#Exhibit of the Month

The hoard was found in 1957 during the agricultural works near the village. At first, the hoard was in the collection of the National Museum of Ethnography and Natural History and later was transferred to the National Museum of History (Accession: FB: 12 576 - 12650; N: 12 658 - 12 732). It consists of 75 silver coins from the thaler category issued by the Kingdom of Poland, the United Provinces and the Holy Roman Empire in 1612-1648.

THE KINGDOM OF POLAND
Sigismund II Vasa (1586-1632)
Crown, thaler: 1628 (1).
Gdańsk, orts: 1612 (1), 1613 (1*), 1614 (1), 1615 (7), 1616 (8), 1617 (16), 1618 (4), 1619 (2), 161 (1), 1620 (2), 1621 (8).

THE UNITED PROVINCES OF THE NETHERLANDS
Lion thalers (leeuwendaalder)
Gelderland: 1641 (1), 1647 (2), 1649 (1).
West Frisia: 1648 (1).
Utrecht: 1643 (1), 1646 (1), 1647 (2), 1648 (1).

THE HOLY ROMAN EMPIRE
Kampen: halve leeuwendaalder 1646 (1), 1647 (1); leeuwendaalder 1647 (3), 1649 (1).
Zwolle: leeuwendaalder 1633 (1), 1637 (3), 1644 (1), 1646 (2), 1648 (1).

This hoard by its composition confirms the presence of silver coins from the thaler category in the Principality of Moldavia monetary circulation.

Thalers were first minted in 1486 in Sankt-Joachimsthal, today the Czech Republic, "thaler" being an abbreviation of "Joachimsthaler", meaning coin issued in Sankt-Joachimsthal. In the 16th and 17th centuries, thalers were issued in very large quantities, especially by state entities that were part of the Holy Roman Empire and the Habsburg Empire. Thus, thalers can be considered a quintessentially popular coin; there are thalers of several types, such as Austrian thalers, Polish thalers, Russian thalers, Turkish thalers, Venetian thalers, also called scuzi, "reichsthalers", also called imperials, löwenthalers or lion thalers, and Spanish thalers, also called piastre. In the Romanian principalities, thalers spread widely towards the end of the 16th century, and in the following centuries their circulation became very abundant, the thaler being in circulation until the second half of the 19th century. This money was a huge success, so it is also called: daalder / daler in the Netherlands, talar in Poland, dahlar in Scandinavia, tallaro / tallero in Italy, talari in Ethiopia, dollar in America. A special category is the Dutch thaler, leeuwendaalder, löwenthaler, which means "lion thaler", also called "lion" due to the coat of arms on the reverse, which is a shield with a crown, with a lion inside; it is a silver coin minted in Netherlands, where in 1575 it was decided to mint a new coin based on the scuzi. In the Romanian principalities the lion thaler appears in the last quarter of the 16th century. These lion thaler gave the name to the currency of Romania, the Republic of Moldova (leu), and Bulgaria (leva).

Orts are also silver coins from the thaler category, equal to 1/4 thaler. A quarter thaler was originally called "ortstaler", a name that was later reduced to the form "ort" (in Old German "ort" means "a quarter"). The coin circulated in Europe in the Middle Ages, including the Romanian principalities, being met in the 18th century as Polish, Turkish and German orts. The term "ort" is preserved in the Romanian expression "to give an ort to a priest" (which means "to die"), which dates back to the ancient pagan custom of placing a coin on the little finger of the deceased's right hand so that he could pay for the passage to the afterlife; With the same coin, the priest was paid for the funeral service: the family of the deceased "gave an ort to the priest" to observe church traditions.

National Museum of History of Moldova

Exhibitions

“Requiem for the Romanian Peasant: the Peasants and Communism”

Opening: May 18, 2020

They have always been on the battlefield. They fought with the Tatars, with the Turks and the Russians, with droughts and floods, with village headmen and activists, with tax collectors and quotas. They have always been defeated and victorious, for their sacrifice always nourished the continuity of history. However, in the fight against the Communists, they lost completely, because it destroyed not only their lives, but also their roots. Without land, peasants lost their essence. They went to wander, left for the cities, leaving the land and the household to women and children, and the harvest to students and soldiers. Those left to work in the fields began to "steal" from public property (which was actually their own property). Today the sacrifice of the peasants revolted in 1949-1950 remains a romantic episode. The final uprisings of 1960-1962 resemble medieval sieges. The day of April 1962, when collectivization was decreed, resembles the fall of Constantinople. Just as the paintings of Hagia Sophia illustrate a world foreign to the one to come, the peasants in the reality of our time seem martyrs without halos. Killed by bullets or ideology, they are the most numerous and innocent prey of communism.

The exhibition "Requiem for the Romanian Peasant: the Peasants and Communism" was organized in March 2009 by the International Centre for Studies into Communism, part of the Memorial to the Victims of Communism and to the Resistance - Civic Academy Foundation on the occasion of the of the 60th anniversary of the forced collectivization of agriculture and the beginning of the disaster for the Romanian peasantry (Plenary of the Central Committee of the Romanian Workers' Party on 3-5 March 1949). The curator of the exhibition was the late Romulus Rusan, director of the International Centre for Studies into Communism.

By means of archival documents, genuine photographs and evidences of oral history, the exhibition reconstructs the world of a Romanian village, which disappeared as a result of forced collectivization imposed by the communist regime. One of the main elements of the exhibition is a map of the numerous peasant uprisings against collectivization and quotas that took place in 1949-1962.

The Timiş and Arad branches of the Association of Former Political Prisoners in Romania, the County Museum of History in Alexandria and many witnesses of the events, some of which became historians, also collaborated in the creation of the exhibition. The graphic design was made by the architects Octavian Carabela and Marius Marcu-Lapadat.

The exhibition was presented in several cultural institutions in Bucharest, Alba Iulia, Arad, Alexandria, Baia Mare, Brăila, Iaşi, Cluj, Timişoara, Drobeta-Turnu Severin, Oradea, Satu Mare and other cities in Romania and at the B.P. Hasdeu State University in Cahul.

The exhibition can be seen in the hall of the second floor of the National Museum of History of Moldova from May 18, 2020.