#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle.
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services.
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right.
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord.

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

Virtual Tour

Exhibitions

„The clock over time”

May 18, 2017 – May 18, 2018

The exhibition is the result of research of the collection of watches from the National Museum of History of Moldova. The 150 watches displayed in the exhibition for the public reveal the evolution of the means of measuring time and of their makers as this activity was a constant concern and passion of man since Antiquity. The most valuable piece in the exhibition is the clock, as a heritage object, remarkable both by the sophisticated technique and the value of the materials used, as well as by the personality of their owners. It is a pioneering exhibition; a large part of the collection of watches (more than two hundred pieces) is being exhibited for the first time. The collection on display consists of various types of watches classified according to the method of operation and use.

The objects in the exhibition are authentic, original, part of them have undergone through restoration and conservation procedure, and therefore some of them are functional. Chronologically, the pieces in the exhibition are dated to the end of the 18th century to the middle of the 20th century.

Typologically, the most attractive are the wall and floor clocks from the 19th century and the first half of the 20th century, whose mechanisms are housed in impressive boxes (furniture type), made by well-known watchmakers and companies like Gustav Becker, Junghans, Philip Haas, Le roi à Paris, Lenzkirch, and others. In the ambiance of the museum space are exhibited watches of historical value: the wall clock from the Chisinau Real School (by M. Karcevski), the wall clock from the headquarters of the first working-class club in the city of Balta, the clock at the Railway Station From the town of Tighina (Bender). A special value has the wall clock which belonged to the family of Ivan Şpiller, a well-known watchmaker from Chișinău with Austrian origins, who in the middle of the 19th century had one of the largest and most important clock stores in the city. He was one of the craftsmen who "took care" of the clock on the Arch of Triumph during the years 1842-1849 and 1853-1862.

A very interesting history have also the office and fireplace clocks, followed by pocket watches, originally considered as a men's accessory, later replaced by wristwatches.

A special place in the museum exhibition is held by the watches of memorial value: the watch belonging to Zinaida Radu-Maiorova (1890-?) and Dumitru Remenco (1895-1940), Bessarabians participants in the Great War (1914-1918), the watches of academician Nicolae Dimo (1873-1959), writer Petrea Darienco (1923-1976), well-known archaeologist and museographer Vsevolod Marchevici (1917-1997), musicologist Serafim Buzilă (1937-1998) and others.

The exhibition is complemented by mini-vintage interiors and photographic images.

#Exhibit of the Month

Altar Gospel (1890)

„The clock over time”

May 18, 2017 – May 18, 2018

#Exhibit of the Month