#Exhibit of the Month

Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable.
With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects.
The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home.
In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present.
These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.

Virtual Tour

#Exhibit of the Month

December 2021

Engraving-document “The Battle of the Prut between the Turks and the Muscovites / The Battle of Stănilești”

A German keen on Romanian history, Robert Denndorf, donated to the museum several cultural goods of special historical and artistic significance. Among them there is the engraving “The Battle of the Prut between the Turks and the Muscovites / The Battle of Stănilești”. The work – with the dimensions: L – 420 mm, 380 mm; W – 350 mm, 300 mm – was executed by the German engraver and publisher of Swiss origin Matthӓus Merian, commissioned by the German historian Iohan Abelin known as the author under the name of Iohan Ludwig Gottfreid. It represents a general overview of the deployment of Turkish and Russian troops on the banks of the Prut, near Stănilești, before the beginning of the Battle of Stănilești (Vaslui County). In the center is the Prut River, in the upper part of the river being placed the Ottoman army and in the lower part – that of Russia, supported by the troops of Dimitrie Cantemir (Principality of Moldavia). By means of various symbols on the engraving certain actions and things are indicated and numbered, without decipherments and explanations. At the bottom of the engraving, in the center, in a frame, there is the title of the work in German: “Action bey der Prutt zwijehen denen Turcken und Mofcowiten”. The engraving was first published in 1715 in the historical journal “Theatrum Europaeum” founded by Mattthӓus Merian and issued in German between 1633 and 1738. Later, it was reproduced in 1673 in the book in Italian “Colonna Traiana – Eretta Dal Senato, E. Popolo Romano All, imperatore Traiano Augusto Nel Suo Foro in Roma” [“Trajan's Column, erected by the Senate and the Roman people to Emperor Trajan in his forum in Rome”]. The volume also included an exposition in Latin by Alfonso Ciaccone. As a result of the Battle of Stănilești, the Phanariotes regime was established in Moldavia in 1711, and in Wallachia in 1716. Dimitrie Cantemir settled in Russia.

The engraving-document “The Battle of the Prut between the Turks and the Muscovites / The Battle of Stănilești” is one of the first images in the medieval history of Romania, depicting the historical event of the early 18^th century – the Battle of Stănilești, which had important consequences for Moldavia and Wallachia. There are no images on this topic by Romanian authors of the 18^th century. The only depictions known to date are by Western artists.

The engraving has a remarkable artistic and historical value and is classified as a piece of movable cultural heritage in the Treasure category.