#Exhibit of the Month

Around thirty icons from the collection of the National Museum of History of Moldova feature Saint Nicholas the Hierarch and Miracle Worker. While most represent the later iconographic tradition, a few early images stand out as rare examples due to their composition.
In the icon "Saint Nicholas with Scenes from His Life", the hierarch is depicted bust-length, blessing the Gospel. He is framed by two round medallions showing Christ and the Mother of God, who hand him the Gospel and the omophorion. Saint Nicholas, earlier than other saints, was portrayed with scenes from his hagiographic cycle. The first images of his life date back to the 11th century, represented on a folding icon from the Monastery of Saint Catherine at Sinai.

The museum icon dates from the early 19th century, preserving the traditional chest format typical of classical icons. Twelve panels illustrate episodes from the saint's life, arranged from left to right: four on the upper register, four on the lower, and two on each side, as follows: Birth of Saint Nicholas (1), Baptism of Saint Nicholas (2), Miracle of Healing the Crippled Woman (3), Apprenticeship of Young Nicholas (4), Ordination as Deacon (5), Ordination as Bishop (6) Vision of Constantine (7), Saint Nicholas Saves Three Voivodes from Execution (8), Miracle of Rescue from Drowning (9), Miracle of Saving Basil from the Arabs (10), Dormition of Saint Nicholas (11), Translation of the Relics of Saint Nicholas to Bari (12).

Saint Nicholas the Hierarch is commemorated by the Orthodox Church twice a year: on December 6/19, the day of his birth, and on May 9/22, the day his relics were transferred from Myra to Bari (1087). Among all saints of the Christian world, the image of Saint Nicholas is one of the most popular, easily recognizable even to those unfamiliar with iconography.

He was born in the Roman Empire, at Patara in the province of Lycia, between 260-280, though early sources omit the exact date. Coming from a wealthy family, he rejected fame and luxury. From an early age he devoted himself to prayer and the study of Holy Scripture, while also mastering other disciplines. He avoided noisy gatherings and idle talk, attended church regularly, and pursued a life of chastity. Later he dedicated himself to pastoral ministry, defending the Christian faith with perseverance and firmly opposing heresies.
Through his care for people and the benefactions he performed everywhere, he became highly venerated not only in Myra but also in the surrounding regions. The grace of the Holy Spirit dwelling in his heart was revealed through miracles performed both during his life and after his death, earning him the enduring title of "Miracle Worker." Saint Nicholas passed away in the 330s (circa 334-337), and his remains were placed in a sumptuous marble tomb in the episcopal cathedral where he had served for many years. This soon became an important center of pilgrimage.
Holy Tradition has preserved with accuracy the features of his portrait, and his appearance in icons is marked by a distinct individuality. Ecclesiastical art has produced numerous iconographic representations, ranging from bust images to full-length depictions. The diversity of these representations suggests that the final iconography of Saint Nicholas was not yet established, taking shape only in the 10th-11th centuries. It is said that an authentic icon from the basilica in Myra, executed during the saint's lifetime and mentioned in written sources as early as the 11th century, played a significant role in his veneration.
Icons depicting the hagiographic cycle of Saint Nicholas spread widely in both Byzantine and post-Byzantine art, confirming the importance and popularity of his cult.

Virtual Tour

Exhibitions

“TESTIMONIES FROM THE GULAG: MEMORY OF THE VICTIMS OF THE TOTALITARIAN COMMUNIST REGIME”

The Museum of History and Ethnography of Telenești

15 September – 15 October, 2022

The establishment of the Soviet occupation regime on the territories of the left bank of the Prut had dramatic consequences, which are still felt in the society of the Republic of Moldova. The repressive policies and violent Sovietization began with the adoption of three decisions, between August 26 and November 4, 1940, on the recruitment of 59,500 people, mostly from rural areas, as a workforce for the coal and metallurgical industries of the USSR.

On June 12-13, 1941, in the 6 Bessarabian counties, incorporated in the Moldavian Soviet Socialist Republic, 4,507 people were arrested and 13,885 ones were deported.

The second wave of deportations took place on July 5-6, 1949, based on a top-secret decision by the Political Bureau of the Central Committee of the Communist Party; during this wave 35,796 people, including 11,889 children, were deported to Siberia and Northern Kazakhstan.

On the night of March 31 to April 1, 1951, a third wave of deportations followed, this time on religious grounds. At that time, 2,617 people (including 842 children), the members of religious organizations considered illegal and anti-Soviet, were repressed.

The grain requisitioning policy, established by the decrees of the Council of People's Commissars of the Moldavian SSR and the Central Committee of the Communist Party (of Bolsheviks) of Moldavia of April 9, 1945, obliged peasants to hand over grain to the state according to imposed quotas; non-compliance with these decisions provided for the punishment of the peasants according to art. 58 and 58-1 of the Criminal Code of the Ukrainian SSR. As a result of the Soviet state's cruel policy of requisition grain from peasants, there was the Famine phenomenon of 1946-1947. The number of people who starved to death between December 1946 and August 1947 ranged from 115,000 to 250,000, to which were added another 350,000 victims of malnutrition; At least 39 cases of cannibalism were recorded during the famine.

The photo-documentary exhibition "Testimonies from the Gulag: Memory of the victims of the totalitarian-communist regime" presents evidences of victims and survivors of political repressions and mass deportations from Moldavian SSR selected from the collections of the National Museum of History of Moldova and documents studied within the framework of the State program "Recovery and historical development of the memory of the victims of the totalitarian-communist regime in the Moldavian SSR in the periods 1940-1941, 1944-1953".

The exhibition is organised in the context of the European Heritage Days and is a tribute to the memory of the victims of the totalitarian-communist regime in the USSR.

The exhibition was developed within the Project "Memory culture for societies in the process of democratic transformation: promoting good practices between Lithuania and the Republic of Moldova", with the support of the Program for the Promotion of Democracy and Cooperation for Development of the Ministry of Foreign Affairs of the Republic of Lithuania.