#Exhibit of the Month

The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody. The cylinder holds seven melodies by W.A. Mozart, which are played through the vibration of steel teeth arranged in a comb, whose tips are adjacent to the cylinder. The lid of the box features floral marquetry on its outer surface. This cultural asset is classified under the "Tezaur" category.

The Story of Musical Boxes

Musical boxes originated in Switzerland at the end of the 18th century. In 1796, watchmaker Antoine Favre-Salomon invented a pocket watch with an incorporated musical mechanism, using the principle of tuned metal lamellae. The invention quickly spread, soon leading to the creation of musical boxes independent of watches.

Initially invented and built for the salon entertainment of the aristocracy, musical boxes quickly evolved, capturing the market and public interest with these entertainment machines. The musical box industry was predominantly centered in Switzerland. Geneva remains the cradle of the musical box, even though the art of crafting these musical wonders spread to other regions of Switzerland - such as Jura, Auberson, and Sainte Croix - and later to other countries, including France, Germany, and Czechoslovakia. Some of the most notable manufacturers of musical boxes include: Mermod Frères, Paillard, Reuge, Thorens, Cuendet, Junod, Nicole Frères, Ducommun-Girod, Brémond, and L'Epee.

The musical box operated on a relatively simple principle: a cylinder with pins (cylindrical pins) would, through rotation, actuate a metal "comb" tuned to specific musical notes, both being concealed from view in one of the box's compartments. By turning the cylinder - with the help of a spring mechanism (similar to that of watches) - the pins would strike the steel "teeth" of the comb, causing them to vibrate and produce different musical notes. A musical box could have a limited number of melodies "programmed" onto the cylinder - from 4 to 12.

Over time, the cylinders were replaced with interchangeable metal discs. Based on this operating principle, large musical boxes emerged in cafés and taverns, which could be activated by inserting a coin, allowing users to select their preferred disc.

Besides the ingenious mechanism, musical boxes also stood out for the artistry of their exterior decorations, featuring materials such as precious woods, mother-of-pearl, ivory, and metal.

The decline of musical boxes began with the invention of the phonograph (1877) and the gramophone (1887). Production continued for a while, but by the early 20th century, most renowned companies had abandoned the business and started manufacturing other mechanical musical instruments.

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Exhibitions

“Pious and Hardworking People…” (German Colonists in Bessarabia)

October 12 – December 1, 2010

The thematic exhibition “Pious and Hardworking People…” (German Colonists in Bessarabia) is organized by Moldova-Institut Leipzig and National Museum of Archaeology and History of Moldova in collaboration with National Archives of the Republic of Moldova and National Museum of Ethnography and Natural History and sponsored by the German Embassy in the Republic of Moldova. It is presented by Ute Schmidt, PhD in historical sciences from Freie Universitat (Berlin).

The exhibition is dedicated to German colonists in Bessarabia during the period of 1813 – 1940.

It is divided into two parts. The first part consists of photographs and documents and reflects stages of colonization of the south part of Bessarabia, foundation of the first German villages in Bessarabia (Hoffnungstal, Friedenstal, Alexanderfeld), and the role of the Guardianship Committee for Colonists in Southern Russia (created in 1818) in the process of colonization. Thematic compartments of the part illustrate the life of a German village in the southern Bessarabia, the colonists’ occupations including agriculture, trade and crafts, spiritual life and education: religion, school, ethics, interethnic relations, and world outlook.

The second part of the exhibition consisting of the authentic items (books, documents, photographs, personal belongings) reminds the contemporaries of some persons from the German community from Chisinau in the modern time. In the 19th century in Chisinau there was a German community that numbered about 1000 people who managed to create a cultural association. The items exhibited in this part reflect certain aspects of the life and work of Carl Schmidt, the Chisinau mayor during 1877 – 1903, and Franz Ostermann, the first custodian and taxidermist of the Zemstvo Museum (1889 – 1905).