#Exhibit of the Month

German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design.
The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style.
The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition.
It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV.

The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.

The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.

These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.

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“Echoes of War” exhibition Opens in Moldova

4 October, 2023

"Echoes of War" by a Syrian photojournalist, Omar Sanadiki opened on 4 October in the National Museum of History of Moldova. The exhibition depicts two distant, yet intertwined wars in Syria and in Ukraine. The photos in Ukraine were shot in June this year, and were brought to Chişinău by the European External Action Service (EEAS) as a collaborative project with the photographer. "Echoes of War" will stay on show until 31 October at the Museum.

In his captivating photos, Sanadiki provides a reflective visual journey contrasting the turbulent atmospheres from the war that broke out in 2011 in Syria with those captured in 2023 in Ukraine. Sanadiki documents the war in Syria since its first day, photographing the destruction and the lives of the inhabitants of Homes, Aleppo and Damascus. The idea of the exhibition was born in Ukraine, during a media training organized by the EEAS which Sanadiki participated in.

During the opening of the exhibition on 4 October, the photographer said: "While visiting Ukraine and talking to the Ukrainian journalists, I felt inspired by seeing how the Ukrainian people cope with the war". "It reminded me of my people, of Syrians. Of our suffering and pain".

Sanadiki paired the photos he took in Syria with the frames from Ukraine in ten powerful stories, from personal reaction to destruction, portraying the inside of bombed houses, hands going through the rubble in the search of faded memories and pieces of past lives. He also depicts how life continues in both nations, with everyday tales of families, friends and passers-by who continue to live in Syria and Ukraine.

"These photos represent two distant, yet intertwined experiences of war, suffering and resilience" - said Aude Maio-Coliche, Director of Strategic Communication and Foresight at the European External Action Service at the opening. "They transcend geographical and cultural or linguistic boundaries".

Ambassador Jānis Mažeiks, the Head of EU Delegation to the Republic of Moldova said "It is very important that there are artists who document this evil, but also document the humanity, the way life goes on, how children are being born and raised, even against the background of shelled buildings".

"For me" - added the Ambassador - "it is also a reminder of being on the right side of the history. I think we can collectively take pride in the fact that the European Union and the Republic of Moldova both on the occasions of Syria and of the war in Ukraine - Russia's unprovoked aggression against Ukraine - have been on the right side of the history, not only in words, but also in deeds".

"Echoes of War" is an example of the efforts of the European Union to continue the conversation about the true cost of war. It also serves as a reminder that even in the darkest of times, the human spirit remains unbroken, ever-resilient, ever-hopeful.

The exhibition is a result of the training for journalists that took place in Poland and Ukraine for journalists coming from the outside of the European Union organized by the EEAS this summer. On Thursday and Friday the media professionals are visiting Chişinău to join training organized by the EEAS for media representatives from the Western Balkans, Middle East, Africa, South America and Asia to discuss the challenges of disinformation and information manipulation faced by the media today.

The exhibition will stay on display at the National Museum of History of Moldova until 31 October.