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#Exhibit of the Month

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Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable.
With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects.
The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home.
In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present.
These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.

Virtual Tour


Exhibitions

„ROYAL”

Exhibition Dedicated to Queen Marie

2 December 2025 – 4 January 2026

The ROYAL exhibition, produced by the Bucharest Academy of Handmade Art and curated by PhD candidate Mioara Iofciulescu, offers a reflective reading of Queen Marie's personality through a body of handcrafted works: costume, jewelry, decor, painting and graphic art. Conceived as an installation of visual memory, the exhibition brings together more than 150 works by 15 Romanian artists - a project formed over six months of research, documentation and rigorous execution that reimagines and interprets the symbols of royalty through the language of handmade art.

At the heart of the project is the costume collection by Mioara Iofciulescu: dresses and pieces inspired by royal attire, alongside interwar costumes from the Academy's heritage, handcrafted jewelry collections (Adriana Câmpean, Victoria Semen, Magda Stan, Iuliana Șoaită, Gabriella Jasz, Anișoara Mușat, Delia Lobonț) and a digital reconstruction of one of the Queen's crowns (Radu Iofciulescu). Complementing these are pieces of refurbished small furniture, floral arrangements by Feudalia Peter, Lăcrămioara Anton, Angela Camenschi and Mioara Iofciulescu, as well as visual artworks by Valentina Butoi, Iulia Săsărman and Ianis Radu.

ROYAL has already enjoyed a well-received run: it premiered at the National Museum of Romanian Literature (July 2025) and toured to Balchik Castle, Craiova, Iași and the "King Michael I" Hall of the Palace of the Parliament. In Chișinău, the opening on 2 December (near Romania's National Day) will include a theatrical moment - a fragment from The Heart of Queen Marie performed by actress Claudia Motea - and will bring together figures from the cultural, diplomatic and public spheres.

Supported by the Ministry of Culture of the Republic of Moldova and partners, the project aims to revive not only the public image of Queen Marie but also her aesthetic sensibility, love of the arts and sense of civic responsibility. After Chișinău, the exhibition will continue at Pelișor Castle (9 January - 15 March 2026) and is planned for other European cities.

We invite you to discover ROYAL, a story of elegance, identity and artistic reinterpretation from 2 December 2025 to 4 January 2026, in Hall 4 of the National Museum of History of Moldova.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC