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The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody. The cylinder holds seven melodies by W.A. Mozart, which are played through the vibration of steel teeth arranged in a comb, whose tips are adjacent to the cylinder. The lid of the box features floral marquetry on its outer surface. This cultural asset is classified under the "Tezaur" category.

The Story of Musical Boxes

Musical boxes originated in Switzerland at the end of the 18th century. In 1796, watchmaker Antoine Favre-Salomon invented a pocket watch with an incorporated musical mechanism, using the principle of tuned metal lamellae. The invention quickly spread, soon leading to the creation of musical boxes independent of watches.

Initially invented and built for the salon entertainment of the aristocracy, musical boxes quickly evolved, capturing the market and public interest with these entertainment machines. The musical box industry was predominantly centered in Switzerland. Geneva remains the cradle of the musical box, even though the art of crafting these musical wonders spread to other regions of Switzerland - such as Jura, Auberson, and Sainte Croix - and later to other countries, including France, Germany, and Czechoslovakia. Some of the most notable manufacturers of musical boxes include: Mermod Frères, Paillard, Reuge, Thorens, Cuendet, Junod, Nicole Frères, Ducommun-Girod, Brémond, and L'Epee.

The musical box operated on a relatively simple principle: a cylinder with pins (cylindrical pins) would, through rotation, actuate a metal "comb" tuned to specific musical notes, both being concealed from view in one of the box's compartments. By turning the cylinder - with the help of a spring mechanism (similar to that of watches) - the pins would strike the steel "teeth" of the comb, causing them to vibrate and produce different musical notes. A musical box could have a limited number of melodies "programmed" onto the cylinder - from 4 to 12.

Over time, the cylinders were replaced with interchangeable metal discs. Based on this operating principle, large musical boxes emerged in cafés and taverns, which could be activated by inserting a coin, allowing users to select their preferred disc.

Besides the ingenious mechanism, musical boxes also stood out for the artistry of their exterior decorations, featuring materials such as precious woods, mother-of-pearl, ivory, and metal.

The decline of musical boxes began with the invention of the phonograph (1877) and the gramophone (1887). Production continued for a while, but by the early 20th century, most renowned companies had abandoned the business and started manufacturing other mechanical musical instruments.

Virtual Tour


Exhibitions

“Victor Rotaru: Reflections in Colors”

September 21 – October 31, 2023

On September 21, in Room no. 1 of the National Museum of History of Moldova, will take place the opening of a unique exhibition, entitled "Victor Rotaru: Reflections in Colors" which includes an impressive number of paintings by the plastic artist, collected and kept by the Kliuchnikoff family, most of which will be exhibited to the general public for the first time.

Victor Rotaru (1949-2020) is a prominent name in the world of Moldovan art. From an early age, he showed an artistic nature, discovering his special talent for drawing. Although they had in front of them a promising future artist, the times in which he grew up were marked by the strictly ideological demands of socialist realism, imperative in the Soviet period.

However, Victor Rotaru chose a less conventional path. Instead of joining the socialist realism movement, he preferred to maintain his artistic integrity and make a living in another way. He worked as an assistant stage designer at the "Moldova-film" Studio and later at the "Maria Bieșu" Opera and Ballet Theatre. He was also a painting and drawing teacher at children's art schools in the villages around Chisinau. It was a brave decision to give up his career as an artist, simply to stay true to his own artistic vision and not submit to the ideological pressures of the era.

During his career, Victor Rotaru revealed his artistic influences, inspired by artists such as Matisse, Modigliani, Picasso and Dali, from impressionism and post-impressionism. Today, Victor Rotaru's works retain the imprint of the difficult times in which he lived, but each of them conveys a deep philosophical message, reflecting his artistic essence. His compositions are unique in their energy and dynamics, as well as in their color combinations. They reflect the experiences and personality of an artist who said: "Loneliness is my way of being. I am a sentimental nature. Feelings, sometimes full of light, sometimes abysmal, guide me all my life."

Victor Rotaru cared a lot about his family, he had special relationships with his parents and sisters. He was an open person, he liked guests and soulful conversations. They were colleagues and close friends with Tudor Braga, Andrei Sârbu, Petru Jereghe and Mihai Țăruș.

In the creative activity, he manifested himself in portraiture, still life, genre painting, but also in scenography. Having to create and confirm himself under the restrictive conditions of the Soviet regime, he was an artist with a difficult fate, because he did not want to promote socialist realism in art. In this situation it was practically impossible to survive as a painter and for this reason he retired. He regretted wasting a lot of time...

"When I realized that I would never be able to reach Mihai Grecu's height, I gave up!"

Victor Rotaru is a remarkable artist whose personal and artistic choices have defined him in a unique way. He remained true to his own artistic vision and refused to submit to the ideological pressures of the age, demonstrating his courage to follow his own path in the art world.

The painting exhibition "Victor Rotaru: Reflections in Colors" can be visited between September 21 and October 21, 2023, in Room no. 1 of the National Museum of History of Moldova, Chisinau, 31 August 1989 street, 121A.


 




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Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
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Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
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Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
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Early Middle Ages
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#Exhibit of the Month

The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC