginning of systematic archaeological research of the early medieval fortified settlements between the Răut and the Dniester. The investigations carried out in the sites of Echimăuți, Alcedar, Lucășeuca, Țareuca, Rudi - Farfuria Turcească, Poiana-Cunicea, Tătărăuca Nouă-Germănărie and others made it possible to reconstruct the historical and archaeological realities of the 9th-11th centuries AD. It was discovered that these complex strategic systems, consisting of a ditch, a rampart made of earth and wood, endowed with strong palisades, were built in the context of imminent threat from the outside and that they could be built by strong, well-cohesive political structures at the regional level.

The exhibition shows some of the discoveries in the northeast of the Prut-Dniester territory, represented by fortified round settlements built a fundamentis, "long houses", iron melting furnaces, craft workshops for making tools and weapons of iron, bone and horn or for the manufacture of silverware, burial mounds with cremation graves, hoards of tools and weapons, battle axes, hoards of silver objects containing Islamic and Byzantine coins, silver ingots, Scandinavian pendants with animalistic ornaments, including that of Gnezdovo type, iron weights in bronze foil, balance scale, miniature iron or bronze axes, amber beads, and so on. Some of these materials are presented in the basic exhibition or in the museum exhibition Treasury, others are kept in the collections of some museums in the Republic of Moldova or abroad.

The appearance, during this period, of defensive systems in the area between the rivers of Răut and Dniester, as well as in northern Bukovina, was associated with the penetration of Scandinavians into the region, who followed on the old trade route from the Baltic Sea to the Black Sea, to the Balkans, to Byzantium, Constantinople or Baghdad, along the Vistula and Dniester rivers, also called "the second trade route from the Varangians to the Greeks". The fortified settlements were places of rest for merchants or intermediate military camps, which over time became prosperous military, administrative, craft and trade centers, real medieval proto-cities, to the construction of which the local Romanian population contributed. Apparently, they were destroyed by the invasion of the Turanian nomads at the end of the 11th century.

The archaeological artifacts that form the basis of the exhibition are originals and only some of them have been subjected to restoration and conservation. Several battle axes are part of Mr. Victor Borshevich's private collection. The exhibition is complemented by a model of the fortified settlement from Echimăuți, made in the 1960s, several reconstructions of tools and weapons, and various and images that illustrate the subject matter.

The exhibition, through the artifacts displayed, contributes to the increase of the educational and cultural potential of the museum activities, to the promotion of the values of national heritage in the international context.

Curator: Ion Tentiuc, PhD