#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

Virtual Tour

Exhibitions

„The clock over time”

May 18, 2017 – May 18, 2018

The exhibition is the result of research of the collection of watches from the National Museum of History of Moldova. The 150 watches displayed in the exhibition for the public reveal the evolution of the means of measuring time and of their makers as this activity was a constant concern and passion of man since Antiquity. The most valuable piece in the exhibition is the clock, as a heritage object, remarkable both by the sophisticated technique and the value of the materials used, as well as by the personality of their owners. It is a pioneering exhibition; a large part of the collection of watches (more than two hundred pieces) is being exhibited for the first time. The collection on display consists of various types of watches classified according to the method of operation and use.

The objects in the exhibition are authentic, original, part of them have undergone through restoration and conservation procedure, and therefore some of them are functional. Chronologically, the pieces in the exhibition are dated to the end of the 18th century to the middle of the 20th century.

Typologically, the most attractive are the wall and floor clocks from the 19th century and the first half of the 20th century, whose mechanisms are housed in impressive boxes (furniture type), made by well-known watchmakers and companies like Gustav Becker, Junghans, Philip Haas, Le roi à Paris, Lenzkirch, and others. In the ambiance of the museum space are exhibited watches of historical value: the wall clock from the Chisinau Real School (by M. Karcevski), the wall clock from the headquarters of the first working-class club in the city of Balta, the clock at the Railway Station From the town of Tighina (Bender). A special value has the wall clock which belonged to the family of Ivan Şpiller, a well-known watchmaker from Chișinău with Austrian origins, who in the middle of the 19th century had one of the largest and most important clock stores in the city. He was one of the craftsmen who "took care" of the clock on the Arch of Triumph during the years 1842-1849 and 1853-1862.

A very interesting history have also the office and fireplace clocks, followed by pocket watches, originally considered as a men's accessory, later replaced by wristwatches.

A special place in the museum exhibition is held by the watches of memorial value: the watch belonging to Zinaida Radu-Maiorova (1890-?) and Dumitru Remenco (1895-1940), Bessarabians participants in the Great War (1914-1918), the watches of academician Nicolae Dimo (1873-1959), writer Petrea Darienco (1923-1976), well-known archaeologist and museographer Vsevolod Marchevici (1917-1997), musicologist Serafim Buzilă (1937-1998) and others.

The exhibition is complemented by mini-vintage interiors and photographic images.