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#Exhibit of the Month

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The 21 beads form part of a bronze hoard found in 2019 within a forested area close to the town of Nisporeni. Alongside the beads, the hoard included numerous bronze ornaments (2 Röschitz-Sanislău-type fibulae, 7 necklaces, 12 rings, 22 tubes, 23 bracelets, and approximately 80 appliqués), one coral bead and a pendant made from a wild animal's tooth. At present, the amber beads are preserved in the collections of the Muzeul Național de Istorie a Moldovei, while the remainder of the hoard is in the possession of a private collector.
The hoard was discovered accidentally in a pit about 50 cm deep. The objects in this hoard are of Western origin, with known parallels in archaeological complexes from Poland, Hungary, Serbia, and Slovakia, and, to a lesser extent, in Romania. The presence of this bronze hoard on the territory of the Republic of Moldova illustrates the cultural dynamics of the region during the Early Iron Age and a fundamental shift in the vector of cultural influences from east to west.
The amber bead strand comprises 16 whole beads and five fragmentary ones. They have an elongated biconical shape and vary in size. The beads are brown-reddish in color; their lengths range from 1.1 to 3.1 cm, widths from 0.6 to 1.4 cm, thicknesses from 0.6 to 1.1 cm, and the perforation diameter ranges between 0.2 and 0.3 cm.
Amber beads appear in several bronze hoards dated to the Late Bronze Age in the eastern half of Slovakia and in Transdanubian Hungary. Parallels are also known from the Cioclovina Cave in Romania. With the onset of the Iron Age, amber items disappear from the Carpathian Basin for approximately 300 years, reappearing alongside the arrival of Scythian elements.
The bronze hoard discovered at Nisporeni is dated to the HaA2-HaB1-2 interval (1050/1000 - 800/750 B.C.).

Virtual Tour


Exhibitions

"Maria Cebotari: Life and Work"

June 3–13, 2025

The exhibition Maria Cebotari: Life and Work is a tribute to the renowned singer and actress of international stature, marking the 115th anniversary of her birth. It features approximately 140 photographs, documents, personal belongings, awards, books, artworks, and testimonies that reconstruct the most significant stages of the diva's artistic and personal life. A large portion of these items were collected by her friend Hanna Schliesser and donated to the National Museum of History of Moldova by Maria Cebotari's son, Fritz Curzon-Diessl. The exhibition's cultural value is further enriched by contributions from distinguished personalities such as academician A. Dănilă, artist L. Sainciuc, and S. Pilipețchi, a soloist at the Maria Bieșu National Opera and Ballet Theatre.

Born on February 10, 1910, in Chișinău, Maria Cebotari displayed vocal talent from an early age, singing in the choir of the Nativity Cathedral under the guidance of Father Mihail Berezivschi. Between 1924 and 1928, she studied at the Unirea Conservatory in Chișinău, training in vocal performance with M. Zlatova, A. Dicescu, and G. Afanasiu-Gabrielli. In 1928, together with her future husband, actor A. Vârubov, she moved to Europe, where she embarked on her career. Accepted into the Dresden Opera ensemble, she made her debut on April 15, 1931, in Puccini's La Bohème, and from 1934, she began performing at the Berlin State Opera. That same year, at just 24 years old, she was awarded the title of Kammersängerin, becoming the youngest recipient in vocal history, astonishing audiences with the breadth of her repertoire in terms of time periods, styles, and genres. 

Maria Cebotari also distinguished herself in cinema, appearing in ten films-most of them musicals-where she played leading roles or performed as a singer. On set, she collaborated with prominent figures such as director C. Gallone, actors G. Diessl and F. Giachetti, tenor B. Gigli, and others. 

In 1937, during the filming of Strong Hearts, Maria Cebotari starred alongside Austrian actor and former painter Gustav Diessl, who became her second husband. Their marriage resulted in two sons: Peter (born 1941) and Fritz (born 1946).  Maria Cebotari's performances graced the stages of Dresden, Berlin, Vienna, and Salzburg, as well as opera houses in Prague, Riga, Amsterdam, Brussels, Paris, Venice, Rome, Stockholm, and Basel. The final stage of her career was at the Vienna Opera. 

On June 9, 1949, Maria Cebotari passed away prematurely and was laid to rest in the Diessl family crypt at Döbling Cemetery in Vienna. 

Her extraordinary talent, unwavering determination, and thirst for life gave rise to the cultural phenomenon of Maria Cebotari, which remains a vital part of both national and European cultural heritage.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
27 March – 30 April 2026
 
September 25, 2025 – September 1, 2026
 
August 11, 2025 – January 31, 2026
 
Over 2500 pieces made of precious metals with historic, artistic and symbolic value
  

Come to Museum! Discover the History!
  
Visit museum
Visit museum
Summer schedule: daily
10am – 6pm.

Winter schedule: daily
10am – 5pm.
Closed on Mondays.
Entrance fees:  adults - 50 MDL, Pensioners, students - 20 lei, pupils - 10 MDL. Free access: enlisted men (...)

WiFi Free Wi-Fi Zone in the museum: In the courtyard of the National History Museum of Moldova there is Wi-Fi Internet access for visitors.


#Exhibit of the Month

The 21 beads form part of a bronze hoard found in 2019 within a forested area close to the town of Nisporeni. Alongside the beads, the hoard included numerous bronze ornaments (2 Röschitz-Sanislău-type fibulae, 7 necklaces, 12 rings, 22 tubes, 23 bracelets, and approximately 80 appliqués), one coral bead and a pendant made from a wild animal's tooth...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC