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Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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Exhibitions

„ROYAL”

Exhibition Dedicated to Queen Marie

2 December 2025 – 4 January 2026

The ROYAL exhibition, produced by the Bucharest Academy of Handmade Art and curated by PhD candidate Mioara Iofciulescu, offers a reflective reading of Queen Marie's personality through a body of handcrafted works: costume, jewelry, decor, painting and graphic art. Conceived as an installation of visual memory, the exhibition brings together more than 150 works by 15 Romanian artists - a project formed over six months of research, documentation and rigorous execution that reimagines and interprets the symbols of royalty through the language of handmade art.

At the heart of the project is the costume collection by Mioara Iofciulescu: dresses and pieces inspired by royal attire, alongside interwar costumes from the Academy's heritage, handcrafted jewelry collections (Adriana Câmpean, Victoria Semen, Magda Stan, Iuliana Șoaită, Gabriella Jasz, Anișoara Mușat, Delia Lobonț) and a digital reconstruction of one of the Queen's crowns (Radu Iofciulescu). Complementing these are pieces of refurbished small furniture, floral arrangements by Feudalia Peter, Lăcrămioara Anton, Angela Camenschi and Mioara Iofciulescu, as well as visual artworks by Valentina Butoi, Iulia Săsărman and Ianis Radu.

ROYAL has already enjoyed a well-received run: it premiered at the National Museum of Romanian Literature (July 2025) and toured to Balchik Castle, Craiova, Iași and the "King Michael I" Hall of the Palace of the Parliament. In Chișinău, the opening on 2 December (near Romania's National Day) will include a theatrical moment - a fragment from The Heart of Queen Marie performed by actress Claudia Motea - and will bring together figures from the cultural, diplomatic and public spheres.

Supported by the Ministry of Culture of the Republic of Moldova and partners, the project aims to revive not only the public image of Queen Marie but also her aesthetic sensibility, love of the arts and sense of civic responsibility. After Chișinău, the exhibition will continue at Pelișor Castle (9 January - 15 March 2026) and is planned for other European cities.

We invite you to discover ROYAL, a story of elegance, identity and artistic reinterpretation from 2 December 2025 to 4 January 2026, in Hall 4 of the National Museum of History of Moldova.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC