#Exhibit of the Month

The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody. The cylinder holds seven melodies by W.A. Mozart, which are played through the vibration of steel teeth arranged in a comb, whose tips are adjacent to the cylinder. The lid of the box features floral marquetry on its outer surface. This cultural asset is classified under the "Tezaur" category.

The Story of Musical Boxes

Musical boxes originated in Switzerland at the end of the 18th century. In 1796, watchmaker Antoine Favre-Salomon invented a pocket watch with an incorporated musical mechanism, using the principle of tuned metal lamellae. The invention quickly spread, soon leading to the creation of musical boxes independent of watches.

Initially invented and built for the salon entertainment of the aristocracy, musical boxes quickly evolved, capturing the market and public interest with these entertainment machines. The musical box industry was predominantly centered in Switzerland. Geneva remains the cradle of the musical box, even though the art of crafting these musical wonders spread to other regions of Switzerland - such as Jura, Auberson, and Sainte Croix - and later to other countries, including France, Germany, and Czechoslovakia. Some of the most notable manufacturers of musical boxes include: Mermod Frères, Paillard, Reuge, Thorens, Cuendet, Junod, Nicole Frères, Ducommun-Girod, Brémond, and L'Epee.

The musical box operated on a relatively simple principle: a cylinder with pins (cylindrical pins) would, through rotation, actuate a metal "comb" tuned to specific musical notes, both being concealed from view in one of the box's compartments. By turning the cylinder - with the help of a spring mechanism (similar to that of watches) - the pins would strike the steel "teeth" of the comb, causing them to vibrate and produce different musical notes. A musical box could have a limited number of melodies "programmed" onto the cylinder - from 4 to 12.

Over time, the cylinders were replaced with interchangeable metal discs. Based on this operating principle, large musical boxes emerged in cafés and taverns, which could be activated by inserting a coin, allowing users to select their preferred disc.

Besides the ingenious mechanism, musical boxes also stood out for the artistry of their exterior decorations, featuring materials such as precious woods, mother-of-pearl, ivory, and metal.

The decline of musical boxes began with the invention of the phonograph (1877) and the gramophone (1887). Production continued for a while, but by the early 20th century, most renowned companies had abandoned the business and started manufacturing other mechanical musical instruments.

Virtual Tour

International Collaboration

April 13, 2023

The visit of the ambassador of the People's Republic of China to Chisinau H.S. Yan Wenbin at the National Museum of History of Moldova

On April 13, 2023, the National Museum of History of Moldova had the honor of receiving the visit of H.E. Yan Wenbin, Ambassador of the People's Republic of China in Chisinau. The purpose of the meeting was to intensify cultural relations between Moldova and China through history, culture and museum education. In this regard, the organization of joint exhibitions, scientific conferences and study visits was discussed in order to deepen the exchange of experience in the field of research and museography.

On behalf of the National Museum of History of Moldova in the discussions participated General Director Eugen Sava, Deputy Directors Livia Sîrbu and Alexandru Argint, as well as the main communication specialist Sorin Șclearuc.

During the discussion, Mr. Eugen Sava pointed out the possibility of cooperation in terms of research, restoration and conservation of the cultural and historical heritage of both countries through direct collaboration with museums in China. For his part, the Chinese Ambassador showed great interest in the culture and history of the Republic of Moldova, emphasizing that they represent an important bridge between the two countries and peoples. At the end of the meeting, H.E. Yan Wenbin visited the halls of the museum and admired the unique collections of archeology and history.

The National Museum of History of Moldova is honored to collaborate with the People's Republic of China in the promotion and protection of cultural and historical heritage, as well as in the development of cultural and educational relations between the two countries.