#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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Exhibitions

„Mapping the Black Sea”
(The Black Sea in the European Cartography)

June 18-30 2021

The earliest cartographic evidence of the Black Sea coast in antiquity is the map of the Black Sea made on the leather covering a shield from 230-240 AD. It was discovered during archaeological excavations of the fortress of Dura Europos on the Euphrates River in Syria. It predates the so called Tabula Peutingeriana (4th c.), an itinerary or guide produced by Roman engineers.

The development of commerce and navigation in the Mediterranean basin, carried out mainly by Italian city states of Venice, Genoa, Ancona, and Amalfi,required the creation of portolans, which described the ports, connections and distances between them and the easiest access routes. The most renowned masters of navigational charts were Petrus Vesconte from Genoa, Angelino de Delorto and Guillelmo Soleri from Majorca, among others. Hence map-makers' workshops in Venice, Genoa, Pisa, Amalfi and Majorca established the foundations of modern European cartography.

Abraham Ortelius was among the first Europeans to create historical maps, including one of the Black Sea. Conceptions of the Black Sea Coast in the 16th-18th c. appeared in the works of many European mapmakers, cartographers' guilds and workshops. Famous map-makers notable for their achievements include Nicolas and Guillaume Sanson, Guillaume de l'Isle, Johann Baptist Homann, Isaak Tirion, and Johann van der Bruggen.

The maps and geographic descriptions presented in the exhibition show that throughout the ages there were economically and scientifically minded people - scientists, sailors, ecclesiastics, merchants and military men - who overcome all obstacles and prohibitions for the sake of collecting, analyzing and providing information and knowledge, oriented not to the human faith, but to the humanist mind.

The exhibition is organized in the frame of the project "Black Sea Archaeology, History and Culture Portal (ArHiCuP) under the Joint Operational Programme Black Sea Basin 2014-2020, co-financed by the European Union through the European Neighborhood Instrument. The partners in the project are: Museum of National History and Archeology Constanta, National Museum of History of Moldova and Municipality of Nessebar.

The exhibition will be displayed in the National Museum of History of Moldova between 18 and 30 June 2021.